autumn haiku (Tom Thomson, 1877-1917, Autumn’s Garland, 1915) – aureate leaves = feuilles dorées


autumn haiku (Tom Thomson, 1877-1917, Autumn’s Garland, 1915) -  aureate leaves = feuilles dorées

aureate leaves
sweeping a rock face,
autumn’s garland

autumn autumns garland tom thomson 620

feuilles dorées
sur une paroi rocheuse,
guirelande d’automne

Richard Vallance 

This is the first of many haiku I shall be composing based on the magnificent paintings of the most famous of the illustrious Canadian Group of Seven painters of the early twentieth century, Tom Thomson (1877-1917). Tom Thomson disappeared on Canoe Lake on July 8, 1917. He was presumed drowned.

Cet haiku est le tout premier de plusieurs que je vais écrire, qui sont tous basés sur les peintures magnifiques du peintre Tom Thomson ( 1877 – 1917 ), le plus renommé de tous le peintres illustres du Groupe des Sept canadien au début du vingtième siècle. Tom Thomson a disparu au Lac Canoe le 8 juillet, 1917. Il est présumé mort. 

on academia.edu: another Linear A tablet apparently largely inscribed in Mycenaean-derived Greek


on academia.edu: another Linear A tablet apparently largely inscribed in Mycenaean-derived Greek:

The translation of the Mycenaean-derived vocabulary alone on Linear A Tablet ZA 8 (Zakros), apparently largely inscribed by Richard Vallance Janke (University of Western Ontario, Emeritus) and Alexandre Solcà (Université de Genève) has been published on academia.edu. This decipherment of the apparent of the Mycenaean-derived vocabulary alone on Linear A Tablet ZA 8 (Zakros) is truly striking in many respects, and is more than well worth reading, especially by anyone well versed in Mycenaean Linear B. So please visit this document on academia.edu and at least download it, as illustrated above, by clicking on the DOWNLOAD button to the right of the article:

Linear A tablet ZA 8 Zakros academia.edu

 

The full range of marvelous, rich colours the Minoans at Knossos used on their stunning frescoes!


The full range of marvelous, rich colours the Minoans at Knossos used on their stunning frescoes!

knossos-colour-on-the-frescos-a

knossos-colours-on-the-frescoes-b
 
We notice right away that the colours they had at their disposal ran from various shades of yellows (saffron) and oranges to blues and various shades of purple. The Minoans at Knossos, Pylos, Thera (Thira, Santorini) and elsewhere were unable to reproduce green pigment.  This minor drawback had little or no perceptible effect on the splendid results they almost invariably came up with in their breathtaking frescoes, the likes of which were not reproduced anywhere else in the Occidental ancient world, except perhaps by the Romans, especially at Pompeii. The Romans were able to reproduce greens. 

Two lovely frescoes from Pompeii:

garden-fresco-from-pompeii

botticelli-like-fresco-from-pompeii


 

Are we near the end of the line with our Minoan Linear A Glossary?


Are we near the end of the line with our Minoan Linear A Glossary?

end of the line

Are we near the end of the line with our Minoan Linear A Glossary? With 110 terms, if we are not already there, pretty close. I can only squeeze so much juice out of an orange.

orange