senryu – this is me = oui c’est moi = questo sono io


senryu - this is me = oui c'est moi = questo sono io




this is me
when I was a stunner -
lap it up 

oui c'est moi
quand j'étais si chic -
mais oui crois-moi

questo sono io
quando ero bello -  
mi creda

Richard Vallance

photo public domain

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Knossos Linear B tablet K 919, fleece, penning in sheep on a plot of land etc.


Knossos Linear B tablet K 919, fleece, penning in sheep on a plot of land etc.:

Linear B tablet K 919 with the supersyllabograms KI PE ZA SE

This is a unique Knossos Linear B tablet K 919, the only 1 of its kind in the entire repertoire of Linear B tablets, in so far as in it we have the only appearance in Linear B of the (apparently) independent supersyllabogram SE = sekaze in Linear B or sekazein in ancient Greek, which means “to pen in”. This suits the context like a glove, since the supersyllabogram PE, which means “a sheep pen” pops up immediately after the SSYL KI = “a plot of land”, while the left-truncated O to the right of the tablet is almost certainly the first supersyllabogram,  i.e. O, the first vowel of the Linear B word onaton = “a lease field”. I say that the SSYL SE is apparently independent, since it is not immediately fused with an ideogram,  in this case, the ideogram for “ewes” (100 of them) to its right. But this may be deceptive. The SSYL SE may be partially independent and partially dependent, since (a) it stands on its own in between maro = “fleece” and the ideogram for “ewes”, yet (b) it may very well be dependent on the ideogram for “ewes”, in spite of its placement. This is also a unique phenomenon in Linear B. No other supersyllabogram other than SE is both dependent and independent, if indeed that is what this one is. I cannot be sure. In point of fact, no other scribe ever resorted to placing a supersyllabogram mid-way between a Linear B word, maro, and an ideogram (ewes). Very odd.