Tag Archive: Linear C



867 people on Academia.edu have read my articles and papers:

Click on the 867 to see my account.

867-have-read-richard-vallances-papers-on-academia-edu


867 people on academia.edu have read my articles and papers since I joined academia.edu in 2015. Since I am in the top 0.5% of all accounts on academia.edu, which amount to 40 million or so, I stand in the top 200,000 users on academia.edu. Researchers in the top 0.1 % would expect about 5 x the number of downloads I have received, or about 4,500.

In the next year or so, I expect that my standing may rise  to the top 0.2 %, in view of the fact that I have at least 2 new major research articles in the pipeline.


Arcado-Cypriot Linear C, the Elegant Culmination of Syllabaries from Minoan Linear A through to Mycenaean Linear B

The title of my submission to Vol. 13 (2017) Archaeology and Science (Belgrade) ISSN 1452-7448 is to be:

Arcado-Cypriot Linear C, the Elegant Culmination of Syllabaries from Minon Linear through to Mycenaean Linear B.

cover-as-2015

This article will feature an overview of each of the syllabaries in turn and the languages and dialects they represent: Minoan for Linear A, the earliest East Greek dialect Mycenaean for Linear B, and the slightly later dialect Arcado-Cypriot for Linear C. It will be quite some time before I will even be able to make my submission, as Vol. 12 (2016) is still in the pipeline, and authors articles have not been returned to them in their master format for proof-reading. Nor will they be returned to us before the end of 2017. But I like to hedge my bets, and anyway, the aforementioned topic for Vol. 13 (2017) is right down my alley, in view of the fact that I am expert in all three syllabaries (Linear A, B & C) and their respective languages.

the-arcado-cypriot-linear-c-syllabary-annotated

NOTE it is absolutely de rigueur to read the table of the Arcado-Cypriot Linear C syllabary above, if you are to get any real grasp of its enormous significance, not only for the development of literary ancient Greek, which it pioneered, but retrospectively for a proper understanding of Mycenaean Linear B phonetics.

The article will explore in great depth the legacy of Minoan Linear A for Mycenaean Linear B and that of Mycenaean Linear B for Arcado-Cypriot Linear C in turn. Finally, we shall address the even more striking historical legacy of Arcado-Cypriot Linear C itself, as this last syllabary in the series of 3 syllabaries was to have a real impact on the historical Greek era (ca. 1100 BCE – 400 BCE).

What is most striking about the evolution of these three syllabaries is that, as we pass from one to the next, the syllabaries become more streamlined and more simplified. The Minoan Linear A syllabary is the most complex, with a very large number of syllabograms, many of which are undeciphered. While there are ideograms in Minoan Linear A, there are fewer of them in Linear A than in Mycenaean Linear B, which made extensive use of them for the purposes of accurate, minimalized inventory taking. On the other hand, by the time we get to Arcado-Cypriot Linear C, the picture changes drastically. Almost all of the syllabograms in Linear C look completely unlike their Minoan Linear A and Mycenaean Linear B forbears. They look different. But appearances can be and are, in the case of Arcado-Cypriot Linear C, very deceiving. While the syllabograms in Arcado-Cypriot Linear C look different from those in Mycenaean Linear B (leaving Minoan Linear A aside, because it is too archaic and too complex), almost all of them bear the same phonetic values as their Linear B counterparts. But what is most remarkable about Arcado-Cypriot Linear C is that it utterly abandoned ideograms, once and for all. There are several cogent reasons for this amazing development, which I shall address when I finally come around to writing this article, probably sometime in 2018.

I have already discussed this topic in recent posts on the Linear A, Linear B & Linear C keyboard templates, and so I would ask you to refer back to them for clarification on any issues which may elude you, and which I do not address in this post, for the simple reason that I have not even yet begun my article for Archaeology and Science. But, of one thing you can be certain, it is bound to be a ground-breaker, like all of my previous articles in this prestigious international archaeological journal.


The Arcado-Cypriot Linear C keyboard template & the significantly revised timeline for (proto-) historic ancient Greek society:

arcado-cyrpriot-linear-c-keyboard-template-620

This image of the Arcado-Cypriot Linear C keyboard template has been downsized to 620 pixels to fit the restrictive exigencies of Word Press image size. You may request the full-sized 1200 pixel Linear C keyboard template by contacting me at:

vallance22@zoho.com

The Arcado-Cypriot Linear C keyboard template reveals several fascinating characteristics of this extremely important and highly tenacious syllabary. These are:

1. The Arcadians and Cypriots thoroughly redesigned Linear C, almost completely abandoning the Minoan Linear A and Mycenaean Linear B syllabograms, but only in superficial appearance.
2. The only Linear C syllabograms which bear resemblance with their Mycenaean Linear B forbears are: NA SE PA & PO.
3. But almost all of the rest of the syllabograms in Linear C bear the same phonetic values as their Linear B forbears. 
4. The DA series of syllabograms in Minoan Linear A and Mycenaean Linear B has completely disappeared from Arcado-Cypriot Linear C.
5. The RA RE RI RO (RU) series of syllabograms in Minoan Linear A and Mycenaean Linear B has split into 2 discreet, separate series: LA LE LI LO LU & RA RE RI RO RU. But what was the reason for this deliberate split? Here is my hypothesis: it would appear that the Minoans and Mycenaeans were unable to distinguish between the liquids L and R, pronouncing L something along the lines the Japanese did.
6. The syllabograms XA and XE, and the syllabogram GA are non-existent in Minoan Linear A & Mycenaean Linear B.
7. Arcado-Cypriot Linear C abandoned ideograms completely. This makes for a much more -
8. streamlined syllabary.
9. The Arcado-Cypriot Linear C syllabary was diachronically extremely tenacious, lasting 7 centuries (ca. 1100 BCE – 400 BCE) co-existing in parallel with the Arcado-Cypriot alphabet.
10. philologists and linguists expert in ancient Greek are accustomed to drawing the timeline for the first appearance of written Greek from 800 BCE onward (ca. the time of Homers Ilad to Attic Greek, ca. 400 BCE).

arcado-cypriot-distribution

revised-timeline-wirtten-greek-1200-bce-300-bce

But I am in fundamental disagreement with this hypothesis. Since Arcado-Cypriot Linear C came to the fore ca. 1100 BCE, a mere 100 years or approximately one century after the fall of Mycenae and the demise of the Linear B syllabary, it is surely open to doubt whether or not the so-called Greek Dark Ages actually lasted at least 400 years (ca. 1200 – 800 BCE). So we have to wonder whether or not that small gap of a mere century or so between the demise of  the Linear B syllabary (ca. 1200 BCE) and the sudden appearance of Arcado-Cypriot Linear C (ca. 1100 BCE) makes much of a difference at all in the actual timeline for written ancient Greek, which to my mind runs from 1600 BCE, with the advent of Mycenaean Linear B, all the way through to 400 BCE, i.e. for 12 centuries – 1 century (because of the 1 century gap between Linear B and Linear C), i.e. for 11 centuries! This makes for a huge difference between the previously held timeline of a mere 4 centuries from 800 – 400 BCE. It sets back the timeline for Greek civilization 500 years, receding back from 1100 BCE to 1600 BCE.  I also strongly object to the commonly held notion that Mycenaean and Mycenaean Minoan Greece was a prehistoric civilization. Since writing did exist in the form of the Linear B syllabary, albeit only in scribal format, I believe we can safely conclude that the Mycenaean civilization was proto-historic. And there is more: if we also take Minoan Linear A into account (which we definitely should), then the proto-historic period, if we are to include the pre-Greek substrate of Minoan society, recedes several centuries more into the distant past, to at least 2,900 BCE! Just because we cannot read the Minoan language does not mean it not also proto-historic phenomenon. 

That Arcado-Cypriot Linear C lasted for such a very long time attests to the fact that syllabaries such as Mycenaean Linear B & Arcado-Cypriot Linear C itself were much more suitable to inscribing or writing ancient Greek than most philologists or diachronic historical linguists would care to admit. I shall have plenty to say about this in the article I shall soon be posting on my academia.edu account:

Templates for the layouts of the Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C fonts.

You can download the Linear C font here:

download-arcado-cypriot-linear-c-font


  



TOTAL no. of followers of KO NO SO & Rita Roberts on Twitter = 2,653

ko-no-so-twitter-2025


rita-roberts-twitter-628


In just 1 month, the number of followers to my twitter account KO NO SO has risen from just over 1,900 to 2,025, while Rita Roberts now has 628 followers, yielding a total of 2,653 for both of our twitter accounts. I have posted 17.2 K tweets on KO NO SO, while Rita Roberts has 18.2 K tweets.  This is explosive growth for a diachronic linguistics twitter site as esoteric as KO NO SO, which deals with the rare syllabaries, Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C. 


The British Museum on Twitter only follows back about 5 % of those who follow them, but they do follow us! 

british-museum-twitter

While The British Museum has 1.01 million followers, they only follow back 50.9 K Twitter accounts, and KONOSO is one of those with whom they reciprocate. In other words, we are among the 5 % of Twitter accounts they follow back. This goes to demonstrate the enormous impact our Twitter account, KONOSO:

ko-no-so-twitter

Moreover, in the past 3 months alone, the number of our twitter followers has risen from 1,600 to over 1,900 (1902). This, in combination with the 625 followers of our co-researcher colleague's twitter account (Rita Roberts):

rita-roberts-twiter

brings the total number of followers of our 2 accounts combined to 2,527, up from less than 2,000 only 3 months ago.
 
Among other prestigious international Twitter accounts following us we find:

Henry George Liddell:

henry-george-liddel-twitter

the latest in a long line of generations of great historical Greek linguists who over the centuries have compiled the world’s greatest classical Greek dictionary, the Liddell and Scott Greek-English Lexicon.

Phaistos Project:

phaistos-project-twitter

Greek History Podcast:

greekhistorypodcast-twitter

@antiquitas @eterna:

antiquitas-aeterna-twitter

Dr Kalliopi Nikita:

dr-kalliopi-nikita-twitter

Expert in Greek Archaeology-Ancient Glass Specialist-Dedicated to Greek Culture, Language & Heritage Awareness Art lover-Theatrophile-Painter- Olympiacos-Sphinx 

The Nicholson Museum, antiquities and archaeology museum, Sydney University Museums, Sydney, Australia, also follows us:

nicholson-museum-twitter

Eonomastica:

onomastikos-twitter
Bacher Archäology (Institute, Vienna):

bacher-archaologie-vienna-twitter

Canadian Archaeology:

canadian-archaeology-twitter

University of Alberta = UofAHistory&Classics (Alberta, Canada):
 
hc-university-of-alberta-twitter

All of our followers confirm that Minoan Linear A, Linear B, Knossos & Mycenae:

minoan-linear-a-linear-b-knossos-mycenaae-site-home

is having a profound impact on the vast field of diachronic historical linguistics, especially the decipherment of ancient languages, most notably Mycenaean Linear B, Arcado-Cypriot Linear C and even Minoan Linear A.  MLALBK&M has in effect become the premier diachronic historical linguistics site of its kind in the world in the space of less than 4 years. 


For the first time in history, the complete conjugations of 5 major derived (D) active indicative tenses of thematic verbs in Linear B progressive grammar:

The tenses of active thematic verbs are:
the present indicative active
the future indicative active
the imperfect indicative active
the aorist indicative active
the perfect indicative active

Here is are the 2 tables (A & B) of the complete derived (D) conjugations of these 5 tenses of the active thematic verb kaue = the archaic ancient Greek kauein (Latinized), to set on fire:
 
aa-present-future-imperfect

ab-aorist-pluperfect

The ability of a linguist specializing in Mycenaean Linear B, i.e. myself, to cognitively restore no fewer than 5 active tenses of thematic verbs by means of progressive Mycenaean Greek derived (D) grammar boils down to one impressive feat. However, I have omitted the pluperfect indicative active, since it was rarely used in any and all of the numerous dialects of ancient Greek, right on down from Mycenaean to Arcado-Cypriot to Aeolic, Ionic and Attic Greek, and indeed right on through the Hellenistic and New Testament eras. So since the pluperfect tense is as rare as it is, why bother reconstructing it? At least, this is my rationale. Other researchers and linguists specializing in Mycenaean Linear B may disagree. That is their perfect right.  

Is Mycenaean Greek in Linear B a proto-Greek dialect? Absolutely not!

There are still a few researchers and historical linguists specializing in Mycenaean Linear B who would have us believe that Mycenaean Greek is a proto-Greek dialect. Nothing could be further from the truth. The fact that so many fully developed grammatical forms are attested (A) on Linear B tablets confirms once and for all that Mycenaean Greek is the earliest intact East Greek dialect. Among the numerous grammatical forms attested (A) in Mycenaean Greek, we count: [1] verbs, including infinitives active and some passive for both thematic and athematic MI verbs; a sufficient number of verbs either in the active present or aorist tenses; a considerable number of participles, especially perfect passive; and even the optative case in the present tense, [2] nouns & adjectives, for which we find enough attested (A) examples of these declined in the nominative singular and plural, the genitive singular and plural and the dative/instrumental/ablative singular & plural. The accusative singular and plural appear to be largely absent from the Linear B tablets, but appearances can be deceiving, as I shall soon convincingly demonstrate. Also found on the extant Linear B tablets are the comparative and superlative of adjectives, and [3] almost all of the prepositions to be found in later ancient Greek dialects. Taken altogether, these extant attributed (A) grammatical elements form a foundation firm enough to recreate templates for all of the aforementioned elements in a comprehensive derived (D) progressive Mycenaean Linear B grammar. If you are still not convinced, I simply refer you to the previous post, where examples of many of  these grammatical elements are accounted for.  Moreover, once I have completely recompiled ancient Mycenaean Greek grammar, you should be convinced beyond a shadow of a doubt that Mycenaean Greek was the very first true ancient Greek dialect.

What is progressive derived (D) Mycenaean Linear B grammar? 

By progressive I mean nothing less than as full a restoration as possible of the corpus of ancient Mycenaean Greek grammar by means of the procedure of regressive extrapolation of the (exact) equivalents of any and all grammatical elements I shall have reconstructed from the two major sources of slightly later archaic Greek, namely: (a) the Arcado-Cypriot dialect, in which documents were composed in the Linear C syllabary, a direct offshoot of Mycenaean Linear B (Even though the two syllabaries look scarcely alike, the symbolic values of their syllabograms are in almost all instances practically identical), and from so-called Epic Greek, which was comprised of diverse elements haphazardly drawn from various archaic Greek dialects, in other words yielding nothing less than a mess, but a viable one nonetheless.

At this juncture, I must emphatically stress that, contrary to common opinion among ancient Greek literary scholars not familiar with either Mycenaean Linear B or Arcado-Cypriot Linear C, the gap between the scribal Linear B tablets and the next appearance of written ancient Greek is not around 400 years (1200-800 BCE), as they would have it, but only one century. Why so? Hard on the heels of the collapse of the Mycenaean Empire and of its official script, Linear B, ca. 1200 BCE, Arcado-Cypriot Linear C first appeared in writing a mere 100 years after, give or take. The revised timeline for the disappearance and reappearance of written Greek is illustrated here:

revised-timeline-for-the-reappearance-of-written-ancient-greek    
If this is not convincing enough, Mycenaean Greek’s intimate cousin, Arcado-Cypriot, of which the syllabary is Linear C, is even more closely related to Mycenaean Greek than Ionic is to Attic Greek. In fact, you could say that they are kissing cousins. Now it stands to reason that, if Arcado-Cypriot in Linear C is a fully developed East Greek dialect, as it most certainly is (subsisting at least 700 years, from 1100 – 400 BCE), then it follows as day does night that Mycenaean Linear B must also be a fully functional East Greek dialect (in fact, the first). The two factors addressed above should lay to rest once and for all that Mycenaean Greek is merely proto-Greek. That is sheer nonsense.


You do not want to miss this Fantastic Twitter account, FONT design company of the highest calibre!

I have just fortuitously come across what I consider to be the most fantastic font site or Twitter account on newly designed, mostly serif, extremely attractive fonts, some of which they offer for FREE!!!

You simply have to check them out. Click here to follow typo graphias:

typographias-twitter


Here is a composite of some of the astonishing font graphics on this amazing site!


typo-graphias-composite-4
 

Serendipitously happening on this account put a bee in my bonnet. I simply had to send you all on the fast track to downloading and installing the Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C + several beautiful ancient Greek fonts, of which the most heavily used is SPIonic, used for Ionic, Attic, Hellenistic and New Testament writings and documents.  Hre are the links where you can download them, and much more besides!

Colour coded keyboard layout for the Mycenaean Linear B Syllabary:

linear-b-keyboard1 

includes font download sites for the SpIonic & LinearB TTFs

ideogram-woman-linear-b

The first ever keyboard map for the Arcado-Cypriot Linear C TTF font!

standard-keyboard-layout-for-arcado-cypriot-linear-c1

which also includes the direct link to the only site where you can download the beautiful Arcado-Cypriot Linear B font, here:


linear-c-ttf-font

How to download and use the Linear B font by Curtis Clark:

linear-b-keyboard-guide-revised-1200

Easy guide to the Linear B font by Curtis Clark, keyboard layout:
 
standard-keyboard-layout-for-arcado-cypriot-linear-c1
Here is the Linear B keyboard. You must download the Linear B font as instructed below:

ideogram-woman-linear-b 

And here is the actual cursive Linear B font as it actually appears on the most famous of all Linear B tablet, Pylos Py TA 641-1952 (Ventris):

pylos-tablet-ta-641-1952-ventris-with-linear-b-font2 

What’s more, you can read my full-length extremely comprehensive article, An Archaeologist’s Translation of Pylos Tablet Py TA 641-1952 (Ventris) by Rita Roberts, in Archaeology and Science (Belgrade) ISSN 1452-7448, Vol. 10 (2014), pp. 133-161, here: 

archaeologists-translation-of-pylos-tablet-py-ta-641-1952-ventris

in which I introduce to the world for the first time the phenomenon of the decipherment of what I designate as the supersyllabogram, which no philologist has ever properly identified since the initial decipherment of Mycenaean Linear B by Michael Ventris in 1952. Unless we understand the significance of supersyllabograms in Linear B, parts or sometimes even all of at least 800 Linear B tablets from Knossos alone cannot be properly deciphered. This lacuna stood out like a sore thumb for 64 years, until I finally identified, categorized and deciphered all 36 (!) of them from 2013 to 2014. This is the last and most significant frontier in the complete decipherment of Mycenaean Linear B. Stay posted for my comprehensive, in-depth analysis and synopsis of The Decipherment of  Supersyllabograms in Linear B, which is to appear early in 2017 in Vol. 11 of Archaeology and  Science. This ground-breaking article, which runs from page 73 to page 108 (35 pages on a 12 inch page size or at least 50 pages on a standard North American page size)  constitutes the final and definitive decipherment of 36 supersyllabograms, accounting for fully 59 % of all Linear B syllabograms. Without a full understanding of the application of supersyllabograms on Linear B tablets, it is impossible to fully decipher at least 800 Linear B tablets from Knossos.
  

Richard Vallance Twitter KONOSO 1602 & Rita Roberts 548 followers for a total of 2,150!

konoso-1602

rita-roberts-548

Richard Vallance’s Twitter account, KONOSO, has now reached 1602 followers & Rita Roberts’ 548 followers, for a total of 2,150 followers! Amazing, considering how esoteric Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C are. Of course, Rita’s twitter account covers a far greater range of topics on the ancient world, archaeology, early modern historical goodies, and modern stuff too!

The last time we checked in about 4 months ago, we only had about 1,500 followers between us. We are growing like gangbusters!


Minoan Linear A, Linear B, Knossos & Mycenae reaches the threshold of 100,000 visitors: (Click the banner to visit)

minoan-linear-a-linear-b-knossos-mycenae-now-ranked-on-first-page-of-google-search-on-minoan-linear-a-mycenaean-linear-b-reaches-100000-visitors

Minoan Linear A, Linear B, Knossos & Mycenae reaches the threshold of 100,000 visitors after 3 1/2 years in existence. This may not sound very impressive to a lot of people, but when we pause  consider, even for a moment, that our blog deals specifically and almost solely with Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C, the statistics look much more healthy. No-one on earth, apart from myself, can read any Minoan Linear A at all, and very very few can read Mycenaean Linear B or Arcado-Cypriot Linear C. So in this light, the statistics are all the more impressive. After all, even most of our our most loyal visitors cannot read at least 2 of these three syllabaries, even though several are adept with Homer and Classical Greek, as am I. By the way, our blog also features my own translation of the Catalogue of Ships in Book II of the Iliad, which has a direct bearing on the features of Homeric vocabulary and syntax inherited directly from Mycenaean Linear B.

In this period, we have posted well over 1,300 posts, with translations of hundreds of Mycenaean Linear B tablets, scores of Minoan Linear A tablets and even a few Arcado-Cypriot tablets. Our media library consists of 10s of thousands of photos, images and frescoes & paintings.

We are, in a word, the largest Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C site on the internet. Even omitting Linear A and Linear C, we rank in the top 3 of official Mycenaean Linear B sites.


Symbaloo/Google search ranks Minoan Linear A, Linear B, Knossos & Mycenae as fourth largest on the Internet:

search-minoan-linear-a-mycenaean-linear-b-major-sites-sept-13-2016

Since this is a Boolean AND search, if we omit sites dealing with only Minoan Linear A or only Mycenaean Linear B, which do not fulfill this requirement, our site ranks fourth. But since the site, Linear A and Linear B script: Britannica.com is a minor site, we actually rank third.

Also, our PINTEREST board is ranked fifth (actually fourth). We have over 1.7 K Minoan Linear A & Mycenaean Linear B translations, photos, maps & images on our PINTEREST board, Minoan Linear A & Mycenaean Linear B, Progressive Grammar and Vocabulary. Click the banner to visit and join if you like!


Minoan Linear A Linear B


   

An idea of how many impressions (tweets & retweets) a day my Twitter account, Konoso, gets = 6,552 today alone!

Click to visit & FOLLOW if you like!

konoso-tweets-impressions


The snapshot of my Twitter account, Konoso, informs us that it has had 6,552 impressions (tweets & retweets) in the past 24 hours alone. This number varies daily from a low of about 1,200 to highs in around 6,500, as seen here. Busy Twitter account for something as esoteric as Minoan Linear A & Mycenaean Linear B, n’est-ce pas? These are at least my impressions, though certainly not all of them (pun!) 


Minoan Linear A, Linear B, Knossos & Mycenae now ranked on first page of Google search on “minoan linear a mycenaean linear b”

google search  minoan linear a mycenaean linear b 01092016

Even though the official name of our research site was not even changed from  Linear B, Knossos & Mycenae to Minoan Linear A, Linear B, Knossos & Mycenae until June 2016, and in spite of the fact that we had never conducted any really serious research into Minoan Linear A and any potential for its partial decipherment prior to May 2106, our premier research site into the three major ancient Linear scripts, Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear, all of which I am on deeply familiar terms with, has risen from virtually no presence in cross-disciplinary studies of Minoan Linear A and Mycenaean Linear B in tandem prior to May 2016, to the eighth position the first page of this Google search on Sept. 1 2016. But if you eliminate the hits which deal with either Linear A or Linear B exclusively (i.e. alone) = Boolean or exclusive, our rank jumps from 8 to 3.

Enough said.


PINTEREST boards of interest related to Minoan Linear A & Mycenaean Linear B:

This is a reasonably comprehensive directory of PINTEREST boards of interest related to Minoan Linear A & Mycenaean Linear B. To visit each board, simply CLICK on its banner, and sign up, if you like:  

MAJOR BOARDS

Minoan Linear A, Mycenaean Linear B: Progressive Grammar & Vocabulary (Click BANNER to visit): 

Minoan Linear A Linear B


Knossos & Mycenae, Sister Civilizations

Knossos & Mycenae sister

Cultura Minoica

Cultura minoica

Antiche scritture

Antiche scritture


Minoan

Minoan

Minoan | Mycenaean

Minoan Mycenaean

SCR Lineare prealfabetica

SCR Lineare

Minoan: the Art and Culture of Knossos, Crete


Minoan Art and Culture

Archaeology  – Minoan

Archaeology Minoan

Minoan Civilization

Minoan Civilization

Minoan & Mycenaean Arts & Architecture

Minoan & Mycenaean Arts & Architecture

Mycenaean, Minoan, Hittite

Mycenaean Minoan Hittite



We now feature all UTube videos on Mycenaean Linear A, Minoan Linear B & Arcado-Cypriot Linear C:

Here are all the videos on Mycenaean Linear B:

UTube Mycenaean Linear B


Here are all the videos on Minoan Linear A:

Utube Minoan Linear A

Here are all the videos on  Arcado-Cypriot (Linear C):

UTube arcado-cyrpiot

Have a field day!

NOTE that I have mastered all three of these syllabaries. I am quite certain no one else has.

I shall be posting some of the most significant and intriguing videos in all three of these disciplines starting right away, and continuing on at the rate of at least 5 videos per month.


PINTEREST: Someone loves us! Richard Vallance — Linear Scripts Superhero 

superhero

PINTEREST superhero


You have simply got to see Thalassas Farkas’ new PINTEREST board, where he is reposting ALL of my recent posts from my own PINTEREST board, 

Minoan Linear A, Mycenaean Linear B: Progressive Grammar and B Vocabulary: (1.5 K pins!)

PINTEREST Minoan Linear A Linear B


and from my premier Minoan Linear A, Linear B, Knossos & Mycenae site:

LBK&M

I would be delighted if you followed both Thalassas Farkas’ and my own PINTEREST boards, because nowhere else will you find so much information about Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C! 


LBK&M has just joined several major literary LinkedIn Groups!

LBK&M has just joined several major literary LinkedIn Groups! These are:

My LinkedIn Groups

And this is my welcoming message:

Hello from Richard Vallance Linear B, Knossos & Mycenae

We expect to see many more visitors to Linear B, Knossos & Mycenae now that we have hooked up with so many great LinkedIn literary groups.


INVITATION to Classical Sites (Greek & Roman) including Twitter to join us as * PARTNERS  *

FROM: Richard Vallance Janke of Linear B, Knossos and Mycenae

Invitation to join the new Premier Network of Classical Sites on the Internet

NOTE! If you are a regular visitor to Linear B, Knossos & Mycenae, please leave the LINK to your site in Comments, and I will add it to our * PARTNERS *

Otherwise:

To accept, please send me an e-mail at: vallance22@zoho.com
OR vallance22@gmail.com

We have just invited today (Wed. June 15 2016):
Archaeology of the Mediterranean World
Federico Aurora, DAMOS, Database of Mycenaean at Oslo
Michael Cosmopoulos, Iklaina Archaeological Project
MNAMON: Ancient Writing Systems in the Mediterranean
Res Gerendae

5 invitees to the Premier Network of Classical Sies 15062016

See below no. 4

First, a few significant developments with our organization in the past two years:

1. We are now by far the largest Linear B & Linear C site on the Internet.
2. We have translated at least 500 tablets, mostly from Knossos, some from Pylos and Mycenae.
3. I am now being published on a regular basis in key archaeological and historical linguistic sites. My most significant article to date is “An Archaeologist's Translation of Pylos Tablet TA 641-1952 (Ventris) with an Introduction to Supersyllabograms in the in the Vessels & Pottery Sector of Mycenaean Linear B” in, 
Archaeology and Science. Vol. 10 (2014) pp. 133-161. Belgrade: Institute of Archaeology, 2016. ISSN 1452-7448
https://www.academia.edu/23643380/Archaeology_and_Science_Vol._10_2014_An_Archaeologists_Translation_of_Pylos_Tablet_641-1952._pp._133-161
   
NOTE that I am to be published again in next years issue of Archaeology and Science. And that article is going to be a ground-breaker in the refinement of the decipherment of Linear B.
 
Another of my recent publications is, “The Role of Supersyllabograms in Mycenaean Linear B”, here:
https://linearbknossosmycenae.files.wordpress.com/2015/10/the-role-of-ssyls-in-mycenean-linear-b.pdf

4. ** We are setting up a new Premier Network of Classical Sites on the Internet, which for the time being is subsumed under the Category ** PARTNERS **, the very first Category at the top of the first page of our site:

https://linearbknossosmycenae.wordpress.com/

We are in full partnership with (Koryvantes) The Association of Historical Studies (Athens) http://www.koryvantes.org/en/
and with Sententiae Antiquae
https://sententiaeantiquae.com/

and with The Institute of Archaeology (Belgrade).

+ one other site. We have just begun establishing the Network and we hope to expand it to at least 25 sites in the next year.

We will be contacting scores of other invitees in the next few weeks.

PS could you add our site to your list of sites under Linear B, as Linear B, Knossos & Mycenae is one of the major Linear B sites on the Internet?

Thank  you

Richard Vallance Janke


Archaeology, Anthropology and Interstellar Communication 2: Relevant Photography and Images

Here we see some photographs and images relevant to our translation of Richard Saint-Gelais' brilliant article,Archaeology, Anthropology and Interstellar Communication 2  research... and some not so relevant! First off, we have here a chart illustrating thee extreme geometric simplicity or more to the point, the Geometric Economy of Mycenaean Greek, which may indeed make it susceptible or even suitable to extraterrestrial communication with other intelligent beings, if we accept the “fact” that we ourselves are “intelligent”... a point which is open to serious debate!

The Geometric Economy of Mycenaean Linear B:

Geometric enonomy of Linear B

Moreover, Linear B's closest cousin, Arcado-Cypriot Linear C, which followed closely on the heels of Linear B, once it fell out of use with the fall of Mycenae ca. 1200 BCE, and which lasted continually from ca. 1100-400 BCE (!), is just as remarkable for its Geometric Economy as Linear B, and could equally serve the same capacity as a vehicle for extraterrestrial communication.

The Geometric Economy of Arcado-Cypriot Linear C:

linear-c-geometric

On the other hand, nothing could be more ridiculous than the Voyager 1 satellite, launched on Sept. 5 1977, and now hurtling God knows where just outside the confines of our Solar System. Apart from the fact that a mechanical contraption such as this would (and will!) take hundreds of thousands of years to get anywhere at all, what is the point? Moreover, the premises upon which its means of communication with so-called extraterrestrials are based are so absurdly unsound as to beg credence. For instance, what extraterrestrial beings in their right minds (assuming they have minds like us) could conceivably recognize those ridiculous images of a naked man and woman?... unless they were even remotely similar to us physiologically... a likelihood that is about as realistic as winning a lottery of a trillion dollars. And that is just scratching the surface, as we shall discover to our great amusement when I eventually publish my article on Prof. Saint-Gelais' own research. There follow here a few images relative to the Voyager 1 probe which are liable to make you LOL.

plaque 

pioneer_plaque_ for _real
 
Voyager_plaque_V2


Happy Third Anniversary to Linear B, Knossos & Mycenae!

Happy Third Anniversary to Linear B, Knossos & Mycenae!

Linear B, Knossos & Mycenae was founded in March 2013, and since then it has grown to become the premier Linear B blog on the entire Internet. Our blog covers every conceivable aspect of research into Mycenaean Linear B, including, but not exclusively, decipherment of hundreds of tablets from every single sector of the Minoan/Mycenaean economy (agriculture, military, textiles, spices & condiments, vessels and pottery and the religious sector); the translation of the introduction to Book II of the Iliad, plus the entire Catalogue of Ships in Book II, with particular emphasis on the extensive influence of Mycenaean Linear B and of he Mycenaean world on the Catalogue of Ships; extensive vocabulary, lexicons and glossaries of Linear B; lessons in Linear B; progressive grammar of Linear B; extensive research into the 3,500 Scripta Minoa tablets from Knossos; and above all other considerations, the isolation, classification and decipherment of all 35+ supersyllabograms in every sector of the Minoan/Mycenaen economy (see above). Supersyllabograms were previously and erroneously referred to as “adjuncts” in Mycenaean Linear B. The decipherment of supersyllabograms is the major development of the further decipherment of Linear B since the genius, Michael Ventris, first deciphered it in 1952.

But that is not all. Our blog also zeroes in on Minoan Linear A, with at least one successful attempt at deciphering at least one word on a major Linear A tablet, and that is the Linear A word for “tripod”, a truly serendipitous development, given that the same word was the first word ever translated in Mycenaean Linear B. Our blog also focuses on Arcado-Cypriot Linear C, with a few translations of tablets in that script. In short, no other blog on the Internet deals as extensively with all three of these scripts, Linear A, Linear B and Linear C together.

It is also remarkable that we have had in excess of 80,000 visitors since our blog’s inception in March 2013. While this figure may seem rather smallish to many visitors, may I remind you that Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C are extremely esoteric in the field of ancient linguistics. To put it another way, how many people in the entire world do you imagine can read Mycenaean Linear B, and even fewer who can read Arcado-Cypriot Linear C? Scarcely more than a very few thousand out of a population of 7+ billion. So I believe that we have made great strides in the past three years, and I fully expect that we shall top 100,000 visitors by the end of this year, 2016.


NEW CATEGORY = TEXTILES at Linear B, Knossos & Mycenae!

Linear B Knossos and Mycenae new cateogy TEXTILES

Click on the new category title, TEXTILES, to view all posts on our research blog on Mycenaean Linear B, Minoan Linear A & Arcado-Cypriot Linear C related to textiles:

Since this category is in CAPS, it is a MAJOR category.

We shall soon be adding another new MAJOR category = VESSELS (i.e. Pottery).

In passing, I would like to draw to your attention that the best way to search our research site is to search by category. This way, you can zero in on the posts on the subject which interests you at the moment. For instance, if you click on Linear A, you will be taken to the pages where all posts on Minoan Linear A appear; if you click on Decipherment, you will be routed to the pages on which all posts dealing with decipherment of any tablet in any script, Minoan Linear A, Mycenaean Linear B or Arcado-Cypriot Linear B appear. And so on.  
 
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