summer haiku d’été – the stallion = l’étalon the stallion on lightning hooves outstrips thunder l’étalon aux sabots d’éclair dépasse le tonnerre Richard Vallance
eternal summer haiku de l’été éternel – sweet cat passed away = chère chatte trépassée
eternal summer haiku de l’été éternel – sweet cat passed away = chère chatte trépassée sweet cat passed away, you dash through heaven’s forests – my wee free spirit chère chatte trépassée dans les forêts du ciel – pet’t esprit libre Richard Vallance in memory of my beloved Maine Coon chat, Argentée à la mémoire de ma Maine Coon chérie, Argentée
summer haiku d’été – a chipmunk steals = un tamia file
summer haiku d’été – a chipmunk steals = un tamia file a chipmunk steals across our patio, salad in his pouch un tamia file à travers notre patio, salade dans sa poche Richard Vallance
summer haiku d’été – sandpipers = des bécasseaux
summer haiku d’été – sandpipers = des bécasseaux sandpipers scoot over the wind-blown dunes all in unison des bécasseaux traversent les dunes au vent tous à l’unisson Richard Vallance photo by/ par Richard Vallance, Torrey Pines, California/ Californie, 1995
summer haiku d’été – the freshet stream = le ruisseau frais
summer haiku d’été – the freshet stream = le ruisseau frais the freshet stream rushes through rocks à la Monet le ruisseau frais court à travers les rochers à la Monet Richard Vallance photo © by Régis Auffray, special effects by Richard Vallance
Another Linear A tablet bites the dust… Troullos TL Za 1… horsemanship and hunting
Another Linear A tablet bites the dust… Troullos TL Za 1… horsemanship and hunting:
This tablet or nodule completely eluded me for over 2 years. Then tonight, all of sudden, its meaning literally burst wide open. The first hint came when I began to decipher the obvious Linear words, all of which happen to be Mycenaean-derived New Minoan NM1. The most obvious word, which stands out like a sore thumb, is WAJA = #ai/a in Mycenaean-derived Greek, in other words land. The rest of the Mycenaean-derived words were more difficult to extract from the agglutinated text, since in an agglutinative language such as Minoan, words which would otherwise be separate in a fusional or inflected language, such as ancient or modern Greek or German, are simply strung together in long strings. So it is difficult to know where one word ends and another begins … but far from impossible. Because so many words on this tablet are agglutinated, it presents a particularly challenging target for decipherment. But decipher it I did, as you can see below.
If we break apart the agglutinated words, meanings start to surface. For instance, ATAI*301 appears to mean 0astai= from oastei=a, meaning of the town, community.
Moving on, we have QARE0 = ba/lei ba/loj = at the threshold (locative singular). For the time being, I do not know what OSU, which is almost certainly Old Minoan, means but I am confident I shall soon figure it out. If we then decipher the first 2 agglutinated words ATA*301WAJA. OSUQARE, we get something along these lines (OSU being omitted for the time being), on the … threshold of community of town, i.e. “on the … outskirts of the community or town”
The the next two agglutinated words are UNAKANASI. UNA is Old Minoan. KANASI is instrumental plural Mycenaean-derived New Minoan (NM1) for ka/nnasi (instr. plural) = made of reeds, i.e. wicker. This almost certainly refers to the chariot itself, which like almost all Mycenaean chariots, is probably made of wicker, as illustrated below. If my hunch is correct, given that KANASI means made of wicker, then UNA must necessarily mean chariot, hence a chariot made of wicker. Remember: UNAKANASI is a composite agglutination of 2 words, first Old Minoan (UNA) and the second Mycenaean-derived New Minoan (NM1) = KANASI.
IPINAMASIRUTE is another agglutination, this time consisting of 3 words, all of them Mycenaean-derived New Minoan (NM1). The tablet or nodule above provides us with the full translation, which in its actual order reads, with horsemanship + running + (towards) prey. In other words, we have a charioteer, whose name is JASASARAME, clearly a highly skilled charioteer and hunter, whose ridership or horsemanship allows him to run towards his prey, and at a fast pace at that, given that NAMA always refers to something flowing fast, usually a stream, but in this context, clearly horses, 2 of them, of course, since Mycenaean chariots always have two horses.
So the free translation runs along these lines, and very well indeed,
Jasasarame, the hunter-charioteer, in his chariot made of wicker, is exercising his (considerable) ridership skills, by running at break-neck speed (or: running by a stream) towards the wild prey he is hunting on the outskirts of his town (community).
This decipherment, which is almost entirely in Mycenaean-derived New Minoan (NM1) hangs together admirably well. It is a major breakthrough in the ongoing saga of the decipherment of Linear A. It is also buttressed by the fact that the tablet or nodule actually looks like a horses halter. While the word halter appears, at least at first sight, not to figure in the text, this is of little consequence. The tablet itself makes it quite clear enough that here we have two horses (always two with Mycenaean chariots) and that a well-heeled, and most likely aristocratic or warrior-class charioteer, Jasasarame, is at the reins.
I rest my case.
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