Not a haiku, but My Christmas tree is alive and thriving! Why? ... because it is potted! I will put it outside this spring, summer and autumn, and by next Christmas it should be 30 % higher. Talk about being environmentally friendly! Check it out!
If you are on Facebook, you may wish to follow by beautiful page: My Facebook page features not only all of my haiku, but lovely photos of wildlife, beautiful men and women, photos of men’s ties, bow ties and ascots which I collect, and so much wonderful nature photography from other great Facebook pages. In short, my Facebook page is eclectic and extremely fascinating. Although my page is private and for friends only, i.e. not open to the public Facebook, if you follow me, I shall follow you. Click on the logo to go to my Facebook page:
Attack on Mosque, Quebec City an act of vile, barbaric & senseless violence! At least 6 people were killed, 5 critically injured and 3 more injured in a shooting at a mosque in Quebec City during evening prayers, police said. Gunmen fired on about 50 people inside the Quebec Islamic Cultural Centre on Sunday at 8 p.m. local time (01:00 GMT). “Six people are confirmed dead - they range in age from 35 to about 70”, Quebec provincial police spokeswoman Christine Coulombe told reporters, adding that eight people were wounded and 39 were unharmed. Police said two suspects had been arrested, but gave no details about them or what prompted the attack. The mosque's president, Mohamed Yangui,was not inside the mosque at the time of the shooting. He received frantic calls from worshippers. He said, “Why is this happening here? This is barbaric.” Comment by Richard Vallance Janke: As a Canadian in a peace-loving and highly tolerant country such as Canada (quite unlike the United States with its xenophobic president, Donald Trump, at whose doorstep we can lay part of the blame!), I am utterly horrified and shocked at the act of vile, barbaric, senseless, violent murderous attack on a Muslim mosque in Quebec City, around 8:00 p.m., Sunday, January 29, 2017. Words cannot describe my horror or that of almost all 36 million Canadians at this savage act of terror! I urge and implore all who visit Minoan Linear A, Linear B, Knossos & Mycenae to tag this post with LIKE and to reblog it, as well as to retweet it on your twitter accounts! I dissolved in tears this morning when I woke up to hear of this vile act of terrorism. Here are two photos from the night of the attack:
Combined Twitter accounts of Richard Vallance (KO NO SO) and Rita Roberts reach just shy of 2,300: The combined Twitter accounts of Richard Vallance (KO NO SO) and Rita Roberts reach just shy of 2,300. This is a huge leap since our last update on the number of our followers about three months ago. 1,705 followers for something as esoteric as Mycenaean Greek and Linear A is quite respectable. Apparently, Rita and I are finally catching fire! Here are our accounts: If you are not already following us, hint, hint!
More illustrations (Figures) for my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of Archaeology and Science: PART B Here you see more of the Figures, many of them of actual Minoan Linear A tablets as I have deciphered them, which are to appear in my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of the prestigious international annual, Archaeology and Science. It usually takes me between one and two hours to design each figure.
More illustrations (Figures) for my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of Archaeology and Science: PART A Here you see more of the Figures, many of them of actual Minoan Linear A tablets as I have deciphered them, which are to appear in my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of the prestigious international annual, Archaeology and Science. It usually takes me between one and two hours to design each figure.
First 2 haiku in Minoan Linear A, English et français : qareto & datara 1 qareto asasumaise keda in a lease field a shepherd and a cedar tree dans un champ loué un berger et un cèdre 2 datara nirai karopai a grove of fig trees figs in a kylix figuiers dans un bosquet figues dans un kylix © by/ par Richard Vallance Janke Sept. 27/ le 27 sept. 2016
UPDATED Table of 27 supersyllabograms in Minoan Linear A: After scanning all of the Minoan Linear A tablets I have deciphered, more or less accurately, I have been obliged to revise the former Table of 24 supersyllabograms in Minoan Linear A to this revised and updated Table of 27 supersyllabograms in Minoan Linear A. The 3 extra supersyllabograms all appear in the vessels and pottery sector of the Minoan economy. These are PO, SU and U. In addition, the supersyllabogram A is common to both the olive trees, olive oil & olives sub-sector of the agricultural sector and the vessels and pottery sector. 24 of the supersyllabograms in Minoan Linear A are associative, i.e. they accompany, either to the left or to the right, the ideogram with which they are associated. Associative supersyllabograms in Minoan Linear A, as in Mycenaean Linear B refer to some major element or object associated with the ideogram in one way or another, without however defining the ideogram itself in any additional way. On the other hand, the 4 supersyllabograms in the vessels and pottery sector are all attributive, in so far as they portray a particular attribute of the ideogram in which they are incharged. I have managed to decipher with a high degree of accuracy 1 of the 4 supersyllabograms in the vessels sector, SU, which signifies supa3ra (supaira), i.e. a two handled small cup, as we see here: All in all, the 27 supersyllabograms in Minoan Linear A amount to 75 % of the 36 supersyllabograms in Mycenaean Linear B, without however being in any way related to the latter, either as individual syllabograms or in the semiotic values of these. For instance, the supersyllabogram A incharged in a vessel ideogram in Minoan Linear A does not mean “amphora” as it does mean in Mycenaean Linear B, and by the same token, the SSYL PO in Linear A does not signify “Potiniya”, unless by some sheer co-incidence, Potiniya happens to be a pre-Mycenaean non-Indo-European name of a goddess... which is possible though unlikely. I have managed to decipher, more less accurately, 9 or 33 % of the 27 supersyllabograms in Minoan Linear A. These are: DA = dadumata = grain/wheat measurer (probably) = Linear A sitowoko KA = kapa = foot soldier, attendant to the king = Linear B eqeta KI = kidata = to be accepted for delivery = Linear B dekesato OR kireta2 (kiritai) = delivery = Linear B apudosis kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto AND kireza = unit of measurement for figs, probably 1 basket AND kiro = owed = Linear B oporo = they owed NOTE: the semiotic value of the SSYL KI is sector dependent, hence, polysemiotic. This is also true of many supersyllabograms in Mycenaean Linear B, although the polysemiotic values of the former are never the same as those of the latter, with one exception only, and that exception is the very next supersyllabogram. NI = nipa3 (nipai) or nira2 (nirai) = figs = Linear B suza. But Mycenaean Linear B shares NI with Minoan Linear A, in spite of the fact that the Mycenaean word for figs is suza. PA = pa3ni = silo or amphora for storing grain + pa3nina = grain or wheat stored in an silo or amphora, more likely the former than the latter, as amphorae are not the most practical recepticle for the storage of grain. Recall that the middle Kingdom Egyptians, who were co-temporaneous with the Minoans, stored their grain in dry silos. RA ra*164ti = approx. 5 litres (of wine) SA sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre SU = supa3ra (supaira) = a small cup with handles TE = tereza = standard unit of dry or liquid measurement For the time being, the semiotic values of the remaining 18 or 66 % supersyllabograms in Minoan Linear A are beyond my ken. On a final note, you can see for yourselves that I have displayed the actual appearance of each supersyllabogram in Linear A immediately to the LEFT of the Latin value. In addition, the 9 Latinized supersyllabograms which I have managed to decipher, more or less accurately, are incharged with the alphabetical character D. All of the above text will be part and parcel of my upcoming major article, “Pylos tablet Py TA 641-1952 (Ventris), the Rosetta Stone to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” and a Glossary of 110 words in Linear A”, Vol. 12 (2016) of the prestigious international hard-bound annual, Archaeology and Science (Belgrade) ISSN 1452-7448, to be released sometime late in 2017 or early in 2018. This is to be the most significant article I shall have ever published in my entire lifetime, as it represents the first serious attempt in the 116 years since the first discovery of a smattering of Minoan Linear A tablets by Sir Arthur Evans at Knossos in the spring and summer of 1900 to decipher at least a portion (21.5 % of Minoan Linear A vocabulary, but certainly not the Minoan language itself, in a unique approach never before assayed by any previous philologist or historical linguist who has endeavoured to do the precise opposite to what I have done, i.e. to decipher the entire Minoan language, a goal which is manifestly impossible and plainly unrealistic. All prior philologists have claimed to have deciphered the Minoan language, a claim I would never be so rash or idealistic as to forward. I went to a great deal of trouble to make this Table of 27 Supersyllabograms as professional looking as I could. So I hope that some of you will comment on its graphics and graphical layout, or at least vote for it, LIKE, with the number of stars you deem appropriate (hopefully 5).
Illustrations of 5 Minoan Linear A tablets (Figures) in Archaeology and Science (2016): Above are 5 illustrations of some (not all) of the Minoan Linear A tablets, reduced to 620 pixels, as they will appear as Figures (with the Figure nos. assigned only to Figures 1 & 2, other Figure nos. not yet assigned) in my upcoming article, “Pylos Tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in the prestigious international annual Archaeology and Science, Vol. 12 (2016) ISSN 1452-7448. This is to be the third major article in a row which I will see published in Archaeology and Science. This paper represents the first genuine breakthrough in the decipherment of Minoan Linear A vocabulary (not the language!) in the 116 years since the first Linear A tablets were unearthed by Sir Arthur Evans at Knossos in 1900.
UPDATED Table of 24 Supersyllabograms in Minoan Linear A in full colour: UPDATED Table of 24 Supersyllabograms in Minoan Linear A in full colour as it will appear in my upcoming article, “Pylos Tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in the prestigious international annual Archaeology and Science, Vol. 12 (2016) ISSN 1452-7448. This is to be the third major article in a row which I will see published in Archaeology and Science. All 3 of the articles (2014, 2015 & 2016) run to at least 28 pages each in a large format hard cover annual, 12 inches high, which is the equivalent of at least 40 pages in a standard format journal. Hence, the total number of pages will run to at least 120 pages in all three issues, being the length of a standard PhD thesis. In addition, the total no. of bibliographic references in all three issues should run to at least 200 items.
Richard Vallance Twitter KONOSO 1602 & Rita Roberts 548 followers for a total of 2,150! Richard Vallance’s Twitter account, KONOSO, has now reached 1602 followers & Rita Roberts’ 548 followers, for a total of 2,150 followers! Amazing, considering how esoteric Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C are. Of course, Rita’s twitter account covers a far greater range of topics on the ancient world, archaeology, early modern historical goodies, and modern stuff too! The last time we checked in about 4 months ago, we only had about 1,500 followers between us. We are growing like gangbusters!
A word to the wise: wolves and truly professional researchers are alike!
Minoan Linear A, Linear B, Knossos & Mycenae reaches the threshold of 100,000 visitors: (Click the banner to visit) Minoan Linear A, Linear B, Knossos & Mycenae reaches the threshold of 100,000 visitors after 3 1/2 years in existence. This may not sound very impressive to a lot of people, but when we pause consider, even for a moment, that our blog deals specifically and almost solely with Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C, the statistics look much more healthy. No-one on earth, apart from myself, can read any Minoan Linear A at all, and very very few can read Mycenaean Linear B or Arcado-Cypriot Linear C. So in this light, the statistics are all the more impressive. After all, even most of our our most loyal visitors cannot read at least 2 of these three syllabaries, even though several are adept with Homer and Classical Greek, as am I. By the way, our blog also features my own translation of the Catalogue of Ships in Book II of the Iliad, which has a direct bearing on the features of Homeric vocabulary and syntax inherited directly from Mycenaean Linear B. In this period, we have posted well over 1,300 posts, with translations of hundreds of Mycenaean Linear B tablets, scores of Minoan Linear A tablets and even a few Arcado-Cypriot tablets. Our media library consists of 10s of thousands of photos, images and frescoes & paintings. We are, in a word, the largest Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C site on the internet. Even omitting Linear A and Linear C, we rank in the top 3 of official Mycenaean Linear B sites.
Symbaloo/Google search ranks Minoan Linear A, Linear B, Knossos & Mycenae as fourth largest on the Internet: Since this is a Boolean AND search, if we omit sites dealing with only Minoan Linear A or only Mycenaean Linear B, which do not fulfill this requirement, our site ranks fourth. But since the site, Linear A and Linear B script: Britannica.com is a minor site, we actually rank third. Also, our PINTEREST board is ranked fifth (actually fourth). We have over 1.7 K Minoan Linear A & Mycenaean Linear B translations, photos, maps & images on our PINTEREST board, Minoan Linear A & Mycenaean Linear B, Progressive Grammar and Vocabulary. Click the banner to visit and join if you like!
An idea of how many impressions (tweets & retweets) a day my Twitter account, Konoso, gets = 6,552 today alone! Click to visit & FOLLOW if you like! The snapshot of my Twitter account, Konoso, informs us that it has had 6,552 impressions (tweets & retweets) in the past 24 hours alone. This number varies daily from a low of about 1,200 to highs in around 6,500, as seen here. Busy Twitter account for something as esoteric as Minoan Linear A & Mycenaean Linear B, n’est-ce pas? These are at least my impressions, though certainly not all of them (pun!)
Symbaloo/Google search reveals that almost all references to Pylos tablet Py TA 641-1952 (Ventris) are attributed to Richard Vallance Janke: Since Richard is now in the process of deciphering at least some of the vocabulary of Minoan Linear A in his Glossary of 134 terms in Linear A, it is quite possible that someday he may be ranked alongside Michael Ventris. especially in light of the fact that his article, Linear B tablet Pylos Py TA 641-1952 is the “Rosetta Stone” for Minoan Linear A tablet HT 31 (Haghia Triada) Pottery and Vessels, is to be published in the prestigious international annual Archaeology and Science, Vol. 12 (2016) Belgrade ISSN 1452-7448, as per this recent post: CLICK to visit It is critical to note that Richard does not claim to have deciphered Minoan Linear A. Such a claim would be preposterous. What he does rejoin is that he has been able to successfully decipher around 130 Minoan Linear A terms more or less accurately.
Proto-Slavic interpretation of Minoan Linear A tablet HT 13 (Haghia Triada) — another decipherment gone awry (Click on Tablet below to READ the original): Pavel Serafimov, Anton Perdih, in their Translation of the Linear A Tablet HT 13 from Crete (above) have made a valiant attempt to cross-correlate their contextual reading of Minoan Linear A tablet HT 13 (Haghia Triada) with Proto-Slavic. At first glance, at least some points of their decipherment seem more or less “accurate”. But the global decipherment swiftly crumbles into a morass of self-contradictions, severe ambiguities and mismatched cross-purposes. Like so many other philologists struggling to decipher Minoan Linear A, Serafimov and Perdih make the practically universal assumption, which I for one categorically reject as superfluous and spurious (at least for the time being), that if we are to succeed in deciphering Minoan Linear A at all, we must be in contact with an actual “known” proto-language upon which, as so many philologists insist, Linear A must be based, believing as they do that there is simply no way to escape this paradoxical box of it-must-be-this-proto-language-or-nothing-at-all approach. The fundamental universal problem inherent to this approach is that each and every one of these would-be decipherers has boxed himself into a proto-language which he assumes, in utter faith and sometimes rash confidence, must be the proto-language upon Minoan Linear A must be based, come hell or high water. Yet it is obvious to any truly professional historical linguist or philologist that it is impossible for all of the so-called proto-languages touted as the base of Minoan Linear A to be the right base for it, given that no two of these so-called proto-languages are alike, even if they are in the same class of ancient languages, for instance, Proto-European.
It just does not wash. Either only one of these philologists has got it right or none of them have it at all. I am of the firm conviction that none of them have it. Let us take a closer look at just a few of these unavailing attempts at deciphering Minoan Linear A: First, we have J. MacGillivary’s review of various attempts to decipher Minoan Linear A, a very worthwhile read: Then, on Jan Best’s “Decipherment” of Minoan Linear A, by Gary A. Rendsburg
Next, Breaking the Code: a first translation of the ‘lost’ language of Linear A, by Sam Connolly Linear A Decipherment: Translation of Minoan Inscriptions in Linear A, by Stuart L. Harris Finally, there is the truly bizarre cross-correlation of Minoan Linear A with an ancient Niger-Congo dialect, by C.J.K. Campbell-Dunn What is worse is that all of the aforementioned books make the preposterous claim that they have in fact deciphered Minoan Linear A, a claim which no professional philologist or historical linguistic, including myself, would ever dare make. The only case I can rationally make is for a partial decipherment at best of Minoan Linear A, a venture which I have myself undertaken, with mixed results. While some of the 134 terms in my Minoan Linear A Glossary are more than likely to be correct, others may be (though with a lesser degree of accuracy), while yet others are open to serious doubt. EXCEPTION! which leaves me with the sole exception of David W. Packard’s Minoan Linear A, which relies solely on computational linguistics to analyze Minoan Linear A, and which is a study I for one shall order personally online (if at all possible, since it was published way back in 1974) and which I shall be keeping a very close eye on with reference to my own cross-correlative retrogressive extrapolations of Minoan Linear A tablets from their latter-day Mycenaean Linear B counterparts, where these exist: And I quote: The very first work done on this was done by David W. Packard, the son of Hewlett-Packard (company) co-founder David Packard. He published a book on his work back in 1974 called Minoan Linear A and I highly recommend it. I tried reading it when I first got interested in Linear A and it was way over my head, so I took a few years to familiarize myself with the inscriptions, symbols and patterns and then went back to it. Much better! Ilse Schoep also relied heavily on his data in her dissertation on the Haghia Triada tablets and was able to provide some updates to the data which had occurred since Packard's time, though her dissertation was an overview of the Haghia Triada administration rather than a computational approach. by Kim Raymoure I have cited just a few of the many fruitless attempts at deciphering Minoan Linear A, but at least this cross-section gives us all a clear overview of this highly specialized field of research.
Minoan Linear A, Linear B, Knossos & Mycenae now ranked on first page of Google search on “minoan linear a mycenaean linear b” Even though the official name of our research site was not even changed from Linear B, Knossos & Mycenae to Minoan Linear A, Linear B, Knossos & Mycenae until June 2016, and in spite of the fact that we had never conducted any really serious research into Minoan Linear A and any potential for its partial decipherment prior to May 2106, our premier research site into the three major ancient Linear scripts, Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear, all of which I am on deeply familiar terms with, has risen from virtually no presence in cross-disciplinary studies of Minoan Linear A and Mycenaean Linear B in tandem prior to May 2016, to the eighth position the first page of this Google search on Sept. 1 2016. But if you eliminate the hits which deal with either Linear A or Linear B exclusively (i.e. alone) = Boolean or exclusive, our rank jumps from 8 to 3. Enough said.
PINTEREST boards of interest related to Minoan Linear A & Mycenaean Linear B (NEWEST Boards): This is a reasonably comprehensive directory of PINTEREST boards of interest related to Minoan Linear A & Mycenaean Linear B. To visit each board, simply CLICK on its banner, and sign up, if you like: NEWEST BOARDS: 1900 – 1600 BC Ancient Greek/Minoan Pottery (Click BANNER to visit): Ancient Mycenaean Culture Bronze Age Civiltà egea Homer’s Bronze Age Mediterraneo Minoan Fashion Minoans Mycenae Micenic_bronze age Richard Vallance — Linear Scripts, Superhero
PINTEREST boards of interest related to Minoan Linear A & Mycenaean Linear B: This is a reasonably comprehensive directory of PINTEREST boards of interest related to Minoan Linear A & Mycenaean Linear B. To visit each board, simply CLICK on its banner, and sign up, if you like: MAJOR BOARDS Minoan Linear A, Mycenaean Linear B: Progressive Grammar & Vocabulary (Click BANNER to visit): Knossos & Mycenae, Sister Civilizations Cultura Minoica Antiche scritture Minoan Minoan | Mycenaean SCR Lineare prealfabetica Minoan: the Art and Culture of Knossos, Crete Archaeology – Minoan Minoan Civilization Minoan & Mycenaean Arts & Architecture Mycenaean, Minoan, Hittite