Linear A tablet ZA 15 VERSO (Zakros), so little text, so information rich, all about wine, with yet another Old Minoan word conclusively deciphered!

Linear A tablet ZA 15 VERSO (Zakros), so little text, so information rich, all about wine, with yet another Old Minoan word conclusively deciphered!

If there is any Linear A tablet which conveys so much information in so few words, this has to be it. No one could be blamed for thinking that a tablet, whether or not it is inscribed in Linear A or Linear B, which contains only 2 words (qedi & kuro), 3 ideograms (wine) and one supersyllabogram would have little to say. But this is far from the case here. This tablet offers us the best of 3 worlds. First of all, the word kuro is Mycenaean-derived New Minoan; secondly, we are finally able to establish once and for all and beyond doubt that the Old Minoan word qedi actually means a flagon for wine. Since it appears on other Linear A tablets in conjunction with the same ideogram, wine, the meaning is indisputable; and thirdly, the supersyllabogram RA, as all supersyllabograms are, is information-rich. It can stand for only 1 of two possible Linear A words, rani or ratise, which are, believe it or not, practically synonymous. First we have rani, which means “anything sprinkled (as in a libation); rain drop”, and then ratise, which appears to be instrumental plural for “with drops of wine”. So the inscription reads the same way either way. I would like to point out as well that no linguist specializing in Linear A, not even Prof. John G. Younger, has drawn explicit attention to the supersyllabogram RA, which is critical to a proper reading of this tablet, since no Linear A, let alone Linear B, researchers have recognized supersyllabograms for what they are, until I myself deciphered all 36 of them in Linear B between 2014 and 2016, the results of my research consequently published in Archaeology and Science, Vol. 11 (2015) ISSN 1452-7448, pp. 73-108:

And not to be outdone, I have also already isolated the 27 supersyllabograms found in Linear A. It actually came as no surprise to me that Linear A has supersyllabograms.

As it so turns out, it was the Minoan Linear A scribes who invented supersyllabograms, not the Minoan-Mycenaean Linear B scribes. You will note that I have already been able to decipher 10 of the 27 SSYLS in Linear A, including that for RA, which in the pottery and vessels sector signifies “with drops of wine for a libation”. The enormous and far-reaching implications of supersyllabograms in both Linear A and Linear B cannot be stressed enough.

 

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Linear A roundel pendant, Titisutisa, the name of a princess?

Linear A roundel pendant, Titisutisa, the name of a princess?



This Linear A roundel bears what is ostensibly a personal name ending in a. If indeed the feminine nominative singular ends in a in the Minoan language, as it does in most Indo-European occidental languages. However, since there are no genders in Basque, a language isolate, it is possible that there are none in Minoan, provided that it too is a language isolate. But even if it is, that does not necessarily imply that there are no genders.   

Decipherment of Haghia Triada tablet HT 11 entirely in Mycenaean derived Greek

Decipherment of Haghia Triada tablet HT 11 entirely in Mycenaean derived Greek:



If we read this tablet as if it were inscribed in Mycenaean derived Greek, it does actually make sense. While the tablet is partially an inventory, the rest of it is a religious ceremony for (farmed?) land leased out, blessed by 3 priests. It is much more complex than most tablets either in Linear A or in Linear B.