Linear B - KN Dd1171, article by Peter J. Keyse on academia.edu Click on this graphic to view Keyse’s article: Peter J. Keyse provides a thorough analysis of Linear B tablet KN Dd 1171 in this fascinating article, which is well worth reading for anyone who is familiar with the Linear B syllabary, and certainly for anyone who is studying Linear B in depth. His article is not without errors. For instance, he deciphers PoRo as the name of someone in what he calls the PoMe “worker class” = a shepherd, but his interpretation of of PORO is clearly incorrect, as this word has 3 distinct meanings, one of which is the Linear B word for “a foal”, as demonstrated by Chris Tselentis in his Linear B Lexicon, here: (The other 2 meanings of POME offered by Tselentis do not fit the context) while POME is quite obviously Mycenaean Greek for “shepherd”: Keyse also notes that Michael Ventris identified 3 major styles for incisions - those at Knossos, Pylos and Mycenae. In his own words: The vertical lines are quite faint scratches and not easily seen. The cuts in the clay are ‘under-cut’ i.e. pushed in at an angle . This preoccupation with Linear B scribal hands recurs in a great many articles on Linear B. Keyse also covers the what he ascertains to be the phonetic sounds of the numerics on this tablet. He also emphasizes the nature and particulars characteristics of the scribal hand on this tablet. But it his conclusion which is most fascinating. He says, In conclusion: What would Dd1171 sound like if read aloud? Po-Ro. 20 OVISm, 72 OVISf. Pa-I-To. Pa 8 OVISm. While it reasonable to say that Linear B was no more the spoken language of its day than ‘double-entry bookkeeping’ speak is for accounting clerks today it is also true to say that accountants do on occasions talk in journals and double-entry (and not only when at dinner parties and down the pub) and they certainly call over inventories to each other. It is clear that Linear B had a sound but perhaps it is unlikely that we can fairly reproduce it today. Considering the importance of numbers within the Linear B archive I find it surprising that no phonic system has been devised to represent them or if devised is not clearly documented in the literature. COMMENT by Richard Vallance Janke on the sound, i.e. the general pronunciation of Linear B. In actuality, we probably do have some idea of how Mycenaean Greek was pronounced. Its closest cousin was Arcado-Cypriot, represented both by its own syllabary, Linear C, and by its own archaic alphabet. The Mycenaean and Arcado-Cypriot dialects were much closer phonetically than even Ionic and Attic Greek. Phonological details of the archaic Arcado-Cypriot dialect appear in C.D. Buck, The Greek Dialects, © 1955, 1998. ISBN 1-85399-566-8, on pg. 144. He provides even more information on Arcado-Cypriot on pp. 7-8, and classifies it as an East Greek dialect, pg. 9. This is highly significant, because if Arcado-Cypriot is East Greek, ergo Mycenaean Greek also is. This places both of the archaic East-Greek dialects, Mycenaean and Arcado-Cypriot, firmly in the camp of all East Greek dialects, including Arcadian, Aeolic, Lesbian, Cyprian, Pamphylian, Thessalian, Boeotian, and the much later Ionic and Attic dialects. So it is probably fair to say that we may have at least an idea, even if somewhat inaccurate, of how Mycenaean Greek was pronounced. And this has huge implications for the further study of Mycenaean Greek phonology.
Guidelines for submissions to Les Éditions KONOSO Press now on academia.edu:
Guidelines for submissions to Les Éditions KONOSO Press, Ottawa, Ontario, Canada, are now on academia.edu. Our new Press will be publishing online monographs and books only, from 40 to 200 pages long. Submissions will be accepted starting July 1 2018. Any person submitting papers should expect to wait 6 months before we can advise that person whether or not we have accepted the submission. Submissions guidelines are very strict. You must read them exhaustively. Submissions not following these guidelines will be automatically rejected.
The editors on our board of editors are of the highest calibre with the finest credentials. Here is the list of all our editors:
Board of Editors/Conseil des rédacteurs
Richard Vallance Janke, University of Western Ontario, Emeritus
Associate Editor-in-Chief, Université de Genève
Chief Associate Editor, University of Warsaw
John Bengtson, University of Minnesota
Julia Binnberg, University of Oxford, Classical Archaeology
Nic Fields, University of Newcastle, England
Jean-Philippe Gingras, Royal Military College of Canada
Jorrit Kelder, University of Oxford, Oriental Studies, Associate Professor
Roman Koslenko, Mykolaiv National University & National Academy of Sciences, Ukraine
Haris Koutelakis, Kapodistrian University of Athens
Massimo Perna, Università degli Studi di Napoli Suor Orsola Benincasa
Philipp Schwinghammer, Universität Leipzig, Historisches Seminar
Olivier Simon, Université de Lorraine, independent researcher, PIE
The most renowned of these editors are Spyros Bakas of the University of Warsaw, an expert in ancient Mycenaean and Greek warfare, and Jorrit Kelder of the University of Oxford, one of the world’s most famous researchers in Mycenaean Linear B.
Our Press promises to become one of the world’s most prestigious publishers in ancient Aegean studies in short order.
You may submit your first paper as of July 1 2018.
Richard Vallance Janke, Editor-in-Chief, May 9 2018
Preliminary Roster of Editors, Aux Éditions Konoso Press, Ottawa, Ontario, Canada
Richard Vallance Janke, University of Western Ontario, Emeritus
Associate Editor-in-Chief, Université de Genève
Chief Associate Editor, University of Warsaw
Julia Binnberg, University of Oxford, Classical Archaeology
Nic Fields, University of Newcastle, England
Roman Koslenko, National Academy of Sciences, Ukraine
Xaris Koutelakis, Kapodistrian University of Athens
Philipp Schwinghammer, Universität Leipzig, Historisches Seminar
Olivier Simon, Université de Lorraine
Editors’ Credentials and Degrees, plus their academia.edu pages or home pages will appear in the Forward to each monograph published. Aux Éditions Konoso Press, Ottawa, Ontario, Canada, will publish online monographs only, from 20-100 pages long, each with its own unique ISBN (International Standard Book Number). We shall be accepting our first submissions from the summer of 2018 onward. The first monograph will probably be published in early 2019. If you are interested in becoming an Associate Editor of our already prestigious board of editors, please contact Richard Vallance Janke at: email@example.com
supplying your credentials and degrees, and the name of the institution from which you obtained your highest degree.
Richard Vallance Janke,
Ottawa, Ontario, Canada
Minoan Linear A, Linear B, Knossos & Mycenae now has its own private domain name:
It is no longer evident from the domain name that this is a WordPress site. I have also cleaned up the Header to eliminate the annoying RSS Feed. Now you select any month/year the Monthly Archives right from the TOP of page.
PINTEREST Minoan Linear A, Mycenaean Linear B, Arcado-Cypriot Linear C, PIN site for Minoan Linear A, Linear B, Knossos & Mycenae:
PINTEREST Minoan Linear A, Mycenaean Linear B, Arcado-Cypriot Linear C, Progressive Grammar and Vocabulary:
with over 2,240 PINS on every aspect of Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C, including hundreds of tablets and their decipherment, the syllabaries, images of Knossos, Mycenae and other Bronze Age locales related to these syllabaries, maps, archaeological sites and plans, silver and gold jewellery, timelines etc. etc., is the PIN site for Minoan Linear A, Linear B, Knossos & Mycenae:
If you are not already following our PINTEREST site, now is the time to do just that.
867 people on Academia.edu have read my articles and papers: Click on the 867 to see my account. 867 people on academia.edu have read my articles and papers since I joined academia.edu in 2015. Since I am in the top 0.5% of all accounts on academia.edu, which amount to 40 million or so, I stand in the top 200,000 users on academia.edu. Researchers in the top 0.1 % would expect about 5 x the number of downloads I have received, or about 4,500. In the next year or so, I expect that my standing may rise to the top 0.2 %, in view of the fact that I have at least 2 new major research articles in the pipeline.
Arcado-Cypriot Linear C, the Elegant Culmination of Syllabaries from Minoan Linear A through to Mycenaean Linear B
The title of my submission to Vol. 13 (2017) Archaeology and Science (Belgrade) ISSN 1452-7448 is to be:
“Arcado-Cypriot Linear C, the Elegant Culmination of Syllabaries from Minon Linear through to Mycenaean Linear B”.
This article will feature an overview of each of the syllabaries in turn and the languages and dialects they represent: Minoan for Linear A, the earliest East Greek dialect Mycenaean for Linear B, and the slightly later dialect Arcado-Cypriot for Linear C. It will be quite some time before I will even be able to make my submission, as Vol. 12 (2016) is still in the pipeline, and authors’ articles have not been returned to them in their master format for proof-reading. Nor will they be returned to us before the end of 2017. But I like to hedge my bets, and anyway, the aforementioned topic for Vol. 13 (2017) is right down my alley, in view of the fact that I am expert in all three syllabaries (Linear A, B & C) and their respective languages.
NOTE it is absolutely de rigueur to read the table of the Arcado-Cypriot Linear C syllabary above, if you are to get any real grasp of its enormous significance, not only for the development of literary ancient Greek, which it pioneered, but retrospectively for a proper understanding of Mycenaean Linear B phonetics.
The article will explore in great depth the legacy of Minoan Linear A for Mycenaean Linear B and that of Mycenaean Linear B for Arcado-Cypriot Linear C in turn. Finally, we shall address the even more striking historical legacy of Arcado-Cypriot Linear C itself, as this last syllabary in the series of 3 syllabaries was to have a real impact on the historical Greek era (ca. 1100 BCE – 400 BCE).
What is most striking about the evolution of these three syllabaries is that, as we pass from one to the next, the syllabaries become more streamlined and more simplified. The Minoan Linear A syllabary is the most complex, with a very large number of syllabograms, many of which are undeciphered. While there are ideograms in Minoan Linear A, there are fewer of them in Linear A than in Mycenaean Linear B, which made extensive use of them for the purposes of accurate, minimalized inventory taking. On the other hand, by the time we get to Arcado-Cypriot Linear C, the picture changes drastically. Almost all of the syllabograms in Linear C look completely unlike their Minoan Linear A and Mycenaean Linear B forbears. They look different. But appearances can be and are, in the case of Arcado-Cypriot Linear C, very deceiving. While the syllabograms in Arcado-Cypriot Linear C look different from those in Mycenaean Linear B (leaving Minoan Linear A aside, because it is too archaic and too complex), almost all of them bear the same phonetic values as their Linear B counterparts. But what is most remarkable about Arcado-Cypriot Linear C is that it utterly abandoned ideograms, once and for all. There are several cogent reasons for this amazing development, which I shall address when I finally come around to writing this article, probably sometime in 2018.
I have already discussed this topic in recent posts on the Linear A, Linear B & Linear C keyboard templates, and so I would ask you to refer back to them for clarification on any issues which may elude you, and which I do not address in this post, for the simple reason that I have not even yet begun my article for Archaeology and Science. But, of one thing you can be certain, it is bound to be a ground-breaker, like all of my previous articles in this prestigious international archaeological journal.
The Arcado-Cypriot Linear C keyboard template & the significantly revised timeline for (proto-) historic ancient Greek society: This image of the Arcado-Cypriot Linear C keyboard template has been downsized to 620 pixels to fit the restrictive exigencies of Word Press image size. You may request the full-sized 1200 pixel Linear C keyboard template by contacting me at: firstname.lastname@example.org The Arcado-Cypriot Linear C keyboard template reveals several fascinating characteristics of this extremely important and highly tenacious syllabary. These are: 1. The Arcadians and Cypriots thoroughly redesigned Linear C, almost completely abandoning the Minoan Linear A and Mycenaean Linear B syllabograms, but only in superficial appearance. 2. The only Linear C syllabograms which bear resemblance with their Mycenaean Linear B forbears are: NA SE PA & PO. 3. But almost all of the rest of the syllabograms in Linear C bear the same phonetic values as their Linear B forbears. 4. The DA series of syllabograms in Minoan Linear A and Mycenaean Linear B has completely disappeared from Arcado-Cypriot Linear C. 5. The RA RE RI RO (RU) series of syllabograms in Minoan Linear A and Mycenaean Linear B has split into 2 discreet, separate series: LA LE LI LO LU & RA RE RI RO RU. But what was the reason for this deliberate split? Here is my hypothesis: it would appear that the Minoans and Mycenaeans were unable to distinguish between the liquids L and R, pronouncing L something along the lines the Japanese did. 6. The syllabograms XA and XE, and the syllabogram GA are non-existent in Minoan Linear A & Mycenaean Linear B. 7. Arcado-Cypriot Linear C abandoned ideograms completely. This makes for a much more - 8. streamlined syllabary. 9. The Arcado-Cypriot Linear C syllabary was diachronically extremely tenacious, lasting 7 centuries (ca. 1100 BCE – 400 BCE) co-existing in parallel with the Arcado-Cypriot alphabet. 10. philologists and linguists expert in ancient Greek are accustomed to drawing the timeline for the first appearance of written Greek from 800 BCE onward (ca. the time of Homer’s Ilad to Attic Greek, ca. 400 BCE). But I am in fundamental disagreement with this hypothesis. Since Arcado-Cypriot Linear C came to the fore ca. 1100 BCE, a mere 100 years or approximately one century after the fall of Mycenae and the demise of the Linear B syllabary, it is surely open to doubt whether or not the so-called Greek “Dark Ages” actually lasted at least 400 years (ca. 1200 – 800 BCE). So we have to wonder whether or not that small gap of a mere century or so between the demise of the Linear B syllabary (ca. 1200 BCE) and the sudden appearance of Arcado-Cypriot Linear C (ca. 1100 BCE) makes much of a difference at all in the actual timeline for written ancient Greek, which to my mind runs from 1600 BCE, with the advent of Mycenaean Linear B, all the way through to 400 BCE, i.e. for 12 centuries – 1 century (because of the 1 century gap between Linear B and Linear C), i.e. for 11 centuries! This makes for a huge difference between the previously held timeline of a mere 4 centuries from 800 – 400 BCE. It sets back the timeline for Greek civilization 500 years, receding back from 1100 BCE to 1600 BCE. I also strongly object to the commonly held notion that Mycenaean and Mycenaean Minoan Greece was a prehistoric civilization. Since writing did exist in the form of the Linear B syllabary, albeit only in scribal format, I believe we can safely conclude that the Mycenaean civilization was proto-historic. And there is more: if we also take Minoan Linear A into account (which we definitely should), then the proto-historic period, if we are to include the pre-Greek substrate of Minoan society, recedes several centuries more into the distant past, to at least 2,900 BCE! Just because we cannot read the Minoan language does not mean it not also proto-historic phenomenon. That Arcado-Cypriot Linear C lasted for such a very long time attests to the fact that syllabaries such as Mycenaean Linear B & Arcado-Cypriot Linear C itself were much more suitable to inscribing or writing ancient Greek than most philologists or diachronic historical linguists would care to admit. I shall have plenty to say about this in the article I shall soon be posting on my academia.edu account: Templates for the layouts of the Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C fonts. You can download the Linear C font here:
TOTAL no. of followers of KO NO SO & Rita Roberts on Twitter = 2,653 In just 1 month, the number of followers to my twitter account KO NO SO has risen from just over 1,900 to 2,025, while Rita Roberts now has 628 followers, yielding a total of 2,653 for both of our twitter accounts. I have posted 17.2 K tweets on KO NO SO, while Rita Roberts has 18.2 K tweets. This is explosive growth for a diachronic linguistics twitter site as esoteric as KO NO SO, which deals with the rare syllabaries, Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C.
The British Museum on Twitter only follows back about 5 % of those who follow them, but they do follow us! While The British Museum has 1.01 million followers, they only follow back 50.9 K Twitter accounts, and KONOSO is one of those with whom they reciprocate. In other words, we are among the 5 % of Twitter accounts they follow back. This goes to demonstrate the enormous impact our Twitter account, KONOSO: Moreover, in the past 3 months alone, the number of our twitter followers has risen from 1,600 to over 1,900 (1902). This, in combination with the 625 followers of our co-researcher colleague's twitter account (Rita Roberts): brings the total number of followers of our 2 accounts combined to 2,527, up from less than 2,000 only 3 months ago. Among other prestigious international Twitter accounts following us we find: Henry George Liddell: the latest in a long line of generations of great historical Greek linguists who over the centuries have compiled the world’s greatest classical Greek dictionary, the Liddell and Scott Greek-English Lexicon. Phaistos Project: Greek History Podcast: @antiquitas @eterna: Dr Kalliopi Nikita: Expert in Greek Archaeology-Ancient Glass Specialist-Dedicated to Greek Culture, Language & Heritage Awareness Art lover-Theatrophile-Painter- Olympiacos-Sphinx The Nicholson Museum, antiquities and archaeology museum, Sydney University Museums, Sydney, Australia, also follows us: Eonomastica: Bacher Archäology (Institute, Vienna): Canadian Archaeology: University of Alberta = UofAHistory&Classics (Alberta, Canada): All of our followers confirm that Minoan Linear A, Linear B, Knossos & Mycenae: is having a profound impact on the vast field of diachronic historical linguistics, especially the decipherment of ancient languages, most notably Mycenaean Linear B, Arcado-Cypriot Linear C and even Minoan Linear A. MLALBK&M has in effect become the premier diachronic historical linguistics site of its kind in the world in the space of less than 4 years.
For the first time in history, the complete conjugations of 5 major derived (D) active indicative tenses of thematic verbs in Linear B progressive grammar: The tenses of active thematic verbs are: the present indicative active the future indicative active the imperfect indicative active the aorist indicative active the perfect indicative active Here is are the 2 tables (A & B) of the complete derived (D) conjugations of these 5 tenses of the active thematic verb kaue = the archaic ancient Greek kauein (Latinized), “to set on fire”: The ability of a linguist specializing in Mycenaean Linear B, i.e. myself, to cognitively restore no fewer than 5 active tenses of thematic verbs by means of progressive Mycenaean Greek derived (D) grammar boils down to one impressive feat. However, I have omitted the pluperfect indicative active, since it was rarely used in any and all of the numerous dialects of ancient Greek, right on down from Mycenaean to Arcado-Cypriot to Aeolic, Ionic and Attic Greek, and indeed right on through the Hellenistic and New Testament eras. So since the pluperfect tense is as rare as it is, why bother reconstructing it? At least, this is my rationale. Other researchers and linguists specializing in Mycenaean Linear B may disagree. That is their perfect right. Is Mycenaean Greek in Linear B a proto-Greek dialect? Absolutely not! There are still a few researchers and historical linguists specializing in Mycenaean Linear B who would have us believe that Mycenaean Greek is a proto-Greek dialect. Nothing could be further from the truth. The fact that so many fully developed grammatical forms are attested (A) on Linear B tablets confirms once and for all that Mycenaean Greek is the earliest intact East Greek dialect. Among the numerous grammatical forms attested (A) in Mycenaean Greek, we count:  verbs, including infinitives active and some passive for both thematic and athematic MI verbs; a sufficient number of verbs either in the active present or aorist tenses; a considerable number of participles, especially perfect passive; and even the optative case in the present tense,  nouns & adjectives, for which we find enough attested (A) examples of these declined in the nominative singular and plural, the genitive singular and plural and the dative/instrumental/ablative singular & plural. The accusative singular and plural appear to be largely absent from the Linear B tablets, but appearances can be deceiving, as I shall soon convincingly demonstrate. Also found on the extant Linear B tablets are the comparative and superlative of adjectives, and  almost all of the prepositions to be found in later ancient Greek dialects. Taken altogether, these extant attributed (A) grammatical elements form a foundation firm enough to recreate templates for all of the aforementioned elements in a comprehensive derived (D) progressive Mycenaean Linear B grammar. If you are still not convinced, I simply refer you to the previous post, where examples of many of these grammatical elements are accounted for. Moreover, once I have completely recompiled ancient Mycenaean Greek grammar, you should be convinced beyond a shadow of a doubt that Mycenaean Greek was the very first true ancient Greek dialect. What is progressive derived (D) Mycenaean Linear B grammar? By progressive I mean nothing less than as full a restoration as possible of the corpus of ancient Mycenaean Greek grammar by means of the procedure of regressive extrapolation of the (exact) equivalents of any and all grammatical elements I shall have reconstructed from the two major sources of slightly later archaic Greek, namely: (a) the Arcado-Cypriot dialect, in which documents were composed in the Linear C syllabary, a direct offshoot of Mycenaean Linear B (Even though the two syllabaries look scarcely alike, the symbolic values of their syllabograms are in almost all instances practically identical), and from so-called Epic Greek, which was comprised of diverse elements haphazardly drawn from various archaic Greek dialects, in other words yielding nothing less than a mess, but a viable one nonetheless. At this juncture, I must emphatically stress that, contrary to common opinion among ancient Greek literary scholars not familiar with either Mycenaean Linear B or Arcado-Cypriot Linear C, the gap between the scribal Linear B tablets and the next appearance of written ancient Greek is not around 400 years (1200-800 BCE), as they would have it, but only one century. Why so? Hard on the heels of the collapse of the Mycenaean Empire and of its official script, Linear B, ca. 1200 BCE, Arcado-Cypriot Linear C first appeared in writing a mere 100 years after, give or take. The revised timeline for the disappearance and reappearance of written Greek is illustrated here: If this is not convincing enough, Mycenaean Greek’s intimate cousin, Arcado-Cypriot, of which the syllabary is Linear C, is even more closely related to Mycenaean Greek than Ionic is to Attic Greek. In fact, you could say that they are kissing cousins. Now it stands to reason that, if Arcado-Cypriot in Linear C is a fully developed East Greek dialect, as it most certainly is (subsisting at least 700 years, from 1100 – 400 BCE), then it follows as day does night that Mycenaean Linear B must also be a fully functional East Greek dialect (in fact, the first). The two factors addressed above should lay to rest once and for all that Mycenaean Greek is merely proto-Greek. That is sheer nonsense.
You do not want to miss this Fantastic Twitter account, FONT design company of the highest calibre! I have just fortuitously come across what I consider to be the most fantastic font site or Twitter account on newly designed, mostly serif, extremely attractive fonts, some of which they offer for FREE!!! You simply have to check them out. Click here to follow typo graphias: Here is a composite of some of the astonishing font graphics on this amazing site! Serendipitously happening on this account put a bee in my bonnet. I simply had to send you all on the fast track to downloading and installing the Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C + several beautiful ancient Greek fonts, of which the most heavily used is SPIonic, used for Ionic, Attic, Hellenistic and New Testament writings and documents. Hre are the links where you can download them, and much more besides! Colour coded keyboard layout for the Mycenaean Linear B Syllabary: includes font download sites for the SpIonic & LinearB TTFs The first ever keyboard map for the Arcado-Cypriot Linear C TTF font! which also includes the direct link to the only site where you can download the beautiful Arcado-Cypriot Linear B font, here: How to download and use the Linear B font by Curtis Clark: Easy guide to the Linear B font by Curtis Clark, keyboard layout: Here is the Linear B keyboard. You must download the Linear B font as instructed below: And here is the actual cursive Linear B font as it actually appears on the most famous of all Linear B tablet, Pylos Py TA 641-1952 (Ventris): What’s more, you can read my full-length extremely comprehensive article, An Archaeologist’s Translation of Pylos Tablet Py TA 641-1952 (Ventris) by Rita Roberts, in Archaeology and Science (Belgrade) ISSN 1452-7448, Vol. 10 (2014), pp. 133-161, here: in which I introduce to the world for the first time the phenomenon of the decipherment of what I designate as the supersyllabogram, which no philologist has ever properly identified since the initial decipherment of Mycenaean Linear B by Michael Ventris in 1952. Unless we understand the significance of supersyllabograms in Linear B, parts or sometimes even all of at least 800 Linear B tablets from Knossos alone cannot be properly deciphered. This lacuna stood out like a sore thumb for 64 years, until I finally identified, categorized and deciphered all 36 (!) of them from 2013 to 2014. This is the last and most significant frontier in the complete decipherment of Mycenaean Linear B. Stay posted for my comprehensive, in-depth analysis and synopsis of The Decipherment of Supersyllabograms in Linear B, which is to appear early in 2017 in Vol. 11 of Archaeology and Science. This ground-breaking article, which runs from page 73 to page 108 (35 pages on a 12 inch page size or at least 50 pages on a standard North American page size) constitutes the final and definitive decipherment of 36 supersyllabograms, accounting for fully 59 % of all Linear B syllabograms. Without a full understanding of the application of supersyllabograms on Linear B tablets, it is impossible to fully decipher at least 800 Linear B tablets from Knossos.
Richard Vallance Twitter KONOSO 1602 & Rita Roberts 548 followers for a total of 2,150! Richard Vallance’s Twitter account, KONOSO, has now reached 1602 followers & Rita Roberts’ 548 followers, for a total of 2,150 followers! Amazing, considering how esoteric Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C are. Of course, Rita’s twitter account covers a far greater range of topics on the ancient world, archaeology, early modern historical goodies, and modern stuff too! The last time we checked in about 4 months ago, we only had about 1,500 followers between us. We are growing like gangbusters!
Minoan Linear A, Linear B, Knossos & Mycenae reaches the threshold of 100,000 visitors: (Click the banner to visit) Minoan Linear A, Linear B, Knossos & Mycenae reaches the threshold of 100,000 visitors after 3 1/2 years in existence. This may not sound very impressive to a lot of people, but when we pause consider, even for a moment, that our blog deals specifically and almost solely with Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C, the statistics look much more healthy. No-one on earth, apart from myself, can read any Minoan Linear A at all, and very very few can read Mycenaean Linear B or Arcado-Cypriot Linear C. So in this light, the statistics are all the more impressive. After all, even most of our our most loyal visitors cannot read at least 2 of these three syllabaries, even though several are adept with Homer and Classical Greek, as am I. By the way, our blog also features my own translation of the Catalogue of Ships in Book II of the Iliad, which has a direct bearing on the features of Homeric vocabulary and syntax inherited directly from Mycenaean Linear B. In this period, we have posted well over 1,300 posts, with translations of hundreds of Mycenaean Linear B tablets, scores of Minoan Linear A tablets and even a few Arcado-Cypriot tablets. Our media library consists of 10s of thousands of photos, images and frescoes & paintings. We are, in a word, the largest Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C site on the internet. Even omitting Linear A and Linear C, we rank in the top 3 of official Mycenaean Linear B sites.
Symbaloo/Google search ranks Minoan Linear A, Linear B, Knossos & Mycenae as fourth largest on the Internet: Since this is a Boolean AND search, if we omit sites dealing with only Minoan Linear A or only Mycenaean Linear B, which do not fulfill this requirement, our site ranks fourth. But since the site, Linear A and Linear B script: Britannica.com is a minor site, we actually rank third. Also, our PINTEREST board is ranked fifth (actually fourth). We have over 1.7 K Minoan Linear A & Mycenaean Linear B translations, photos, maps & images on our PINTEREST board, Minoan Linear A & Mycenaean Linear B, Progressive Grammar and Vocabulary. Click the banner to visit and join if you like!
An idea of how many impressions (tweets & retweets) a day my Twitter account, Konoso, gets = 6,552 today alone! Click to visit & FOLLOW if you like! The snapshot of my Twitter account, Konoso, informs us that it has had 6,552 impressions (tweets & retweets) in the past 24 hours alone. This number varies daily from a low of about 1,200 to highs in around 6,500, as seen here. Busy Twitter account for something as esoteric as Minoan Linear A & Mycenaean Linear B, n’est-ce pas? These are at least my impressions, though certainly not all of them (pun!)
Minoan Linear A, Linear B, Knossos & Mycenae now ranked on first page of Google search on “minoan linear a mycenaean linear b” Even though the official name of our research site was not even changed from Linear B, Knossos & Mycenae to Minoan Linear A, Linear B, Knossos & Mycenae until June 2016, and in spite of the fact that we had never conducted any really serious research into Minoan Linear A and any potential for its partial decipherment prior to May 2106, our premier research site into the three major ancient Linear scripts, Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear, all of which I am on deeply familiar terms with, has risen from virtually no presence in cross-disciplinary studies of Minoan Linear A and Mycenaean Linear B in tandem prior to May 2016, to the eighth position the first page of this Google search on Sept. 1 2016. But if you eliminate the hits which deal with either Linear A or Linear B exclusively (i.e. alone) = Boolean or exclusive, our rank jumps from 8 to 3. Enough said.
PINTEREST boards of interest related to Minoan Linear A & Mycenaean Linear B: This is a reasonably comprehensive directory of PINTEREST boards of interest related to Minoan Linear A & Mycenaean Linear B. To visit each board, simply CLICK on its banner, and sign up, if you like: MAJOR BOARDS Minoan Linear A, Mycenaean Linear B: Progressive Grammar & Vocabulary (Click BANNER to visit): Knossos & Mycenae, Sister Civilizations Cultura Minoica Antiche scritture Minoan Minoan | Mycenaean SCR Lineare prealfabetica Minoan: the Art and Culture of Knossos, Crete Archaeology – Minoan Minoan Civilization Minoan & Mycenaean Arts & Architecture Mycenaean, Minoan, Hittite
We now feature all UTube videos on Mycenaean Linear A, Minoan Linear B & Arcado-Cypriot Linear C: Here are all the videos on Mycenaean Linear B: Here are all the videos on Minoan Linear A: Here are all the videos on Arcado-Cypriot (Linear C): Have a field day! NOTE that I have mastered all three of these syllabaries. I am quite certain no one else has. I shall be posting some of the most significant and intriguing videos in all three of these disciplines starting right away, and continuing on at the rate of at least 5 videos per month.