NEW on academia.edu.High Correlation Linear A-Linear B vocabulary, grammar and orthography in Linear A, by Richard Vallance Janke and Alexandre Solcà: CLICK HERE: ABSTRACT: Over the past 118 years since the discovery of the first Linear A tablets at Knossos, innumerable attempts have been made to decipher Linear A, all of them falling short of expectations in academia, or being outright abject failures. We propose a multi-pronged approach to the decipherment of the Mycenaean-derived superstrate in Linear A, otherwise known as New Minoan (NM), with the implicit understanding that we, like all other researchers past and present, are not in a position to decipher the Minoan substrate language, a.k.a. Old Minoan (OM), onto which Mycenaean-derived New Minoan (NM) vocabulary is grafted. The primary thrust of this monograph is to demonstrate the high correlation which obtains only between Mycenaean-derived Linear A and Linear B vocabulary, a.k.a. New Minoan (NM) in Linear A, between the grammar and orthography in Linear A and Linear B and between their syllabaries. To this end we have adopted a multi-pronged approach, which consists of the following methodologies: (a) the establishment of high correlation between Mycenaean-derived Linear A and Linear B vocabulary, wherever applicable (b) the confirmation of high correlation between the Linear A and Linear B syllabaries (c) demonstration of high correlation between the orthography of Mycenaean-derived Linear A terms and their Linear B counterparts and (d) corroborating evidence of the possible derivation of much of Mycenaean, archaic and Homeric Greek grammar from foundational archaic Minoan declensions. Keywords: syllabary, Linear A, substrate, Linear B, superstrate, correlation, high correlation, derivation, derivative analysis, vocabulary, orthography, syllabaries, grammar, archaic Greek, Homeric Greek This monograph,High Correlation Linear A-Linear B vocabulary, grammar and orthography in Linear A, by Richard Vallance Janke and Alexandre Solcà, is the largest study into the genesis of a Mycenaean-derived superstrate in Linear A ever undertaken by these authors. This is merely the draft paper, and as such it has yet to be approved for final publication by the editorial board of Les Éditions KONOSO Press. Since this is a draft paper only, we urgently request that any and all visitors to View Comments apprise us of any and all errors, whether orthographic, grammatical or syntactical. We have already proof-read this monograph at least 150 times, but before it can be approved or is approved for final publication by Les Éditions KONOSO Press, it must be absolutely free of errors of any kind. So if you spot any errors whatsoever, please let us know at once. We of course welcome any and all comments, observations and criticisms on this major new and entirely revolutionary study into the possible/probable existence of a Mycenaean-derived superstrate in Linear A. We realize that a great many critics will object to our hypothesis, some of them vociferously. But all we ask is that you keep an open mind, whoever you may be, with our thanks in advance. Also, please be sure to go straight to this astonishing new study on academia.edu, by clicking on the graphical link at the outset of this post. Please do bookmark it, and if you are a member of academia.edu, please recommend it to other researchers. And if you already know Linear B, read all of it, because you will be astounded to discover how great is the overlap between Mycenaean-derived Greek in Linear A and Mycenaean Greek in Linear B. Trust me. Thank you Richard Vallance Janke and Alexandre Solcà

# Tag: Linear B syllabary

## Converting Linear B to ancient Greek, Level 1b

Converting Linear B to ancient Greek, Level 1b: Table 2 above illustrates further refinements in the conversion of Linear B spelling to (archaic) ancient Greek orthography. We note in particular Linear Bpedira, which becomes pe/dila in ancient Greek. This is because there exists no L series of syllabograms, i.e. LA LE LI LO LU, in Linear B. On the other hand, a great many (archaic) ancient Greek words contain the letter l (lambda) = l Latinized. One such word is pe/dila. So it is to be expected that the l (lambda) = l Latinized in words such as pe/dila must be represented by R in Linear B. There is just no way around it. Next, we have the wordonatain Linear B, which of course turns out to be o/nata in (archaic) ancient Greek, just as we would naturally expect. But this word has an alternative spelling o/naton, which is not feminine at all, but ratherneuter. Now it just so happens that almost all neuter words in ancient Greek must terminate in n, Latinized as n. But since Linear B is a syllabary, it isimpossible for any Linear B word to end in a consonant. However, since almost all neuter ancient Greek words end in n, this consonantmust be addedto the ancient Greek equivalent of the Linear B word to which it corresponds.

## Overlap between Linear A and Linear B syllabaries is so high that the latter should be considered a refinement of the former, and not a new syllabary

Overlap between Linear A and Linear B syllabaries is *so high* that the latter should be considered a refinement of the former, and not a new syllabary:

In the keyboard assignments for Linear A syllabograms above, I have indicated where Linear A and Linear B syllabograms (almost) coincide with the tag “lb” just below and slightly to the right of each LA syllabogram for which the Linear B equivalent is (almost) identical or very similar. As it turns out, in the Linear A syllabary of** 54** syllabograms, **48 !** are either (almost) identical or very similar to their Linear B counterparts. This leads me to draw the inexorable conclusion that t*he Linear B syllabary is not a new syllabary at all, but that it should rather be considered a refinement of the Linear A syllabary*. The Linear B syllabary standardized several syllabograms which had first appeared in the Linear A syllabary, and eliminated perhaps as much as 100 ideograms, logograms and ligatures originally found in Linear A, replacing some (but far from all) of the latter by new ideograms, logograms and ligatures (in Linear B). Nevertheless, the high statistical overlap between the Linear A and Linear B syllabaries argues in favour of a single syllabary in evolution. Of the 54 syllabograms in Linear A, 48 are either (almost) identical or very similar to their Linear B counterparts, and of the **61** in Linear B, again **48 **fall into the same zone.

So is Linear A a new syllabary, or is it merely a refinement and standardized version of Linear A? You may draw your own conclusions. I have already drawn mine.

The implications of this hypothesis for the further decipherment of Linear A are staggering.

## The third example of Cretan ideograms/logograms, Malia label Mu MA/M Hf, possibly decipherable

The third example of Cretan ideograms/logograms, Malia label Mu MA/M Hf, possibly decipherable:

Click on the label,** FRAGRANTICA**, for more information about saffron as an ancient aromatic.

This is the third example of Cretan ideograms/logograms, Malia label Mu MA/M Hf. Surprising as it is, this label may be largely decipherable. It is subdivided into 3 sections. The first S1 is blank. The second, S2, appears to spill over from the first side to the second, while the third, S3, is found on the second side alone. The first ideogram in S2 (section 2) is probably the one for “saffron”, while the second is still indecipherable. The third is clearly some sort of representation of a woman. The X, which is indecipherable, is followed by the number 100. S2 continues on side 2, which begins with what is clearly the ideogram for “textiles/cloth”, followed by what appear to be 3 ideograms for “sword(s)”. If these 3 ideograms in fact designate “swords”, they are practically identical to those for “swords” in Linear B. Section 3 (S3) begins with what appears to be an ideogram for “garment(s)”, followed once again by textiles, and followed in turn by an indecipherable ideogram, which might possibly relate to cutting, S3 ending with the number 100.

A partial decipherment might read: aromatic saffron + ? + a weaver or weavers (all weavers were women) weaving 100 rolls of cloth, 3 of which serve to wrap 3 swords in + 100 garments of some kind of (cut) textiles (saffron dyed?).

## Special post for Linear B students: how to convert from Linear B to the ancient Greek alphabet and vice versa:

Special post for Linear B students: how to convert from Linear B to the ancient Greek alphabet and *vice versa*:

The following tables illustrate how to convert from Linear B to the ancient Greek alphabet and *vice versa*.

A: Linear B to ancient Greek:

B: ancient Greek to Linear B:

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