winter haiku d’haiku – have you ever seen = as-tu jamais vu, translation of Hermippus, an ancient Greek poet have you ever seen a pomegranate seed in drifts of snow? as-tu jamais vu une graine de grenade dans une congère ? Hermippus traduction en français par Richard Vallance I converted this beautiful poem by Hermippus, an ancient Greek poet, into a haiku. It is not my original work at all, but I just love this poem! I think you will agree. J’ai transformé ce beau poème par Hermippus, poète grec de l’antiquité, en un haiku. Ce n’est guère une oeuvre originale de ma part, mais je l’aime passionnément ! Je crois que vous serez d’accord.
summer haiku d’été – crow with an I-Phone = corbeau avec un I-Phone
summer haiku d’été – crow with an I-Phone = corbeau avec un I-Phone crow with an I-Phone smack-dab in his talons on the sky net corbeau avec un I-Phone arraché dans ses talons sur le net du ciel Richard Vallance
Symbaloo is my homepage, and for good reason!
Symbaloo is my homepage, and for good reason!
I chose Symbaloo as my homepage some time ago. As you can see for yourself, it is very streamlined, with small icons allowing me to access every last one of my major sites, such as:
Linear A , Linear B, Knossos & Mycenae
Rita Roberts’s Blog
Zohomail (my default e-mail, much more secure than Gmail)
all of my Pinterest groups
Mars Curiosity Raw Images
I chose Symbaloo over Windows 10 because the icons in Windows 10 are so huge that you can fit only a few on your desktop, which is very annoying. Maybe you might like Symbaloo too.
Minoan Linear A, Linear B, Knossos & Mycenae now has its own private domain name
Minoan Linear A, Linear B, Knossos & Mycenae now has its own private domain name:
It is no longer evident from the domain name that this is a WordPress site. I have also cleaned up the Header to eliminate the annoying RSS Feed. Now you select any month/year the Monthly Archives right from the TOP of page.
NEW PINTEREST BOARD! D-Wave and Quantum Computers… & their application to the decipherment of Minoan Linear A and then some!
The partial decipherment of Minoan Linear A: what I started, quantum computing could polish off! PART B
The partial decipherment of Minoan Linear A: what I started, quantum computing could polish off! PART B
The partial decipherment of Minoan Linear A: what I started, quantum computing could polish off! PART A
The partial decipherment of Minoan Linear A: what I started, quantum computing could polish off! PART A
NOTA BENE! Quantum computing is already here! … in 2017!… far far sooner than anyone had ever speculated or had even dreamed it could come into being! And it has staggering implications for huge advances in all branches of technology and the sciences!
NOTA BENE! Quantum computing is already here! ... in 2017!... far far sooner than anyone had ever speculated or had even dreamed it could come into being! And it has staggering implications for huge advances in all branches of technology and the sciences! Dwave: the Quantum Computing Company (Click here): right here in Canada, no less, has just invented the first truly functional quantum computer. And the implications for the near, let alone the more distant, future of every branch of technology and for all of the sciences mankind is cognizant of are nothing short of staggering, indeed, dare I say, earth-shattering. What is a quantum computer? ALL ITALICS MINE To quote verbatim the D-Wave company's definition of quantum computing: A quantum computer taps directly into the fundamental fabric of reality — the strange and counter-intuitive world of quantum mechanics — to speed computation. Quantum Computation: Rather than store information as 0s or 1s as conventional computers do, a quantum computer uses qubits – which can be a 1 or a 0 or both at the same time. This “quantum superposition”, along with the quantum effects of entanglement and quantum tunnelling, enable quantum computers to consider and manipulate all combinations of bits simultaneously, making quantum computation powerful and fast. How D-Wave Systems Work: Quantum computing uses an entirely different approach than (sic: i.e. from) classical computing. A useful analogy is to think of a landscape with mountains and valleys. Solving optimization problems can be thought of as trying to find the lowest point on this landscape. (In quantum computers), every possible solution is mapped to coordinates on the landscape (all at the same time) , and the altitude of the landscape is the “energy’” or “cost” of the solution at that point. The aim is to find the lowest point on the map and read the coordinates, as this gives the lowest energy, or optimal solution to the problem. Classical computers running classical algorithms can only “walk over this landscape”. Quantum computers can tunnel through the landscape making it faster to find the lowest point. The D-Wave processor considers all the possibilities simultaneously to determine the lowest energy required to form those relationships. The computer returns many very good answers in a short amount of time - 10,000 answers in one second. This gives the user not only the optimal solution or a single answer, but also other alternatives to choose from. D-Wave systems use “quantum annealing” to solve problems. Quantum annealing “tunes” qubits from their superposition state to a classical state to return the set of answers scored to show the best solution. Programming D-Wave: To program the system a user maps their problem into this search for the lowest point. A user interfaces with the quantum computer by connecting to it over a network, as you would with a traditional computer (Comment by myself: This is one of the vital factors in the practical usefulness of the quantum computer). The user’s problems are sent to a server interface, which turns the optimization program into machine code to be programmed onto the chip. The system then executes a “quantum machine instruction” and the results are returned to the user. D-Wave systems are designed to be used in conjunction with classical computers, as a “quantum co-processor”. D-Wave’s flagship product, the 1000-qubit D-Wave 2X quantum computer, is the most advanced quantum computer in the world. It is based on a novel type of superconducting processor that uses quantum mechanics to massively accelerate computation. It is best suited to tackling complex optimization problems that exist across many domains such as: Optimization Machine Learning Pattern Recognition and Anomaly Detection Financial Analysis Software/Hardware Verification and Validation For the massive capabilities and the astounding specs of the D-Wave computer, Click on this link: Comment by myself: Apparently, the severest limitation of the quantum computer (at least the first generation represented by D-Wave) is that it can only function at the temperature of – 273 celsius, i.e. a mere 0.015 degrees celsius above absolute zero, 180 X colder than the coldest temperature in the universe. But this limitation is merely apparent. Some will have it that this severe restriction makes the machine impractical, since, as they believe, it cannot be networkeed. But nothing could be further from the truth. It can be networked, and it is networked. All that is required is an external link from the near-absolute zero internal configuration of a quantum computer to the external wiring or wireless communication at room temperature at its peripheral to connect it directly to one or more digital computer consoles, thereby allowing the user(s) to connect the quantum computer indirectly to, you got it, the world wide web. The implications of this real-world connectivity are simply staggering. Since the quantum computer, which is millions of times faster than the faster supercomputer in the world, it can directly feed its answers to any technological or scientific problem it can tackle at super-lightning speed to even personal computers, let alone the fastest supercomputers in existence! It instantly feeds its super-lightning calculations to the “terminal” computer and network (i.e. the Internet), thereby effectively making the latter (digital) system(s) virtually much more rapid than they actually are in reality, if you can wrap that one around your head. MORE ON THE NATURE OF QUANTUM COMPUTING: From this site: I quote, again verbatim: Whereas classical computers encode information as bits that can be in one of two states, 0 or 1, the ‘qubits’ that comprise quantum computers can be in ‘superpositions’ of both at once. This, together with qubits’ ability to share a quantum state called entanglement, should enable the computers to essentially perform many calculations at once (i.e. simultaneously). And the number of such calculations should, in principle, double for each additional qubit, leading to an exponential speed-up. This rapidity should allow quantum computers to perform certain tasks, such as searching large databases or factoring large numbers, which would be unfeasible for slower, classical computers. The machines could also be transformational as a research tool, performing quantum simulations that would enable chemists to understand reactions in unprecedented detail, or physicists to design materials that superconduct at room temperature. The team plans to achieve this using a ‘chaotic’ quantum algorithm that produces what looks like a random output. If the algorithm is run on a quantum computer made of relatively few qubits, a classical machine can predict its output. But once the quantum machine gets close to about 50 qubits, even the largest classical supercomputers will fail to keep pace, the team predicts. And yet again, from another major site: “Spooky action at a distance” is how Albert Einstein described one of the key principles of quantum mechanics: entanglement. Entanglement occurs when two particles become related such that they can coordinate their properties instantly even across a galaxy. Think of wormholes in space or Star Trek transporters that beam atoms to distant locations. Quantum mechanics posits other spooky things too: particles with a mysterious property called superposition, which allows them to have a value of one and zero at the same time; and particles’ ability to tunnel through barriers as if they were walking through a wall. All of this seems crazy, but it is how things operate at the atomic level: the laws of physics are different. Einstein was so skeptical about quantum entanglement that he wrote a paper in 1935 titled “Can quantum-mechanical description of physical reality be considered complete?” He argued that it was not possible. In this, Einstein has been proven wrong. Researchers recently accessed entangled information over a distance of 15 miles. They are making substantial progress in harnessing the power of quantum mechanics. Einstein was right, though, about the spookiness of all this. D-Wave says it has created the first scalable quantum computer. (D-Wave): Quantum mechanics is now being used to construct a new generation of computers that can solve the most complex scientific problems—and unlock every digital vault in the world. These will perform in seconds computations that would have taken conventional computers millions of years. They will enable better weather forecasting, financial analysis, logistical planning, search for Earth-like planets, and drug discovery. And they will compromise every bank record, private communication, and password on every computer in the world — because modern cryptography is based on encoding data in large combinations of numbers, and quantum computers can guess these numbers almost instantaneously. There is a race to build quantum computers, and (as far as we know) it isn’t the NSA that is in the lead. Competing are big tech companies such as IBM, Google, and Microsoft; start-ups; defence contractors; and universities. One Canadian start-up says that it has already developed a first version of a quantum computer. A physicist at Delft University of Technology in the Netherlands, Ronald Hanson, told Scientific American that he will be able to make the building blocks of a universal quantum computer in just five years, and a fully-functional demonstration machine in a little more than a decade. These will change the balance of power in business and cyber-warfare. They have profound national security implications, because they are the technology equivalent of a nuclear weapon. Let me first explain what a quantum computer is and where we are. In a classical computer, information is represented in bits, binary digits, each of which can be a 0 or 1. Because they only have only two values, long sequences of 0s and 1s are necessary to form a number or to do a calculation. A quantum bit (called a qubit), however, can hold a value of 0 or 1 or both values at the same time — a superposition denoted as “0+1.” The power of a quantum computer increases exponentially with the number of qubits. Rather than doing computations sequentially as classical computers do, quantum computers can solve problems by laying out all of the possibilities simultaneously and measuring the results. Imagine being able to open a combination lock by trying every possible number and sequence at the same time. Though the analogy isn’t perfect — because of the complexities in measuring the results of a quantum calculation — it gives you an idea of what is possible. Most researchers I have spoken to say that it is a matter of when — not whether — quantum computing will be practical. Some believe that this will be as soon as five years; others say 20 years. (ADDDENDUM by myself. WRONG! Not in 20 years, but right now. We have already invented the first functional quantum computer, the D-Wave (see above)). One Canada-based startup, D-Wave, says it has already has done it. Its chief executive, Vern Brownell, said to me in an e-mail that D-Wave Systems has created the first scalable quantum computer, with proven entanglement, and is now working on producing the best results possible for increasingly complex problems. He qualified this claim by stressing that their approach, called “adiabatic computing,” may not be able to solve every problem but has a broad variety of uses in optimizing computations; sampling; machine learning; and constraint satisfaction for commerce, national defence, and science. He says that the D-Wave is complementary to digital computers; a special-purpose computing resource designed for certain classes of problems. The D-Wave Two computer has 512 qubits and can, in theory, perform 2 raised to 512 operations simultaneously. That’s more calculations than there are atoms in the universe — by many orders of magnitude. Brownell says the company will soon be releasing a quantum processor with more than 1,000 qubits. He says that his computer won’t run Shor’s algorithm, an algorithm necessary for cryptography, but it has potential uses in image detection, logistics, protein mapping and folding, Monte Carlo simulations and financial modeling, oil exploration, and finding exoplanets (and allow me to add, in breaking the entire genome!) So quantum computers are already here in a limited form, and fully functional versions are on the way. They will be as transformative for mankind as were the mainframe computers, personal computers, and smartphones that we all use. As do all advancing technologies, they will also create new nightmares. The most worrisome development will be in cryptography. Developing new standards for protecting data won’t be easy. The RSA standards that are in common use each took five years to develop. Ralph Merkle, a pioneer of public-key cryptography, points out that the technology of public-key systems, because it is less well-known, will take longer to update than these — optimistically, ten years. And then there is a matter of implementation so that computer systems worldwide are protected. Without a particular sense of urgency or shortcuts, Merkle says, it could easily be 20 years before we’ve replaced all of the Internet’s present security-critical infrastructure. (ADDENDUM: I think not! It will happen far, far sooner than that! I predict possibly as early as 2020.) It is past time we began preparing for the spooky technology future we are rapidly heading into. Quantum computing represents the most staggering and the swiftest advancement of human hyperintelligence in the history of humankind, with the potential for unlocking some of the most arcane secrets of the universe itself. It signifies, not just a giant, but literally a quantum leap in human intelligence way, way beyond the pale. If we thought the Singularity was near before the advent of the quantum computer, what about now? Think about this, even for the merest split second, and you will blow your own mind! It certainly blew mine! Think of this too. What if one were to directly tap the human mind into a room temperature digital peripheral of a quantum computer? What then? I pretty much have a very good idea of what then! The staggering implications of quantum computing for the potential total decipherment of, not only Minoan Linear A, but of every other as yet undeciphered, unknown ancient language: In the next post, I shall expostulate the profound implications the advent of the quantum computer is bound to have on the decipherment of not only Minoan Linear A, but of every other as-yet unknown, and undeciphered, ancient language. I strongly suspect that we will now soon be able to crack Minoan Linear A, and several other unknown ancient languages to boot. And, trust me, I shall be one of the first historical linguists at the forefront of this now potentially attainable goal, which is now tantalizingly within our reach.
Combined Twitter accounts of Richard Vallance (KO NO SO) and Rita Roberts reach just shy of 2,300
Combined Twitter accounts of Richard Vallance (KO NO SO) and Rita Roberts reach just shy of 2,300: The combined Twitter accounts of Richard Vallance (KO NO SO) and Rita Roberts reach just shy of 2,300. This is a huge leap since our last update on the number of our followers about three months ago. 1,705 followers for something as esoteric as Mycenaean Greek and Linear A is quite respectable. Apparently, Rita and I are finally catching fire! Here are our accounts: If you are not already following us, hint, hint!
Richard Vallance Twitter KONOSO 1602 & Rita Roberts 548 followers for a total of 2,150!
Richard Vallance Twitter KONOSO 1602 & Rita Roberts 548 followers for a total of 2,150! Richard Vallance’s Twitter account, KONOSO, has now reached 1602 followers & Rita Roberts’ 548 followers, for a total of 2,150 followers! Amazing, considering how esoteric Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C are. Of course, Rita’s twitter account covers a far greater range of topics on the ancient world, archaeology, early modern historical goodies, and modern stuff too! The last time we checked in about 4 months ago, we only had about 1,500 followers between us. We are growing like gangbusters!
Minoan Linear A, Linear B, Knossos & Mycenae now ranked on first page of Google search on “minoan linear a mycenaean linear b”
Minoan Linear A, Linear B, Knossos & Mycenae now ranked on first page of Google search on “minoan linear a mycenaean linear b” Even though the official name of our research site was not even changed from Linear B, Knossos & Mycenae to Minoan Linear A, Linear B, Knossos & Mycenae until June 2016, and in spite of the fact that we had never conducted any really serious research into Minoan Linear A and any potential for its partial decipherment prior to May 2106, our premier research site into the three major ancient Linear scripts, Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear, all of which I am on deeply familiar terms with, has risen from virtually no presence in cross-disciplinary studies of Minoan Linear A and Mycenaean Linear B in tandem prior to May 2016, to the eighth position the first page of this Google search on Sept. 1 2016. But if you eliminate the hits which deal with either Linear A or Linear B exclusively (i.e. alone) = Boolean or exclusive, our rank jumps from 8 to 3. Enough said.
Academia.edu passes 10,000,000 users + my account is in the top 1 %
BING images search reveals that the majority of Linear B tablets from Knossos & Pylos are from our own blog:
BING images search reveals that the majority of Linear B tablets from Knossos & Pylos are from our own blog: from Knossos: Click to run the search: Now that is some accomplishment! It confirms that Linear B, Knossos & Mycenae is indeed the premier Linear B blog on the Internet. And if that were not enough, the same goes for the BING images search for Linear B tablets from Pylos: Click to run the search: So if you wish to search for images of Linear B tablets from Knossos or Pylos, simply run the searches above, and voilà, off you go! You will find a treasure trove of Linear B tablets of these provenances, regardless of the site where they are found. Translations of tablets from both sites are by Richard Vallance and Rita Roberts. We have done ourselves proud. Richard
PDF uploaded to academia.edu application to Minoan Linear A & Mycenaean Linear B of AIGCA (artificial intelligence geometric co-ordinate analysis)
PDF uploaded to academia.edu application to Minoan Linear A & Mycenaean Linear B of AIGCA (artificial intelligence geometric co-ordinate analysis) AIGCA (artificial intelligence geometric co-ordinate analysis) by supercomputers or via the high speed Internet is eminently suited for the identification and parsing unique cursive scribal hands in Mycenaean Linear B without the need of such identification by manual visual means. To read this ground-breaking scientific study of the application of AIGCA (artificial intelligence geometric co-ordinate analysis)to the parsing of unique cursive scribal hands, click on this banner:
PART B: The application of geometric co-ordinate analysis (GCA) to parsing scribal hands in Minoan Linear A and Mycenaean Linear B
PART B: The application of geometric co-ordinate analysis (GCA) to parsing scribal hands in Minoan Linear A and Mycenaean Linear B Introduction: I propose to demonstrate how geometric co-ordinate analysis of Minoan Linear A and Mycenaean Linear B can confirm, isolate and identify with precision the X Y co-ordinates of single syllabograms, homophones and ideograms in their respective standard fonts, and in the multiform cursive “deviations” from the invariable on the X Y axis, the point of origin (0,0) on the X Y plane, and how it can additionally parse the running co-ordinates of each character, syllabogram or ideogram of any of the cursive scribal hands in each of these scripts. This procedure effectively epitomizes the “style” of any scribe’s hand, just as we would nowadays characterize any individual’s handwriting style. This hypothesis is at the cutting edge in the application of graphology a.k.a epigraphy exclusively based on the scientific procedure of artificial intelligence geometric co-ordinate analysis (AIGCA) of scribal hands, irrespective of the script under analysis. If supercomputer or ultra high speed Internet generated artificial intelligence geometric co-ordinate analysis of Sumerian and Akkadian cuneiform is a relatively straightforward matter, as I have summarized it in my first article , that of Minoan Linear A and Mycenaean Linear B, both of which share more complex additional geometric constructs in common, appears to be somewhat more of a challenge, at least at first glance. When we come to apply this technique to more complex geometric forms, the procedure appears to be significantly more difficult to apply. Or does it? The answer to that question lies embedded in the question itself. The question is neither closed nor open, but simply rhetorical. It contains its own answer. It is in fact the hi-tech approach which decisively and instantaneously resolves any and all difficulties in every last case of geometric co-ordinate analysis of any script, syllabary or indeed any alphabet, ancient or modern. It is neatly summed up by the phrase, “computer-based analysis”, which effectively and entirely dispenses with the necessity of having to parse scribal hands or handwriting by manual visual means or analysis at all. Prior to the advent of the Internet, modern supercomputers and artificial intelligence(AI), geometric co-ordinate analysis of any phenomenon, let alone scribal hands, or handwriting post AD (anno domini), would have been a tedious mathematical process hugely consuming of time and human resources, which is why it was never attempted then. The groundbreaking historical epigraphic studies of Emmett L. Bennet Jr. and Prof. John Chadwick (1966): All this is not to say that some truly remarkable analyses of scribal hands in Mycenaean Linear B were not realized in the twentieth century. Although such studies have been few and far between, one in particular stands out as pioneering. I refer of course to Emmett L. Bennet Jr.’s remarkable paper, “Miscellaneous Observations on the Forms and Identities of Linear B Ideograms” (1966) , in which he single-handedly undertook a convincing epigraphic analysis of Mycenaean Linear B through manual visual observation alone, without the benefit of supercomputers or the ultra-high speed internet which we have at our fingertips in the twenty-first century. His study centred on the ideograms for wine (*131), (olive) oil (*130), *100 (man), *101 (man) & *102 (woman) rather than on any of the Linear B syllabograms as such. The second, by John Chadwick in the same volume, focused on the ideogram for (olive) oil. As contributors to the same Colloquium, they essentially shared the same objectives in their epigraphic analyses. Observations which apply to Bennett’s study of scribal hands are by and large reflected by Chadwick’s. Just as we find in modern handwriting analysis, both Bennett and Chadwick concentrated squarely on the primary characteristics of the scribal hands of a considerable number of scribes. Both researchers were able to identify, isolate and classify the defining characteristics of the various scribal hands and the attributes common to each and every scribe, accomplishing this remarkable feat without the benefit of super high speed computer programming. Although Prof. Bennett Jr. did not systematically enumerate his observations on the defining characteristics of particular scribal hands in Mycenaean Linear B, we shall do so now, in order to cast further light on his epigraphic observations of Linear B ideograms, and to situate these in the context of the twenty-first century hi tech process of geometric co-ordinate analysis to scribal hands in Mycenaean Linear B. I have endeavoured to extrapolate the rather numerous variables Bennett assigned determining the defining characteristics of various scribal hands in Linear B. They run as follows (though they do not transpire in this order in his paper): (a) The number of strokes (vertical, horizontal and diagonal – right or left – vary significantly from one scribal hand to the next. This particular trait overrides most others, and must be kept uppermost in mind. Bennett characterizes this phenomenon as “opposition between varieties”. For more on the concept of ‘oppositions’, see my observations on the signal theoretical contribution by Prof. L. R. Palmer below. (b) According to Bennet, while some scribes prefer to print their ideograms, others use a cursive hand. But the very notion of “printing” as a phenomenon per se cannot possibly be ascribed to the Linear B tablets. Bennet’s so-called analysis of scribal “printing” styles I do not consider as printing at all, but rather as the less common scribal practice of precise incision, as opposed to the more free-form cursive style adopted by most Linear B scribes. Incision of characters, i.e. Linear B, syllabograms, logograms and ideograms, predates the invention of printing in the Western world by at least two millennia, and as such cannot be attributed to printing as we understand the term. Bennett was observing the more strictly geometric scribal hands among those scribes who were more meticulous than others in adhering more or less strictly to the dictates of linear, circular and other normalized attributes of geometry, as outlined in the economy of geometric characteristics of Linear B in Figure 1: Click to ENLARGE But even the more punctilious scribes were ineluctably bound to deviate from what we have established as the formal modern Linear B font, the standard upon which geometric co-ordinate analysis depends, and from which all scribal hands in both Minoan Linear A and Mycenaean Linear B, the so-called “printed” or cursive, must necessarily derive or deviate. (c) as a corollary of Bennet’s observation (b), some cursive hands are sans serif, others serif. (d) similarly, the length of any one or any combination of strokes, sans serif or serif, can clearly differentiate one scribal hand from another. (e) as a corollary of (c), some serif hands are left-oriented, while the majority are right-oriented, as illustrated here in Figure 2: Click to ENLARGE (f) As a function of (d) above, the “slant of the strokes” Bennett refers to is the determinant factor in the comparison between one scribal hand and any number of others, and as such constitutes one of the primary variables in his manual visual analytic approach to scribal hands. (g) In some instances, some strokes are entirely absent, whether or not accidentally or (un)intentionally. (h) Sometimes, elements of each ideogram under discussion (wine, olive oil and man, woman or human) touch, just barely touch, retouch, cross, just cross, recross or fully (re)cross one another. According to Bennet, these sub-variables can often securely identify the exact scribal hand attributed to them. (i) Some strokes internal to each of the aforementioned ideograms appear to be partially unconnected to others, in the guise of a deviance from the “norm” as defined by Bennett in particular, although I myself am unable to ascertain which style of ideogram is the “norm”, whatever it may be, as opposed to those styles which diverge from it, i.e. which I characterize as mathematically deviant from the point of origin (0,0) on the X Y co-ordinate axis on the two-dimensional Cartesian plane. Without the benefit of AIGCA, Bennett could not possibly have made this distinction. Whereas any partially objective determination of what constitutes the “norm” in any manual scientific study not finessed by high speed computers was pretty much bound to be arbitrary, the point of origin (0,0) on the X Y axis of the Cartesian two-dimensional plane functions as a sound scientific invariable from which we define the geometrically pixelized points of departure by means of ultra high speed computer computational analysis (AIGCA). (j) The number of strokes assigned to any ideogram in Linear B can play a determinant role. One variation in particular of the ideogram for wine contains only half the number of diagonal strokes as the others. This Bennett takes to be the deviant ideogram for must, rather than wine itself, and he has reasonably good grounds to make this assertion. Likewise, any noticeable variation in the number of strokes in other ideograms (such as those for olive oil and humans) may also be indicators of specific deviant meanings possibly assigned to each of them, whatever these might be. But we shall never know. With reference to the many variants for “man” or human (*101), I refer you to Bennett’s highly detailed chart on page 22 . It must be conceded that AI geometric co-ordinate analysis is incapable of making a distinction between the implicit meanings of variants of the same ideogram, where the number of strokes comprising said ideogram vary, as in the case of the ideogram for wine. But this caveat only applies if Bennet’s assumption that the ideogram for wine with fewer strokes than the standard actually means (wine) must. Otherwise, the distinction is irrelevant to the parsing by means of AIGCA of this ideogram in particular or of any other ideogram in Linear B for which the number of strokes vary, unless corroborating evidence can be found to establish variant meanings for each and every ideogram on a case by case basis. Such a determination can only be made by human analysis. (k) As Bennett has it, the spatial disposition of the ideograms, in other words, how much space each ideogram takes up on the various tablets, some of them consuming more space than others, is a determinant factor. He makes a point of stressing that some ideograms are incised within a very “cramped and confined space”. The practice of cramming as much text as possible into an allotted minimum of remaining space on tablets was commonplace. Pylos tablet TA 641-1952 (Ventris) is an excellent example of this ploy so many scribes resorted to when they discovered that they had used up practically all of the space remaining on any particular tablet, such as we see here on Pylos tablet 641-1952 (Figure 3): Click to ENLARGE Yet cross comparative geometric analysis of the relative size of the “font” or cursive scribal hand of this tablet and all others in any ancient script, hieroglyphic, syllabary, alphabetical or otherwise, distinctly reveals that neither the “font” nor cursive scribal hand size have any effect whatsoever on the defining set of AIGCA co-ordinates — however minuscule (as in Linear B) or enormous (as in cuneiform) — of any character, syllabogram or ideogram in any script whatsoever. It simply is not a factor. (l) Some ideograms appear to Bennett “almost rudimentary” because of the damaged state of certain tablets. It is of course not possible to determine which of these two factors, cramped space or damage, impinge on the rudimentary outlines of some of the same ideograms, be these for wine (must), (olive) oil or humans, although it is quite possible that both factors, at least according to Bennet, play a determinant rôle in this regard. But in fact they cannot and do not, for the following reasons: 1. So-called “rudimentary” incisions may simply be the result of end-of-workday exhaustion or carelessness or alternatively of remaining cramped space; 2. As such, they necessarily detract from an accurate determination of which scribe’s hand scribbled one or more rudimentary incisions on different tablets, even by means of AIGCA; 3. On the other hand, the intact incisions of the same scribe (if they are present) may obviate the necessity of having to depend on rudimentary scratchings. But the operative word here is if they are present. Not only that, even in the presence of intact incisions by said scribe, it all depends on the total number of discrete incisions made, i.e. on the number of different syllabograms, logograms, ideograms, word dividers (the vertical line in Linear B), numerics and other doodles. We shall more closely address this phenomenon below. (m) Finally, some scribes resort to more elaborate cursive penning of syllabograms, logograms, ideograms, the Linear B word dividers, numerics and other marks, although it is open to serious question whether or not the same scribe sometimes indulges in such embellishments, and sometimes does not. This throws another wrench into the accurate identification of unique scribal hands, even with AIGCA. The aforementioned variables as noted though not explicitly enumerated by Bennett summarize how he and Chadwick alike envisioned the prime characteristics or attributes, if you like, the variables, of various scribal hands. Each and every one of these attributes constitutes of course a variable or a variant of an arbitrary norm, whatever it is supposed to be. The primary problem is that, if we are to lend credence to the numerous distinctions Bennet ascribes to scribal hands, there are simply far too many of these variables. When one is left with no alternative than to parse scribal hands by manual visual means, as were Bennet and Chadwick, there is just no way to dispense with a plethora of variations or with the arbitrary nature of them. And so the whole procedure (manual visual inspection) is largely invalidated from a strictly scientific point of view. In light of my observations above, as a prelude to our thesis, the application of artificial geometric co-ordinate analysis (AIGCA) to scribal hands in Minoan Linear A and Mycenaean Linear B, I wish to draw your undivided attention to the solid theoretical foundation laid for research into Linear B graphology or epigraphy by Prof. L.R. Palmer, one of the truly exceptional pioneers in Linear B linguistic research, who set the tone in the field to this very day, by bringing into sharp focus the single theoretical premise — and he was astute enough to isolate one and one only — upon which any and all research into all aspects of Mycenaean Linear B must be firmly based. I find myself compelled to quote a considerable portion of Palmer’s singularly sound foundational scientific hypothesis underpinning the ongoing study of Linear which he laid in The Interpretation of Mycenaean Greek Texts . (All italics below mine). Palmer contends that.... The importance of the observation of a series of ‘oppositions’ at a given place in the formulaic structure may be further illustrated... passim... A study of handwriting confirms this conclusion. The analysis removes the basis for a contention that the tablets of these sets were written at different times and list given herdsmen at different stations. It invalidates the conclusion that the texts reflect a system of transhumance (see p. 169 ff.). We may insist further on the principle of economy of theses in interpretation... passim... See pp. 114 ff. for the application of this principle, with a reduction in the number of occupational categories. New texts offer an opportunity for the most rigorous application of the principle of economy. Here the categories set up for the interpretation of existing materials will stand in the relation of ‘predictions’ to the new texts, and the new material provides a welcome opportunity for testing not only the decipherment but also interpretational methods. The first step will be to interpret the new data within the categorical framework already set up. Verificatory procedures will then be devised to test the results which emerge. If they prove satisfactory, no furthers categories will be added. The number of hypotheses set up to explain a given set of facts is an objective measure of the ‘arbitrary’, and explanations can be graded on a numerical scale. A completely ‘arbitrary’ explanation is one which requires x hypotheses for y facts. It follows that the most ‘economical’ explanation is the least ‘arbitrary’. I could not have put it better myself. The more economical the explanation, in other words, the underlying hypothesis, the less arbitrary it must necessarily be. In light of the fact that AIGCA reduces the hypothetical construct for the identification of scribal style to a single invariable, the point of origin (0,0) on the two-dimensional Cartesian X Y plane, we can reasonably assert that this scientific procedure practically eliminates such arbitrariness. We are reminded of Albert Einstein’s supremely elegant equation E = Mc2 in the general theory of relatively, which reduces all variables to a single constant. Yet, what truly astounds is the fact that Palmer was able to reach such conclusions in an age prior to the advent of supercomputers and the ultra high speed Internet, an age when the only means of verifying any such hypothesis was the manual visual. In light of Palmer’s incisive observations and the pinpoint precision with which he draws his conclusion, it should become apparent to any researcher in graphology or epigraphy delving into scribal hands in our day and age that all of Bennet’s factors are variables of geometric patterns, all of which in turn are mathematical deviations from the point of origin (0,0) on the two-dimensional X Y Cartesian axis. As such Bennet’s factors or variables, established as they were by the now utterly outdated process of manual visual parsing of the differing styles of scribal hands, may be reduced to one variable and one only through the much more finely tuned fully automated computer-generated procedure of geometric co-ordinate analysis. When we apply the technique of AI geometric co-ordinate analysis to the identification, isolation and classification of scribal hands in Linear B, we discover, perhaps not to our surprise, that all of Bennet’s factors (a to m) can be reduced to geometric departures from a single constant, namely, the point of origin (0,0) on the X Y axis of a two-dimensional Cartesian plane, which alone delineates the “style” of any single scribe, irrespective of the script under analysis, where style is defined as a function of said analysis, and nothing more. It just so happens that another researcher has chosen to take a similar, yet unusually revealing, approach to manual visual analysis of scribal hands in 2015. I refer to Mrs. Rita Robert’s eminently insightful overview of scribal hands at Pylos, a review of which I shall undertake in light of geometric co-ordinate analysis in my next article. Geometric co-ordinate analysis via supercomputer or the ultra high speed Internet: Nowadays, geometric co-ordinate analysis can be finessed by any supercomputer plotting CGA co-ordinates down to the very last pixel at lightning speed. The end result is that any of a number of unique scribal hands or of handwriting styles using ink, ancient on papyrus or modern on paper, can be identified, isolated and classified in the blink of an eye, usually beyond a reasonable doubt. However strange as it may seem prima facie, I leave to the very last the application of this practically unimpeachable procedure to the analysis and the precise isolation of the unique style of the single scribal hand responsible for the Edwin Smith papyrus, as that case in particular yields the most astonishing outcome of all. Geometric co-ordinate analysis: Comparison between Minoan Linear A and Mycenaean Linear B: Researchers and linguists who delve into the syllabaries of Minoan Linear A and Mycenaean Linear B are cognizant of the fact that the syllabograms in each of these syllabaries considerably overlap, the majority of them (almost) identical in both, as attested by Figures 4 & 5: Click to ENLARGE By means of supercomputers and/or through the medium of the ultra-high speed Internet, geometric co-ordinate analysis (AIGCA) of all syllabograms (nearly) identical in both of syllabaries can be simultaneously applied with proximate equal validity to both. Minoan Linear A and Mycenaean Linear B share a geometric economy which ensures that they both are readily susceptible to AI geometric co-ordinate analysis, as previously illustrated in Figure 1, especially in the application of said procedure to the standardized font of Linear B, as seen here in Figure 6: Click to ENLARGE And what applies to the modern standard Linear B font inevitably applies to the strictly mathematical deviations of the cursive hands of any number of scribes composing tablets in either syllabary (Linear A or Linear B). Even more convincingly, AIGCA via supercomputer or the ultra high speed Internet is ideally suited to effecting a comparative analysis and of parsing scribal hands in both syllabaries, with the potential of demonstrating a gradual drift from the cursive styles of scribes composing tablets in the earlier syllabary, Minoan Linear A to the potentially more evolved cursive hands of scribes writing in the latter-day Mycenaean Linear B. AICGA could be ideally poised to reveal a rougher or more maladroit style in Minoan Linear A common to the earlier scribes, thus potentially revealing a tendency towards more streamlined cursive hands in Mycenaean Linear B, if it ever should prove to be the case. AIGCA could also prove the contrary. Either way, the procedure yields persuasive results. This hypothetical must of course be put squarely to the test, even according to the dictates of L.R. Palmer, let alone my own, and confirmed by recursive AICGA of numerous (re-)iterations of scribal hands in each of these syllabaries. Unfortunately, the corpus of Linear A tablets is much smaller than that of the Mycenaean, such that cross-comparative AIGCA between the two syllabaries will more than likely prove inconclusive at best. This however does not mean that cross-comparative GCA should not be adventured for these two significantly similar scripts. Geometric co-ordinate analysis of Mycenaean Linear B: A propos of Mycenaean Linear B, geometric co-ordinate analysis is eminently suited to accurately parsing its much wider range of scribal hands. An analysis of the syllabogram for the vowel O reveals significant variations of scribal hands in Mycenaean Linear B, as illustrated in Figure 2 above, repeated here for convenience: Yet the most conspicuous problem with computerized geometric co-ordinate analysis (AIGCA) of a single syllabogram, such as the vowel O, is that even this procedure is bound to fall far short of confirming the subtle or marked differences in the individual styles of the scores and scores of scribal hands at Knossos alone, where some 3,000 largely intact tablets have been unearthed and the various styles of numerous other scribes at Pylos, Mycenae, Thebes and other sites where hundreds more tablets in Linear B have been discovered. So what is the solution? It all comes down to the application of ultra-high speed GCA to every last one of the syllabograms on each and every one of some 5,500+ tablets in Linear B, as illustrated in the table of several Linear B syllabograms in Figures 7 and 8, through which we instantly ascertain those points where mathematical deviations on all of the more complex geometric forms put together utilized by any Linear B scribe in particular leap to the fore. Here, the prime characteristics of any number of mathematical deviations of scribal hands for all geometric forms, from the simple linear and (semi-)circular, to the more complex such as the oblong, wave form, teardrop and tomahawk, serve as much more precise markers or indicators highly susceptible of revealing the subtle or significant differences among any number of scribal hands. Click to ENLARGE Figures 7 & 8: By zeroing in on Knossos tablet KN 935 G d 02 (Figure 9) we ascertain that the impact of the complexities of alternate geometric forms on AIGCA is all the more patently obvious: Click to ENLARGE When applied to the parsing of every last syllabogram, homophone, logogram, ideogram, numeric, Linear B word divider and any other marking of any kind on any series of Linear B tablets, ultra high speed geometric co-ordinate analysis can swiftly extrapolate a single scribe’s style from tablet KN 935 G d 02 in Figure 9, revealing with relative ease which (largely) intact tablets from Knossos share the same scribal hand with this one in particular, which serves as our template sample. We can be sure that there are several tablets for which the scribal hand is in common with KN 935 G d 02. What’s more, extrapolating from this tablet as template all other tablets which share the same scribal hand attests to the fact that AIGCA can perform the precise same operation on any other tablet whatsoever serving in its turn as the template for another scribal hand, and so on and so on. Take any other (largely) intact tablet of the same provenance (Knossos), for which the scribal hand has previously been determined by AIGCA to be different from that of KN 935 G d 02, and use that tablet as your new template for the same cross-comparative AICGA procedure. And voilà, you discover that the procedure has extrapolated yet another set of tablets for which there is another scribal hand, in other words, a different scribal style, in the sense that we have already defined style. But can what works like a charm for tablets from Knossos be applied with relative success to Linear B tablets of another provenance, notably Pylos? The difficulty here lies in the size of the corpus of Linear B tablets of a specific provenance. While AIGCA is bound to yield its most impressive results with the enormous trove of some 3,000 + (largely) intact Linear B tablets from Knossos, the procedure is susceptible of greater statistical error when applied to a smaller corpus of tablets, such as from Pylos. It all comes down to the principle of inverse ratios. And where the number of extant tablets from other sources is very small, as is the case with Mycenae and Thebes, the whole procedure of AIGCA is seriously open to doubt. Still, AIGCA is eminently suited to clustering in one geometric set all tablets sharing the same scribal hand, irrespective of the number of tablets and of the subset of all scribal hands parsed through this purely scientific procedure. Conclusion: We can therefore safely conclude that ultra high speed artificial intelligence geometric co-ordinate analysis (AIGCA), through the medium of the supercomputer or on the ultra high speed Internet, is well suited to identifying, isolating and classifying the various styles of scribal hands in both Minoan Linear A and Mycenaean Linear B. In Part C, we shall move on to the parsing of scribal hands in Arcado-Cypriot Linear C, of the early hieratic handwriting of the scribe responsible for the Edwin Smith Papyrus (1600 BCE) and ultimately of the vast number of handwriting styles and fonts of today. References and Notes:  The application of geometric co-ordinate analysis (GCA) to parsing scribal hands: Part A: Cuneiform https://www.academia.edu/17257438/The_application_of_geometric_co-ordinate_analysis_GCA_to_parsing_scribal_hands_Part_A_Cuneiform  “Miscellaneous Observations on the Forms and Identities of Linear B Ideograms” pp. 11-25 in, Proceedings of the Cambridge Colloquium on Mycenaean Studies. Cambridge: Cambridge University Press, © 1966. Palmer, L.R. & Chadwick, John, eds. First paperback edition 2011. ISBN 978-1-107-40246-1 (pbk.)  Op. Cit., pg. 22  pp. 33-34 in Introduction. Palmer, L.R. The Interpretation of Mycenaean Texts. Oxford: Oxford at the Clarendon Press, © 1963. Special edition for Sandpiper Book Ltd., 1998. ix, 488 pp. ISBN 0-19-813144-5
The application of geometric co-ordinate analysis (GCA) to parsing scribal hands: Part A: Cuneiform
The application of geometric co-ordinate analysis (GCA) to parsing scribal hands: Part A: Cuneiform Introduction: I propose to demonstrate how geometric co-ordinate analysis of cuneiform, the Edwin-Smith hieroglyphic papyrus (ca. 1600 BCE), Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C can confirm, isolate and identify with great precision the X Y co-ordinates of single characters or syllabograms in their respective standard fonts, and in the multiform cursive “deviations” from their fixed font forms, or to put it in different terms, to parse the running co-ordinates of each character, syllabogram or ideogram of any scribal hand in each of these scripts. This procedure effectively encapsulates the “style” of any scribe’s hand, just as we would nowadays characterize any individual’s handwriting style. This hypothesis constitutes a breakthrough in the application of graphology a.k.a epigraphy based entirely on the scientific procedure of geometric co-ordinate analysis (GCA) of scribal hands, irrespective of the script under analysis. Cuneiform: Any attempt to isolate, identify and characterize by manual visual means alone the scribal hand peculiar to any single scribe incising a tablet or series of tablets common to his own hand, in other words, in his own peculiar style, has historically been fraught with difficulties. I intend to bring the analysis of scribal hands in cuneiform into much sharper focus by defining them as constructs determined solely by their relative positioning on the X Y axis plane in two-dimensional Cartesian geometry. This purely scientific approach reduces the analysis of individual scribal hands in cuneiform to a single constant, which is the point of origin (0,0) in the X Y axis plane, from which the actual positions of each and every co-ordinate on the positive planes (X horizontally right, Y vertically up) and negative planes (X horizontally left, Y vertically down) are extrapolated for any character in this script, as illustrated by the following general chart of geometric co-ordinates (Click to ENLARGE): Although I haven’t the faintest grasp of ancient cuneiform, it just so happens that this lapsus scientiae has no effect or consequence whatsoever on the purely scientific procedure I propose for the precise identification of unique individual scribal hands in cuneiform, let alone in any other script, syllabary or alphabet ancient or modern (including but not limited to, the Hebrew, Greek, Latin, Semitic & Cyrillic alphabets), irrespective of language, and even whether or not anyone utilizing said procedure understands the language or can even read the script, syllabary or alphabet under the microscope. This purely scientific procedure can be strictly applied, not only to the scatter-plot positioning of the various strokes comprising any letter in the cuneiform font, but also to the “deviations” of any individual scribe’s hand or indeed to a cross-comparative GCA analysis of various scribal hands. These purely mathematical deviations are strictly defined as variables of the actual position of each of the various strokes of any individual’s scribal hand, which constitutes and defines his own peculiar “style”, where style is simply a construct of GCA analysis, and nothing more. This procedure reveals with great accuracy any subtle or significant differences among scribal hands. These differences or defining characteristics of any number of scribal hands may be applied either to: (a) the unique styles of any number of different scribes incising a trove of tablets all originating from the same archaeological site, hence, co-spatial and co-temporal, or (b) of different scribes incising tablets at different historical periods, revealing the subtle or significant phases in the evolution of the cuneiform script itself in its own historical timeline, as illustrated by these six cuneiform tablets, each one of which is characteristic of its own historical frame, from 3,100 BCE – 2,250 BCE (Click to ENLARGE), and in addition (c) Geometric co-ordinate analysis is also ideally suited to identifying the precise style of a single scribe, with no cross-correlation with or reference to any other (non-)contemporaneous scribe. In other words, in this last case, we find ourselves zeroing in on the unique style of a single scribe. This technique cannot fail to scientifically identify with great precision the actual scribal hand of any scribe in particular, even in the complete absence of any other contemporaneous cuneiform tablet or stele with which to compare it, and regardless of the size of the cuneiform characters (i.e. their “font” size, so to speak), since the full set of cuneiform characters can run from relatively small characters incised on tablets to enormous ones on steles. It is of particular importance at this point to stress that the “font” or cursive scribal hand size have no effect whatsoever on the defining set of GCA co-ordinates of any character, syllabogram or ideogram in any script whatsoever. It simply is not a factor. To summarize, my hypothesis runs as follows: the technique of geometric co-ordinate analysis (GCA) of scribal hands, in and of itself, all other considerations aside, whether cross-comparative and contemporaneous, or cross-comparative in the historical timeline within which it is set ( 3,100 BCE – 2,250 BCE) or lastly in the application of said procedure to the unambiguous identification of a single scribal hand is a strictly scientific procedure capable of great mathematical accuracy, as illustrated by the following table of geometric co-ordinate analysis applied to cuneiform alone (Click to ENLARGE): The most striking feature of cuneiform is that it is, with few minor exceptions (these being circular), almost entirely linear even in its subsets, the parallel and the triangular, hence, susceptible to geometric co-ordinate analysis at its most fundamental and most efficient level. It is only when a script, syllabary or alphabet in the two-dimensional plane introduces considerably more complex geometric variables such as the point (as the constant 0,0 = the point of origin on an X Y axis or alternatively a variable point elsewhere on the X Y axis), the circle and the oblong that the process becomes significantly more complex. The most common two-dimensional non-linear constructs which apply to scripts beyond the simple linear (such as found in cuneiform) are illustrated in this chart of alternate geometric forms (Click to ENLARGE): These shapes exclude all subsets of the linear (such as the triangle, parallel, pentagon, hexagon, octagon, ancient swastika etc.) and circular (circular sector, semi-circle, arbelos, superellipse, taijitu = symbol of the Tao, etc.), which are demonstrably variations of the linear and the circular. These we must leave to the geometric co-ordinate analysis of Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C, all of which share these additional more complex geometric constructs in common. When we are forced to apply this technique to more complex geometric forms, the procedure appears to be significantly more difficult to apply. Or does it? The answer to that question lies embedded in the question itself. The question is neither closed nor open, but simply rhetorical. It contains its own answer. It is in fact the hi-tech approach which decisively and instantaneously resolves any and all difficulties in every last case of geometric co-ordinate analysis of any script, syllabary or indeed any alphabet, ancient or modern. It is neatly summed up by the phrase, “computer-based analysis”, which effectively and entirely dispenses with the necessity of having to manually parse scribal hands or handwriting by visual means or analysis at all. Prior to the advent of the Internet and modern supercomputers, geometric co-ordinate analysis of any phenomenon, let alone scribal hands, or so-to-speak handwriting post AD (anno domini), would have been a tedious mathematical process hugely consuming of time and human resources, which is why it was never applied at that time. But nowadays, this procedure can be finessed by any supercomputer plotting CGA co-ordinates down to the very last pixel at lightning speed. The end result is that any of an innumerable number of unique scribal hand(s) or of handwriting styles can be isolated and identified beyond a reasonable doubt, and in the blink of an eye. Much more on this in Part B, The application of geometric co-ordinate analysis to Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C. However strange as it may seem prima facie, I leave to the very last the application of this unimpeachable procedure to the analysis and the precise isolation of the unique style of the single scribal hand responsible for the Edwin-Smith papyrus, as that case in particular yields the most astonishing outcome of all. © by Richard Vallance Janke 2015 (All Rights Reserved = Tous droits réservés)
Ideal Demands for ZERO-TOLERANCE in Accounting & Inventories from Mycenaean Greece, to Classical Athens, Imperial Rome, the House of Medici and beyond – References to Wikipedia Articles & Several Illustrations
Ideal Demands for ZERO-TOLERANCE in Accounting & Inventories from Mycenaean Greece, to Classical Athens, Imperial Rome, the House of Medici and beyond – References to Wikipedia Articles & Several Illustrations Inventorial Accounting Demand for ZERO-TOLERANCE Applied to the Translation of the Tricky Linear B Tablet KN 1507 E d 231 by Rita Roberts: Click to ENLARGE Our working hypothesis for Rita carefully considered translation of Knossos tablet KN 1507 E d 231. Before proceeding to the genesis of our hypothesis for a realistic and practical translation of this very tricky Linear B tablet, allow me to inform you all that Rita is now being confronted with mind-bending challenges in the decipherment of really difficult Linear B tablets. Had I known this when I initially assigned Rita this tablet and the next one to be posted, I would have surely left them for her first year of her university level curriculum. However, as it turns out, the fact that she had to force herself to stretch her logical powers of observation to the extreme means that she is more than ready to rise to the even more daunting challenges facing her in the next month or so, when she finally embarks on her first year of university level studies. The fact that she was eventually able to translate this tough tablet, the two of using working together, speaks to her mastery of Linear B, which is already very considerable. Working Hypothesis: Since Linear B is first and foremost an accounting language for Mycenaean Greek, in other words, a subset of this archaic Greek dialect, we should expect that all accounting and inventorial records would have to be completely accurate, both with respect with line items and with total, zero-tolerance in arithmetical calculation in any Linear B tablet in this sphere, and that means something like 90-95 % of all tablets in Linear B, regardless of provenance. While there are quite a few tablets dealing with religious matters, meaning that in that case Linear B cannot be considered as an accounting subset of Mycenaean Greek, but must be construed as a religious affairs subset of the dialect, we leave this aside for future consideration. Meanwhile, there are critical problems with not only this tablet, but plenty of others in the sphere of inventorial accounting, which simply must be addressed, and if possible, resolved. Based on the criteria our hypothesis for accounting and inventories demands in any society in any historical era, we should take into consideration several eras in succession, from the most ancient Babylonian through Egyptian, Mycenaean, the Athenian Treasury at Delphi: 507-470 BCE (Wikipedia) - a reasonably efficient financial system and Roman Imperial Finances, the aerarium or state treasury under Augustus Caesar (62-14 BCE) and beyond (an exceedingly inefficient and corrupt financial system): Roman Finance: Wikipedia (Click on the cameo of Augustus Caesar): to those of the Middle Ages, and above all else, the much more efficient accounting and banking procedures established by the Medici family in Florence in the 14th. And 15th. Centuries AD. ALL THIS IS NOT TO SAY THAT ACCOUNTING SYSTEMS WERE IN UNIVERSAL CONFORMITY IN EVERY HISTORICAL ERA, because they were not. This is especially true of the late Medieval era and the early Renaissance, when the sloppy Medieval accounting procedures in most European nations other than Italy seriously clashed with the extremely efficient banking system of the Medici in Florence. The House of Medici (Wikipedia): Click on their Coat of Arms - ZERO-TOLERANCE Banking System In fact, it was the Medici who invented the modern system of banking. Further developments and refinements ran through to the establishment of the Exchequer in Renaissance England: Click on the image of Thomas Cromwell - corrupt financial system Thomas Cromwell (1485-1540) Chancellor of the Exchequer under Henry VIII (1533-1540) and Ministries of Finance in the Renaissance and the 17th. Superintendent of Finances (France: 1561-1661) - reasonably accurate and 18th. centuries Comptroller General of Finances (France: 1681-1791) - extremely corrupt on to the rigorous banking system of the late nineteenth and early 20th. Centuries to the most modern stock market software systems, it is patently obvious that they all should ideally demand the following basic criteria: (a) line items in accounts and inventories must be completely accurate, and precisely named, down to the most specific details; (b) line and summary calculations cannot and must not contain any errors whatsoever. Zero tolerance; (c) accounting and inventorial procedures must be completely standardized across the board, from one site to another, from one city to another and one nation to another, regardless of historical period. Otherwise, the accounting system in place in that historical era collapses for lack of complete conformity. And all too many did! See above. We know that Mycenaean Linear B was consistent across the board, regardless of the site were the scribes used it, whether Knossos, Phaistos, Pylos, Thebes, Mycenae or elsewhere. (d) Accounting systems, if they are be at all effective and rendered zero-tolerance, must be subject to audit, regardless of the historical era in which they are in use. Rita Roberts and I are convinced that such an auditing system was securely in place in Minoan/Mycenaean society in which Linear B was the standard language of accounting and inventory. This is the administrative palatial accounting and inventorial system which Rita and I believe was operative in the Minoan/Mycenaean era when Linear B was the standard accounting language. Regardless of site, Knossos, Phaistos, Pylos, Thebes, Mycenae or elsewhere, it would appear that the administrative palatial accounting and inventorial offices were configured as follows: The Efficient Audited ZERO-TOLERANCE Minoan + Mycenaean Palatial Office of Inventories and Accounting: There was a large administrative palatial accounting and inventorial office (or room, if you must insist), especially at the metropolis of Knossos (pop. ca. 55,000), in which a relatively large number of scribes (possibly 10-40) ranged themselves for their daily work along a very long table or tables, all of them on the same side of each table, for the simple reason that each of the scribes must have had each of his tablets audited, either by the scribe to his left or right, or by both, to ensure zero-tolerance for line itemization and mathematical accuracy. If scribes had been seated on opposite sides of their table or tables, it would have been much more difficult to audit one another’s inventorial tablets, as they would have had to pass their work across the table(s), thereby adding to the risk of error, when zero-tolerance is demanded. That would have been an unacceptable scenario. Think of it this way: would anyone in their right mind nowadays allow for any deviance from the standardized international online stock market system? Never! Likewise, the Mycenaean system must have been based on the same general principles, and the pretty much the same specific accounting criteria put into practice. Otherwise, the system would have collapsed. Such a system makes perfect sense, especially for Mycenae an Greeks who were, after all, Greek. The ancient Greeks were notorious for their insistence on accuracy and logic, right from the outset, all the way through to the rise of their astonishingly consistent philosophical systems in the age of Plato and Aristotle, and far beyond. Zero-Tolerance on any Linear B Inventorial Accounting tablet based on the template of Knossos Linear B Tablet KN 1507 E d 231: Given the strict criteria for Mycenaean accounting procedures we have proposed above, Knossos Linear B Tablet KN 1507 E d 231 must stand up to scrutiny down to the very last detail. But there are problems with it which immediately leap to the fore. The scribe has scratched out, i.e. erased all the text to the left of the and below the number 2 (if it is the number 2). What does this tell us? If we assume our hypothesis is correct, and we are pretty much convinced it is, it tells us a great deal. First, it tells us that he was aware he had made a gaffe, and a big one at that. But how did he become aware of this? He was audited by another scribe or scribes, and according to the standard office procedure we have outlined above, by the scribe to his left or right, or by both of them. Take your pick. But the principle of zero-tolerance must apply. Perhaps he fell asleep at the switch after a long day slogging through numerous accounts, and writing down inventories on at least 5 tablets. Very demanding and exhausting work. Any accountant, past or present, can tell you that. However, if the standard practice was for fellow scribes to audit every single tablet they inscribed, zero-tolerance would prevail. So the next step in our decipherment of this extremely tricky tablet (one among countless hundreds or thousands in any given fiscal year or “weto” in Mycenaean Greek) is to make a supreme effort to put ourselves in the same place as any Linear B scribe having to make a full inventory of anything anywhere in the Mycenaean Empire, and not only that, to assume one of our fellow accounts has caught us out and put us squarely on spot. Let us imagine the conversation: Scribe A (the fellow who inscribed this tablet, KN 1507 E d 231) to Scribe B: Well, I am done with this tablet. It is the end of a long day, and I am getting very tired. I may have made a mistake. Audit it. Scribe B: Hmmm. Let’s see. (reads the original figures on the tablet). Good gods, you wrote the same number for both the rams and the ewes! 38! That seems a remote possibility. Yes, you do look tired, and I can hardly blame you. What is the number of ewes? We have to get it right. Scribe A: Oh my gods, it is just 2 ewes! How could I have missed that! So he scratches out all the Linear B numeric strokes for tens, i.e. 3 horizontal strokes & 6 for units (vertical strokes), leaving the number 2 (2 vertical strokes). Voilà. The calculation is completely accurate. We have zero-tolerance. Scribe B: Good! It is fine now. Maybe we should go for a beer or two as soon as work is over, which is pretty soon. Scribe A: Great Idea! To all our VISITORS: it took me 6 HOURS to compile this complex post. Please show your appreciation by tagging it with LIKE, assigning the number of STARS it deserves, or even re-blogging it! Richard
Je suis Charlie – in French, English & Greek + 11 modern languages & 3 ancient Greek dialects!
Je suis Charlie - in French, English & Greek + 11 modern languages & 3 ancient Greek dialects! I beg you, please be sure to RETWEET this, folks! As a polyglot Canadian, fluent in English and French, conversant with both modern languages and ancient, especially ancient Greek, with some 20 dialects under my belt, including Mycenaean Linear B & Arcado-Cypriot Linear C, I hope to reach not only everyone alive now, but as many of our ancestors as possible. I do this out of love for all the millions upon millions of people who have been slaughtered by warmongers, manaics, religious fanatics & terrorists, past, present and... God forbid... future! Je vous prie de tout mon coeur de faire des RETWEETs de ce message des plus urgents! Tout en étant canadien parfaitement bilingue, je suis également polyglotte, connaisseur de plusieurs langues modernes et anciennes, dont une vingtaine de dialèctes grecs tels que le mycénien en linéaire B et le chypro-arcadien en linéaire C. Dans ce but, j’espère communiquer ce message de solidarité bienveillante à tous ceux qui sont encore vivants autant qu’à tous nos ancêtres, dont d’innombrables millions qui ont perdu la vie, tous massacrés par des bellicistes, des maniaques, des fanatiques religieuses et des terroristes d’antan, de nos jours et... à Dieu ne plaise ... incontournablement à l’avenir. Richard Vallance Janke, Ottawa, Ontario, Canada
Comparison of the Merits/Demerits of the Linear B, Greek & Latin Numeric Systems
Comparison of the Merits/Demerits of the Linear B, Greek & Latin Numeric Systems: Linear B: As can be readily discerned from the Mycenaean Linear B Numeric System, it was quite nicely suited for accounting purposes, which was the whole idea in the first place. We can see at once that it was a simple matter to count as far as 99,999. Click to ENLARGE: In the ancient world, such a number would have been considered enormous. When you are counting sheep, you surely don't need to run into the millions (neither, I wager, would the sheep, or it would have been an all-out stampede off a cliff!) It worked well for addition (a requisite accounting function), but not for subtraction, multiplication, division or any other mathematical formulae. Why not subtraction, you ask? Subtraction is used in modern credit/deficit accounting, but the Minoans and Mycenaeans took no account (pardon the pun) of deficit spending, as the notion was utterly unknown to them. Since Mycenaean accounting ran for the current fiscal year only, or as they called it, “weto” or “the running year”, and all tablets were erased once the “fiscal” year was over, then re-used all over for reasons of practicality and economy, this was just one more reason why credit/deficit accounting held no practical interest to them. Other than that, the Linear B numeric accounting system served its purpose very well indeed, being perhaps one of the most transparent and quite possibly the simplest, ancient numerical systems. Of course, the Linear B numerical accounting system never survived antiquity, since its entire syllabary was literally buried and forgotten with the wholesale destruction of Mycenaean civilization around 1200 BCE (out of sight, out of mind) for some 3,100 years before Sir Arthur Evans excavated Knossos starting in early 1900, and successfully deciphered Linear B numerics shortly thereafter. This “inconvenient truth” does not mean, however, that it was all that deficient, especially for purposes of accounting, for which it was specifically designed in the first place. Greek: On the other hand, the Greek numeric system was purely alphabetic, as illustrated above. It was of course possible to count into the tens of thousands, using additional alphabetic symbols, as in the Mycenaean Linear B system, except that the Greeks were not anywhere near as obsessive over the picayune details of accounting, counting every single commodity, every bloody animal and every last person employed in any industry whatsoever. The Minoan-Mycenaean economy was hierarchical, excruciatingly centralized and obsessive down to the very last minutiae. Not surprisingly, they shared this zealous, blinkered approach to accounting with their contemporaries, the Egyptians, with whom the Minoan-Mycenaean trade routes and economy were inextricably bound on a vast scale... much more on this later in 2014 and 2015, when we come to translating a large number of Linear B transactional economic and trade records. However, we must never forget that the Greek alphabetic system of numeric notation was the only one to survive antiquity, married as it is to the universal Arabic numeric system in use today, in the fields of geometry, theoretical and applied algebra, advanced calculus and physics applications. Click to ENLARGE: It would have been impossible for us to have made such enormous technological strides ever since the Renaissance, were it not for the felicitous marriage of alphabetic Greek and Arabic numerics (0-10), which are universally applied to all fields, both theoretical and practical, of mathematics, physics and technology today. Never forget that the Arabians took the concept of nul or zero (0) to the limit, and that theirs is the decimal system applied the world over right on through to computer science and the Internet. Latin (Click to ENLARGE): When we come to the Roman/Latin numeric system, we are at once faced with a byzantine complexity, which takes the alphabetic Greek numeric system to its most extreme. Even the ancient Greeks and Romans were well aware of the convolutions of the Latin numeric system, which made the Greek pale in comparison. And Roman numerics are notoriously clumsy for denoting very large figures into the hundreds of thousands. Beside the Roman system, the Linear B approach to numerics looks positively like child's play. Thus, while major elements of the alphabetic Greek numeric system are still in wide use today, the Roman system has practically fallen into obscurity, its applications being almost entirely esoteric, such as on clock faces or in dating books etc. And even here, while it was still common bibliographic practice to denote the year of publication in Roman numerals right on through most of the twentieth century, this practice has pretty much fallen into disuse, since scarcely anyone can be bothered to read Roman numerals anymore. How much easier it is to give the copyright year as @ 1998 than MCMXCVIII. Even I, who read Latin fluently, find the Arabic numeric notation simpler by far than the Latin. As for hard-nosed devotees of Latin notation, I fear that they are in a tiny minority, and that within a few decades, any practical application of Latin numeric notation will have faded to a historical memory. Richard
You must be logged in to post a comment.