summer haiku – the saffron goddess = la déesse du safran séa saraí sápa punikása adakísika * * The Linear A text of this haiku is absolutely beautiful! Read it for yourself. Just let the words flow off your tongue, with the stress on the syllables marked with an acute accent. The ancient Minoan language was spoken from around 1,700 – 1,500 BCE. My colleague, Alexandre Solcà and I are in the process of deciphering it. The script it is written in, which appears first in the haiku/haiga above, is called a syllabary, in which each “syllable” consists of a consonant + a vowel, as opposed to an alphabet, in which we find both single consonants and vowels. We believe it is proto-Greek, the immediate predecessor of ancient Greek. the saffron goddess her crimson dress adorned with ivy la déesse du safran sa robe cramoisie embellie de lierre Richard Vallance
summer haiku d’été – Minoan Linear A saffron goddess haiku in Linear A, English & French sea sarai sapa punikasa adakisika * * The Linear A text of this haiku is absolutely beautiful! Read it for yourself. the saffron goddess her crimson dress adorned with ivy la déesse du safran sa robe cramoisie embellie de lierre Richard Vallance
Origin of the saffron crocus traced back to Greece: Since ancient times, saffron has been giving dishes a golden-yellow hue and an aromatic flavour. The use of the stigmas of the saffron crocus (Crocus sativus) is depicted in frescos from Crete and Santorini, which are as old as 3600 years. Nowadays, the valuable plant is mainly cultivated in Iran accounting for more than 90% of the saffron production. For the remainder of this informative article, click on the logo image above. Saffron: Map of Ancient Greece illustrating the distribution of saffron:
summer haiku d’ été − saffron goddess = déesse du safran saffron goddess arrayed in white moiré in her sanctuary déesse du safran habillée en blanc moiré dans son sanctuaire Richard Vallance
Academia.edu THESIS The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire by Rita Roberts: Click on this logo to download her thesis: We are proud to announce that Rita Roberts has fulfilled the requirements of her second year of university, and has passed with a mark of 85 %. We have awarded her 90 % for thesis, The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire, which is a finely researched document I highly recommend to any and all. It deals in great detail with every conceivable aspect of Minoan and Mycenaean agricultural trade via their trade routes in the Mycenaean Empire, ca. 1600-1450 BCE. We congratulate Rita on her splendid achievement, and we look forward to her fuflling the exacting requirements of her third and final year of university which commences on July 1 2018, Canada Day. Once she has completed her third year, she will have earned her Bachelor of Arts degree in Minoan and Mycenaean studies.
Cretan pictograms, Medallion E, Knossos, after Sir Arthur Evans:
A few of the Cretan pictograms on Medallion E, Knossos, lend themselves to possible/probable/definite decipherment. These are:
definite: 5. & 8. (adze, labrys)
probable: 3. & 7. (spice container, saffron)
possible: 9. 11. 12. (olive oil lamp, some kind of floral crop, dagger)
Everything else is indecipherable.
Cretan pictograms – 15-23: crops (possibly/probably/definitely) known:
All of the Cretan pictograms from 15 to 23 definitely deal with crops, though in some cases we cannot tell for certain which ones. In other cases, the crops represented by their respective pictograms are either probably or definitely identified. 17a. & 17b. are spice containers. 19a. – 19c. are 3 variants for olives/olive oil. 22. is absolutely the ideogram for wheat. 20. (multiple variants) is saffron.
The third example of Cretan ideograms/logograms, Malia label Mu MA/M Hf, possibly decipherable:
Click on the label, FRAGRANTICA, for more information about saffron as an ancient aromatic.
This is the third example of Cretan ideograms/logograms, Malia label Mu MA/M Hf. Surprising as it is, this label may be largely decipherable. It is subdivided into 3 sections. The first S1 is blank. The second, S2, appears to spill over from the first side to the second, while the third, S3, is found on the second side alone. The first ideogram in S2 (section 2) is probably the one for “saffron”, while the second is still indecipherable. The third is clearly some sort of representation of a woman. The X, which is indecipherable, is followed by the number 100. S2 continues on side 2, which begins with what is clearly the ideogram for “textiles/cloth”, followed by what appear to be 3 ideograms for “sword(s)”. If these 3 ideograms in fact designate “swords”, they are practically identical to those for “swords” in Linear B. Section 3 (S3) begins with what appears to be an ideogram for “garment(s)”, followed once again by textiles, and followed in turn by an indecipherable ideogram, which might possibly relate to cutting, S3 ending with the number 100.
A partial decipherment might read: aromatic saffron + ? + a weaver or weavers (all weavers were women) weaving 100 rolls of cloth, 3 of which serve to wrap 3 swords in + 100 garments of some kind of (cut) textiles (saffron dyed?).
Translation of Linear B tablet Knossos KN 854 K j 11 by Rita Roberts:
Rita Roberts’ decipherment of Linear B tablet KN 669 K j 21 (Knossos) on grains and saffron:
This is the latest in the most recent run of Linear B tablets deciphered by Rita Roberts, who is in her second term, second year of university. The tablets she must now decipher are much more challenging than anything she has ever encountered before. Given that she is up against tablets that get progressively more and more difficult, her progress towards total mastery of Linear B is nothing short of first rate. Because she forgot to provide a free translation of Line 2, Rita scored 90 % on this tablet. But that is, as we say in French, un petit péché.
Linear A haiku: the saffron goddess, her crimson dress adorned with ivy:
In this haiku, all of the words except sarai = “flax” or “saffron” (the latter in this context) are Mycenaean-derived New Minoan (NM1). The onomatopoeia of the 3 phrases rolls off the tongue. Not only is her dress adorned with ivy, apparently she is as well.
The first ever complete and entirely unique decipherment of Linear A tablet HT 123 RECTO (Haghia Triada):
This decipherment of Linear A tablet HT 123 RECTO (Haghia Triada) is entirely unique and is the first ever of its kind. It incorporates several key features never before seen in any of the failed attempts at “deciphering” this tablet. These are:
1. It accurately identifies the crops as (a) olives (b) wine and (c) saffron/flax;
2. It accurately identifies what all previous “decipherers” have erroneously assumed to be fractions as crop shares;
3. It accurately identifies the supersyllabogram PU, which no one has ever before been able to decipher as the Old Minoan word, punikaso = Phoenician or in the case of wine = purple, equivalent to Linear B ponikiyo.
4. It clearly and accurately identifies the shares of crops, usually 8 shares per;
5. The Old Minoan Linear A word kiro appears to mean “they owed”, which suits the context to a T;
6. the combination of the number 8 with harvesting fits the season exactly, the month for harvesting being lunar August (at least if the Minoans counted counted their lunar months from the first month in the year, which certainly appears to be the case).
7. Since the total 20 + is right-truncated on the last line, I have to assume that it refers to 20 or more months, given that 9 months are mentioned above, with the ninth month implying that 8 preceded it, for a total 17. The number 4 with the unknown character probably also references months, bringing the potential total to 21. Thus a grand total of 20+ months is not out of the question.
This is the first ever successful decipherment of Linear A tablet HT 123 (RECTO) in toto.
RESEARCH paper: Supersyllabograms in the agricultural sector of the Mycenaean economy, by Rita Roberts academia.edu:
This essay constitutes Rita Robert’s first foray into major research in ancient Mycenaean linguistics on academia.edu. Rita has composed this highly scholarly article as the major component of her mid-term examination in her second year of university, exactly half way to her degree. Keeping up this pace, she is bound to perform outstandingly in her final essay of her second year, and in her third year thesis paper, which will be considerably more demanding than this study, and about twice as long.
I strongly recommend you to download this study here:
It makes for engaging reading in ancient linguistics research.
You can reach Rita’s academia.edu account here to view her other papers:
After 117 years, the Linear A vocabulary for 3 major grains (bran, wheat, barley) and for flax is conclusively deciphered:
Although decipherment of Linear A vocabulary for the primary Minoan grains has seemed beyond reach for the past 117 years, I believe that I may have actually cracked the vocabulary for at least 3 major Minoan grain crops, kireta2 (kiretai)/kiretana (attributive) = “barley”, dideru = “einkorn wheat”, kunisu = “emmer wheat” and for sara2 (sarai) = “flax”, while concurrently tackling 3 more grain crops, rumata(se), pa3ni (paini)/pa3nina (painina) (attributive), which I may or may not have managed to accurately identify. More on this below.
How did I manage to accomplish this feat? My first breakthrough came with the code-breaker, Linear A tablet HT 114 (Haghia Triada), on which appears the word kireta2 (kiretai). It just so happens that this is a match with the ancient Greek word, kritha(i) for “barley”, here Latinized:
Armed with this invaluable information, I then devised a procedure to extract the names of the other 2 major grains, dideru (Linear B equivalent, didero), and kunisu and for sara2 (sarai) from all of the Haghia Triada tablets. I selected the tablets from Haghia Triada because they mention grains far more often than any other extant Linear A tablets do, regardless of provenance, with the sole exception of Zakros ZA 20, which is a very close match with the many Linear A tablets from Haghia Triada dealing with grains.
The procedure I have adopted is tagged cross-comparative extrapolation (CCE). I scanned every last word related to grain on every last Linear A tablet from Haghia Triada, HT 1 – HT 154K on Prof. John G. Younger’s Linear A texts in phonetic transcription HT (Haghia Triada) for the recurrence and numerical frequency of each of these words. It strikes me as very odd that no one in the past 117 years since the first discovery of Linear A tablets at Knossos has ever thought of this or a similar cross-comparative procedure. While it is practically useless to try and extrapolate the meaning of each and every grain merely by examining them in context on any single Linear A tablet, regardless of provenance, because even in single tablet context, and even in the presence of other words apparently describing other type(s) of grain, we get absolutely nowhere, the outcome from cross-correlating every last one of these words on every last tablet from Haghia Triada paints an entirely different picture, a picture which is both comprehensive and all-embracing. Clear and unambiguous patterns emerge for each and every word, including the total incidence of all statistics for them all. The result is astonishing. The table below makes this transparently clear:
We see right off the top that all of the Haghia put together mention akaru, which means “field”, the equivalent of Linear B akoro, no fewer than 20 times! Additionally, the generic word for “wheat”, situ, corresponding to Linear B sito, surfaces 5 times. But this is just the tip of the proverbial iceberg. Cross-comparative extrapolation of the next 4 grains has proven to be much more fruitful. The first of these is of course kireta2 (kiretai) ⁄ kiretana (attributive) for “barley”, which appears 149 times (!) on all of the Linear A tablets from Haghia Triada. I was definitely on to something big.
But the preliminary step I needed to take, before I actually attempted to identify the next 2 most common grains cultivated in the pre-Mycenaean and Mycenaean Minoan era, was to conduct a Google search on the 2 most common grains after barley grown in Minoan Crete. These are einkorn and emmer respectively. Returning to my cross-comparative extrapolative scan, I discovered the words dideru and kunisu recurring 40 times each. It just so happens that one previous researcher (whose name unfortunately escapes me for the time being, but whom I shall fully acknowledge when I publish my summary data on academia.edu) has accurately identified both of these types of wheat. As can be seen from the table above, these are dideru for “einkorn” and kunisu for “emmer” wheat respectively.
Moving on, fully realizing that sara2 (sarai) runs rampant on the Haghia Triada Linear A tablets, I discovered that this word recurs no less than 1321 times. Astonishing! But what does it mean? The answer was not long coming. The next most common crop the Minoans cultivated was flax, for the production of linen. Flax is not a grain, but is derived from flax flowers and seeds. This fully explains why sara2 (sarai) recurs with such astonishing frequency. Unlike the aforementioned grains, which would have been grown on a relatively restricted number of plots, in this case not exceeding 4o each, the number of flax flowers required to produce a sufficient flax harvest would have had to be very high… hence 1321. These stunning frescoes illustrate a male Minoan flax flower and a female flax seed gatherer:
Even from these 2 frescoes, we can easily see that the flax gatherers were kept busy picking what was required, a large flax crop, in this case running to 1321 flax seeds and flowers. No surprise here.
As a result of my exhaustive cross-comparative extrapolation of the first four Minoan crops, I have been able to define 3 of them for certain as grains, kireta2 (kiretai), dideru and kunisu, and one of them, sara2 (sarai) as flax. It is practically certain that all 4 definitions are correct. Hence, I have managed to isolate for the first time in 117 years the actual names of 4 major Minoan crops, barley, einkorn wheat, emmer wheat and flax.
However, when it comes to the next 5 crops, we run up against inescapable semiotic problems. What does each of these signifiers signify? There is no easy answer. On the other hand, I would have been remiss were I not to make a stab at extrapolating the names of these crops as well. It just so happens that the next most common grains after barley, einkorn and emmer cultivated by the Minoans were millet and spelt. And the next two words I extrapolated were rumata(se) and pa3ni (paini)/pa3nina/painina (attributive). But if one of them appears to be millet, the other is spelt, or vice versa. That is the conundrum. But the problem is compounded by the mystifying cumulative total statistics for each of these words, 1039 for rumata(se) and 1021 for pa3ni (paini)/pa3nina/painina (attributive). Why on earth are there so many recurrences of these 2 crops, when there are only 40 instances of dideru and kunisu? It does not seem to make any sense at all. Yet there is a possible explanation. While dideru and kunisu reference einkorn and emmer crops as crops per se, it would appear that rumata(se) and pa3ni (paini)/pa3nina/painina (attributive) refer to the seeds derived from the crops. It is the only way out of this impasse. However, it is not necessarily a satisfying answer, and so I have to reserve judgement on these definitions, which are interchangeable at any rate.
Next we have the ligatured logograms dare and kasaru, either of which might refer to the next most common crops, durum and lentils. But there is no way for us to corroborate this conclusion with any certainty. The verdict is out. Finally, the last word, kuzuni, might refer to 2 other, less common Minoan crops, either sesame or vetch for fodder. But once again, which one is which? Your guess is as good as mine.
Nevertheless, one thing is certain. Every last one of these words identifies a Minoan crop. While most of them are grains, three of them are certainly not. One of them is clearly flax (sara2/sarai) The other two may or may not be lentils or sesame. But they probably are one or the other, if they are not on the other hand durum or vetch. In short, there several permutations and combinations for the last 5. Yet the circumstantial evidence for the first 4 appears quite solid enough to justify the definitions we have assigned, barley, einkorn, emmer and flax. So at least this constitutes a major breakthrough in the identification of these 4 for the first time in 117 years.
I shall eventually be publishing a much more comprehensive draft paper on this very subject on my academia.edu account, either this summer or autumn. I shall keep you posted.
Linear A tablet HT 87 (Haghia Triada), apparently in Mycenaean derived Greek: Linear A tablet HT 87 (Haghia Triada) is apparently inscribed in Mycenaean derived Greek. The literal translation and the free translation derived from it do make sense if we interpret the text as being Mycenaean derived Greek. The only word which is indecipherable is sa?supu -or- ni?supu. I cannot determine what the word is, since the syllabogram on the far left is left-truncated. It may be either ni or sa. On thing is certain: Prof. John G. Younger got it wrong. But it is probably an archaic proto-Greek word, which may mean something along the lines of “perfumed”, resulting in a translation “perfumed unguent”, of which 1 part is saffron. This makes sense in context.
A partial rational translation of another Minoan Linear A tablet on crops:
Ms. Gretchen Leonhardt has correctly pointed out that this decipherment I have assayed of what I took to be one Linear A tablet is in fact two entirely unrelated Linear A tablets, and as such it must be considered as completely invalid. I am truly grateful to Ms. Leonhardt for bringing this serious gaffe to my attention. Once I have cleared the matter up, I shall repost my decipherment of both of these tablets in two separate posts.
This Linear B tablet clearly deals with various crops, with the lead in crop being grains or wheat, just as one would expect on either a Mycenaean Linear B tablet. By the same token, there is no reason to suppose that a Minoan Linear A tablet dealing with crops would not deal first and foremost with grains and wheat. The units of measurements identified on this tablet accord with those tentatively tabulated by Andras Zeke on the
I have already tentatively deciphered both adu and adaru in my Glossary of 107 Minoan Linear A words to appear in Archaeology and Science, Vol. 16 (2016), which is to be published sometime in 2018, since the publication date of this compendious international annual always lags behind by at least 18 months from the approximate date of submission of articles by authors, which in my case was November 2016.
Archaeology and Science annual: the Decipherment of Supersyllabograms in Linear B, the last & most formidable frontier in the decipherment of Mycenaean Linear B:
For the past 65 years since Michael Ventris first deciphered Linear B, one phenomenon has eluded historical linguists and philologists. This is the supersyllabogram, which is always a single syllabogram, being the first syllabogram, i.e. the first syllable of a particular Mycenaean word in any one or more of the major economic sectors of the Mycenaean economy: agriculture, military, textiles and the vessels and pottery sector, along with a few religious supersyllabograms. Supersyllabograms are always independent; they always stand alone on extant Linear. My discovery, isolation and classification of supersyllabograms represents the final frontier in the decipherment of Mycenaean Linear B. Some 800 tablets from Knossos alone contain primarily supersyllabograms, with a subset of these incised with supersyllabograms and nothing else. It is difficult to decipher the former, and impossible to decipher the latter without fully accounting for the presence of supersyllabograms. The decipherment of supersyllabograms accounts for the last and most difficult remaining 10 % of Mycenaean Linear B to be deciphered.
You may also download “The Decipherment of Supersyllabograms in Linear B” here:
This article is 35 pages long (pp. 73-108) in a 29 cm. x 22 cm. format, which is far oversized compared with the standard north American format for research journals (ca. 20 cm. vertical), meaning that if it had been published in the standard north American format, it would have run to some 50 pp., which is the size of a small book.
The Editorial Board consists of 21 peer reviewers, all of them matriculated professors and researchers at the Ph.D. level or higher, from Ancona, Belgrade, Belgium, Bologna, Madison, Wisconsin, U.S.A., Moscow, Münich, Philadelphia, U.S.A., Rome, Warsaw & Trieste. Every author must pass muster with the majority of these peer reviewers if his or her article is to be published in Archaeology and Science. That is one tall hurdle to overcome.
Note also that I am ranked in the top 0.5 % of all researchers and publishers on academia.edu
What do all those supersyllabograms in Linear B associated with the ideogram for “saffron” mean? In response to a recent query by a research colleague of mine regarding the use of 4 key supersyllabograms in Mycenaean Linear B (A, TI, RO & WE) related to the harvesting and production of saffron, I am reposting this table: It is clear that each of these 4 supersyllabograms functions in its own unique way. I sincerely hope that this reposting clears up any ambiguities that may have previously persisted.
The Minoan Linear A word, kuruku, almost certainly means “crocus” :
Moreover, it is more likely than not pre-Greek and not proto-Greek. This implies that the Mycenaean Linear A word, kuruku or kuroko, is also pre-Greek.
Nothing surprising there at this point.
Minoan Costume History synopsis: a wonderful site! You simply have to check this site out! I have never seen such an in-depth study on Minoan costume, female and male alike, on the Internet. Here is just a small excerpt: An era of great development, contemporaneous with the civilization of ancient Egypt and Phoenicia, and which may be dated about 2000-1500 B.C., had preceded the civilization that came from Asia Minor into Crete and Greece. Such fragments of Cretan culture as have come down to us reveal a beauty of technique and a delicate sense of form to which no contemporaneous civilization provides any parallel. (italics mine). It is certainly true that the Minoans were far more style-conscious than people of any other contemporaneous civilization, such as the Egyptians, Babylonians, Assyrians and Hittites. No question about it. Owing to the lack of written records, the processes and methods of manufacture are still wrapped in obscurity, but although we are thus reduced to surmise regarding the materials used, the dress of that time is of the highest interest in view of its connexion with the costumes of other peoples. Our attention is especially attracted by the dress worn by the women. The slim, wiry figures of the men are clothed almost universally with a loincloth, richly patterned and splendidly decorated. Here and there we see wide cloaks that clothe the whole body, giving it a large appearance. Women also, it would seem, wore the short loincloth, but we find them wearing in addition skirts put together in an almost fantastic manner that betrays a highly developed knowledge of the technique of dressmaking. These skirts are constructed in tiers, separated by strips of rich ornamentation. Illustrations from this site (there are many more, just as striking as these!)