The Famous Linear B Tablet, “Rapato Meno”, the Priestess of the Winds & the Goddess Pipituna, Knossos KN Fp 13

The Famous Linear B Tablet, “Rapato Meno”, the Priestess of the Winds & the Goddess Pipituna, Knossos KN Fp 13: Click to ENLARGE 

This tablet from Knossos, one of the most famous Mycenaean Linear B Linear B tablets, was first translated by Prof. John Chadwick, who did a fine job of it. There have been several good translations since then, but all of them have failed to notice certain finer details in the text. This translation hopefully brings these details to the fore.

For instance, as I have pointed out in the notes at the bottom of my translation, the units of measurement are open to question. I find it both expedient and wise to rely on the estimates of Andras Zeke of the now defunct Minoan Language Blog, since he has always been a most thorough and conscientious researcher. My estimates, like those of every other translator, are just that. So take them with a grain of salt. Secondly, Professors Killen and Chadwick translated qerasiya as “augur”, and I accept their translation without reserve, as it fits the context very well. However, every single translation to date that I have run across fails to mention that the augur is female, which once again very important in the context of Minoan-Mycenaean religious practices, which seem to have been pretty much the exclusive province of women. In my forth note [4], I call attention to the fact that here the ideogram for “olive” may refer to an “olive tree”, and to those who would (loudly) object to this interpretation, we need only recall that the olive tree was sacred to the goddess Athena in classical Athens. The connection between Minoan-Mycenaean religious practices is indirect and elliptical. However, if we stop to consider legend has it that “...every nine years Athens should send seven of their finest young men and young maidens to Crete, as sacrifice to the Minotaur. When the hero Theseus heard about this practice, he volunteered to be one of the victims, killing the Minotaur, and freeing Athens from this grizzly duty”: from



it makes more sense to interpret this reference as being an olive tree. This raises yet another question. If, as it appears from the context of this tablet, the Priestess of the Winds was the priestess of Pipituna, there is probably a direct or indirect connection between this goddess and the later Greek goddess, Athena. They might even be one and the same, though this strikes me as being unlikely.

On a final note, we notice that the second reference to anemoiyereya is squashed up against the right side of this tablet, which is after all only 15 cm. or about 6 inches wide. No surprise there, given that almost all Linear B tablets are very small or tiny. This offers a perfectly sound explanation why the last reference to the offering by Utano (or whatever this name is, probably Minoan) to the Priestess of the Winds only gives us the units of measurement, but of what it does not say. Yet it is pretty much obvious that this too is an offering of olive oil, since that is the only commodity offered up on the rest of the tablet. On our bog, I have stressed a great many times the extremely common practice the Mycenaean scribes resorted to over and over again to save precious space on their cramped tablets. This is also the reason why they resorted to the formulaic use of single syllabograms as the first syllable of scores of very common Mycenaean Linear B words in the fields of agriculture, the military, textiles and vessels. People who regularly consult our blog already know that these are called supersyllabograms. Of the 61 Linear B syllabograms, 33 are supersyllabograms, while one homophone, rai = saffron is also in the same class.

In conclusion, the preceding observations have allowed me the latitude to bring a little more precision to the translation of Knossos tablet KN FP 13.

As a final aside, I for one find the use of Latin to reference the names of Linear B ideograms strange at best, and downright silly at worst. The words the ideograms replace are Greek; so the ideograms should be labelled in Greek, with an English translation for those who do not read Greek. Given that most people do not read Latin these days, what difference does it make? Little or none. For this reason, I myself always tag Linear B ideograms with their proper (Mycenaean or archaic) Greek names.

Richard

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Linear B Show & Tell # 3: Axes & (Temple of the) Double Axes & their Religious Symbolism

Linear B Show & Tell # 3:  Axes & (Temple of the) Double Axes & their Relgious Symbolism: (Click to ENLARGE)



If anything, the symbolism if the “axe” and especially of the “double axe” is one of the major underpinnings of Minoan/Mycenaean religion. We find axes and double axes all over the place on Minoan and Mycenaean frescoes, regardless of site, Knossos, Mycenae, Pylos etc.  If ever you visit Knossos, you will see for yourself the famous Temple of the Double Axes. Although the lower story is sealed off, if you look down, you will see a lovely frieze of horizontal double axes on the back wall of the lower story. To this day, no-one really knows the true significance of the symbol of the axe or double axe in Minoan or Mycenaean mythology. They pose a real dilemma. Since the Minoans at Knossos were a peaceable people, why would they plaster double axes all over the walls of a building which we take to be the Temple of the Double Axes (erroneously or not)?

In Mycenae, however, the symbol of the axe or double axe makes perfect sense, as the Mycenaeans were a warlike people. The simplest explanation I can come up with is that the Mycenaeans exported the axe and double axe to Knossos after their conquest or occupation of the city. And no-one is quite sure if the Mycenaeans actually did conquer Knossos, or whether the two “city states” allied in order to greatly strengthen their hand as a unified Empire in the economic and trading affairs of the eastern Mediterranean and the Aegean seas ca. 1500-1200 BCE. Of course, Knossos (Late Minoan III Palatial Period) itself fell sometime around 1450-1400 BCE, but the great Mycenaean Empire persisted until ca. 1200 BCE, after which the Nordic Dorians invaded the entire Greek peninsula, the Peloponnese, leaving the Mycenaean “city states” in ruins. It is entirely probable that the Minoan-Mycenaean Empire ca. 1500-1400 BCE rivalled the Egyptian Empire in the scope of its power. Almost certainly the Mycenaeans were actively trading with civilizations along the East coast of Greece and inland, Athens and Thebes (the latter being a Mycenaean stronghold) and with the city of Troy and the inhabitants along the West coast of what we now know as Turkey. What is particularly fascinating and (highly) revealing in the historical perspective of the rise of ancient Greece is that the new Greek colonies which spread all over the Aegean in the 7th. and 6th.  centuries BCE flourished in precisely the same places where the Mycenaeans had carried on such extensive trade some 6 to 10 centuries earlier! There is more to this than meets the eye, as we shall eventually discover in key posts on this blog later this year or sometime in 2015.

Other omnipresent religious symbols included the Horns of Consecration at Knossos, and the Snake Goddess & the goddess Pipituna at both Knossos and Mycenae.

Richard