winter haiku d’hiver - snow misting the roof = voilé de neige 2007 snow misting the roof of our warm chalet while we’re on a stroll notre chalet chaud tout voilé de neige - et nous en balade Richard Vallance Reprint from Canadian Zen Haiku canadien, ISSN 1705-4508, Vol. 5., no. 1, winter 2007 Réimpression tirée de Canadian Zen Haiku canadien, ISSN 1705-4508, Vol. 5., no. 1, hiver 2007
summer haiku d’été – sunflower = tournesol chiaroscuro russet in the rainy mist sunflower in tears clair-obscur roux dans la brume pluvieuse tournesol en larmes Richard Vallance Reprint from Canadian Zen Haiku canadien, ISSN 1705-4508, Vol. 4., no. 4, autumn 2006 Réimpression tirée de Canadian Zen Haiku canadien, ISSN 1705-4508, Vol. 4., no. 4, automne 2006
autumn haiku d’automne – russet bonzai the last vestige of a frosty fall – russet bonsai le dernier vestige d’un automne glacé- bonsai roux Richard Vallance Reprint from Canadian Zen Haiku canadien, ISSN 1705-4508, Vol. 4., no. 4, autumn 2006 Réimpression tirée de Canadian Zen Haiku canadien, ISSN 1705-4508, Vol. 4., no. 4, automne 2006
Click on the TITLE to view and download the article:
just uploaded to my academia.edu account at the link above. To download it, click the green DOWNLOAD button on the right side of the document.
Illustrations from the article:
This Lexicon is the only one of its kind in the entire world. To date, no one has ever published a Linear B Lexicon on a subject as focused as the Construction of Mycenaean Chariots.
This article has just been published in the prestigious European journal, Epohi (Epochs), Vol. 25, Issue 2 (2017), published bi-annually by the Department of History of St. Cyril and St. Methodius, University of Veliko, Tarnovo, Bulgaria. I have been invited by the Editor-in-Chief, Stefan Iordanov, to publish new papers in the near future (sometime in 2018) and again in 2019. Considering that the Editor-in-Chief, Stefan Iordanov, solicited me to submit this article sight unseen, you can be sure I shall submit more papers to the journal.
My article, Lexicon of Chariot Construction in Mycenaean Linear B, has been accepted in advance by the international historical journal, Epohi/Epochs:
I shall be submitting it to the editor-in-chief, Stefan Iordanov of the Faculty of History of St. Cyril and St. Methodius University of Veliko Tarnovo (hence forward referred to as UVT), Bulgaria. The editorial board consists of highly prestigious researchers:
Stefan Yordanov, Associate Prof., Ph.D., St. Cyril and St. Methodius University of Veliko Tarnovo
Ivan Tyutyundjiev, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo
Deputy Editors in Chief:
Plamen Pavlov, Prof., Ph.D., St. Cyril and St. Methodius University of Veliko Tarnovo
Nikolay Kanev, Associate Prof., Ph.D., St. Cyril and St. Methodius University of Veliko Tarnovo
Acad. Vasil Gyuzelev, Prof., Dr. Hab., Member of the Bulgarian Academy of science and President of the Association of Byzantinists and Medievalists in Bulgaria
Demetrios Gonis, Dr. Hab., Professor Emeritus of University of Athens (Greece)
Mirosław Jerzy Leszka, Prof., Dr. Hab., University of Lodz (Poland)
Tatyana Leontyeva, Prof., Dr. Hab., State University of Tver (Russia)
Milko Palangurski, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo
Petko Petkov, Проф. д-р Петко Петков, St. Cyril and St. Methodius University of Veliko Tarnovo
Rumen Yankov, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo
Mariya Ivanova, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo
Dan Dana, Chargé de recherche de 1ère classe, Ph.D., Centre Nationale de la Recherche Scientifique – Paris (France)
Nikolay Kanev, Associate Prof., Ph.D.
Stefan Yordanov, Associate Prof., Ph.D.
Invitation by Cultural Anthropology and Ethnosemiotics ISSN 2411-6459 to submit my first article: Click on the banner to visit their site: https://culturalanthropologyandethnosemiotics.wordpress.com/ I have just been invited by the international quarterly, Cultural Anthropology and Ethnosemiotics ISSN 2411-6459, to submit my first article. Since this is the second new journal to have invited me to submit, I will not be able to write my first article for them until the autumn of 2017. Thus my article will not appear in Cultural Anthropology and Ethnosemiotics until the summer of 2018. I am deeply honoured by this unsolicited invitation. This article will doubtless focus on my ongoing efforts to decipher Linear A, at least partially.
You do not want to miss this Fantastic Twitter account, FONT design company of the highest calibre! I have just fortuitously come across what I consider to be the most fantastic font site or Twitter account on newly designed, mostly serif, extremely attractive fonts, some of which they offer for FREE!!! You simply have to check them out. Click here to follow typo graphias: Here is a composite of some of the astonishing font graphics on this amazing site! Serendipitously happening on this account put a bee in my bonnet. I simply had to send you all on the fast track to downloading and installing the Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C + several beautiful ancient Greek fonts, of which the most heavily used is SPIonic, used for Ionic, Attic, Hellenistic and New Testament writings and documents. Hre are the links where you can download them, and much more besides! Colour coded keyboard layout for the Mycenaean Linear B Syllabary: includes font download sites for the SpIonic & LinearB TTFs The first ever keyboard map for the Arcado-Cypriot Linear C TTF font! which also includes the direct link to the only site where you can download the beautiful Arcado-Cypriot Linear B font, here: How to download and use the Linear B font by Curtis Clark: Easy guide to the Linear B font by Curtis Clark, keyboard layout: Here is the Linear B keyboard. You must download the Linear B font as instructed below: And here is the actual cursive Linear B font as it actually appears on the most famous of all Linear B tablet, Pylos Py TA 641-1952 (Ventris): What’s more, you can read my full-length extremely comprehensive article, An Archaeologist’s Translation of Pylos Tablet Py TA 641-1952 (Ventris) by Rita Roberts, in Archaeology and Science (Belgrade) ISSN 1452-7448, Vol. 10 (2014), pp. 133-161, here: in which I introduce to the world for the first time the phenomenon of the decipherment of what I designate as the supersyllabogram, which no philologist has ever properly identified since the initial decipherment of Mycenaean Linear B by Michael Ventris in 1952. Unless we understand the significance of supersyllabograms in Linear B, parts or sometimes even all of at least 800 Linear B tablets from Knossos alone cannot be properly deciphered. This lacuna stood out like a sore thumb for 64 years, until I finally identified, categorized and deciphered all 36 (!) of them from 2013 to 2014. This is the last and most significant frontier in the complete decipherment of Mycenaean Linear B. Stay posted for my comprehensive, in-depth analysis and synopsis of The Decipherment of Supersyllabograms in Linear B, which is to appear early in 2017 in Vol. 11 of Archaeology and Science. This ground-breaking article, which runs from page 73 to page 108 (35 pages on a 12 inch page size or at least 50 pages on a standard North American page size) constitutes the final and definitive decipherment of 36 supersyllabograms, accounting for fully 59 % of all Linear B syllabograms. Without a full understanding of the application of supersyllabograms on Linear B tablets, it is impossible to fully decipher at least 800 Linear B tablets from Knossos.
Mycenaean Linear B Progressive Grammar: Verbs/Infinitives: As of this post, we shall be reconstructing natural Mycenaean Linear B grammar from the ground up. When I refer to natural Mycenaean Linear B, I mean not merely the Linear B extant grammatical forms in the standardized, formulaic and fossilized language of inventories which we encounter on extant Linear B tablets, but grammatical forms common to the entire natural, spoken language. While we do not have any direct evidence of the syntactical construction of the spoken language, we can nevertheless largely reconstruct grammatical forms in natural Mycenaean Greek. Such reconstructed forms are referred to as derived. In this post, we introduce attested Mycenaean Linear B infinitives only, i.e. those which are found on extant tablets. In the next post, we shall feature a considerable number of derived infinitives, which are nowhere to be found on the extant tablets, but which nevertheless can be reconstructed with relative ease. Linear B verbs, just as all verbs in every East Greek dialect down from Mycenaean to early and late Ionic and Attic, among other dialects, are classified as follows: Thematic Verbs: These are the so-called standard verbs, which are by far the most common in all ancient Greek dialects. Thematic verbs are sub-classed into three voices, active, middle and passive. The middle voice is unique to ancient Greek, and is self-referential, by which we mean the subject acts upon him- or herself or of his or her own volition. The middle voice also includes reflexive verbs. Athematic Verbs: Athematic verbs are far less common than thematic, but they are the most ancient of ancient Greek verbs. They have already appeared completely intact by the time Mycenaean Greek has entrenched itself. The Mycenaean conjugations of athematic verbs are very similar, and in some cases identical to, their conjugations in much later Ionic and Attic Greek, and must therefore be considered the root and stem of the same class of verbs in later classical Greek. The fact that athematic verbs were already fully developed by the era of Mycenaean Greek is a strong indicator that the Mycenaean dialect is not proto-Greek, but the first fully operative ancient East Greek dialect. We shall demonstrate over and over that Mycenaean Greek was the primordial fully functional East Greek dialect which was to be adopted and adapted by the later East Greek dialects (Ionic and Attic among others). The reconstruction of natural language Mycenaean grammar by means of the methodology of progressive grammar is to be the subject of my fourth article in the prestigious international journal, Archaeology and Science, Vol. 13 (2017). The concept of progressive grammar is actually quite easy to grasp. It merely designates the reconstruction of natural, as opposed to inventorial, Mycenaean Greek grammar from the ground up. By the time I have finished with this project, I shall have reconstructed a huge cross-section of natural Mycenaean grammar, approaching the grammar of later East Greek dialects in its comprehensiveness. Here is the table of attested thematic and athematic infinitives in Mycenaean Greek:
MASTER Article, “The Decipherment of Supersyllabograms in Linear B”, Archaeology and Science, Vol. 11 (2015) received: excerpts follow I have just received the DRAFT of the entire issue of Vol. 11 (2015) Archaeology and Science (Belgrade) ISSN 1452-7448, in which my ground-breaking article, “The Decipherment of Supersyllabograms in Linear B” appears on pp. 73-108 (35 pages long). I have proof-read it and I found errors only in the transcription of the SPIonic.ttf Greek font, which causes all the Greek text to be printed in Latin characters, such that they appear garbled. But this error will be eliminated in the actual article when it appears this coming winter (2017). Here you see the title page plus three consecutive but non-contiguous excerpts from my article: NOTE that the decipherment of the 36 supersyllabograms is the first and last major breakthrough in the final decipherment of Mycenaean Linear B, which was first deciphered by Michael Ventris in June-July 1952 (with the exception of supersyllabograms, which account for at least 20 % of the text on Linear B tablets). Thanks! Richard
I have just finished the first draft of the article, “Pylos Tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Linear A tablet HT 31, vessels and pottery, which is to appear in Vol. 12 (2016) of the prestigious international annual, Archaeology and Science (Belgrade) ISSN 1452-7448, and I fully expect that I shall completed the draft Master by no later than Oct. 15 2016, by which time I shall submit it to at least 5 proof-readers for final corrections, so that I can hopefully submit it to the journal by no later than Nov. 1 2016. This article is to prove to be a ground-breaker in the decipherment of at least 21.5 % = 116 terms of the extant vocabulary = 510 terms by my count, of Minoan Linear A, although I cannot possibly claim to have deciphered the language itself. Nor would I, since such a claim is unrealistic at best, and preposterous at worst. Nevertheless, this article should prove to be the most significant breakthrough in any partially successful decipherment in Minoan Linear A since the first discovery of a meagre store of Linear A tablets by Sir Arthur Evans at Knossos 116 years ago.
MAJOR DEVELOPMENT! 24 Supersyllabograms in Minoan Linear A just discovered, 8 of them deciphered (versus 36 in Mycenaean Linear B): In case you were wondering whether or not the Mycenaeans invented supersyllabograms, think again. It was the Minoan Linear A scribes who invented them, and passed them on to their Mycenaean heirs. I never even suspected there were supersyllabograms in Minoan Linear A until I started trying to decipher at least some Minoan terms in May of 2016. Lo and behold, to my astonishment, there are 24 of them in Linear A, a substantial number, amounting to 66 % of the number of supersyllabograms in Mycenaean Linear B = 36. It is now obvious that if I can decipher any more than the 8 supersyllabograms I have already translated in Minoan Linear A, I may very well be able to decipher more Minoan Linear A words. It remains to be seen. However, I am greatly encouraged by the fact that the apparent meanings of the 8 supersyllabograms I have already deciphered in Minoan Linear A seem to match almost perfectly the actual translations of the Minoan Linear A words to which they apparently correspond. See my decipherments of 8 Minoan Linear A SSYLS (supersyllabograms) following the table of SSYLs in Linear A immediately below. If it had not been for the fact that I successfully deciphered the 36 supersyllabograms in Mycenaean Linear B, I would never have stumbled upon the 24 SSYLs in Minoan Linear A, nor would I have been able to cross-correlate these 8 supersyllabograms, DA KA KI NI PA RA SA TE. These 8 supersyllabograms account for 33 % of all the SSYLs in Minoan Linear A. My decipherments of the 8 SSYLs is quite an achievement, considering I, like everyone else in the world, do not know what the Minoan language actually is. I stress again, I have only managed to decipher some of its vocabulary, not the language itself. This is in stark contrast to the 36 supersyllabograms in Mycenaean Linear B which I have been able to decipher with relative ease, in view of the fact that I am intimately familiar with Mycenaean Linear B, having already translated at least 1,000 Linear B tablets. So the fact that I have been able to decipher even 8 of 24 supersyllabograms in Minoan Linear A is almost a miracle in itself. You can be sure that my decipherments of these 8 Linear A supersyllabograms will figure largely in my upcoming article in Archaeology and Science, Vol. 16 (2016) (Belgrade) ISSN 1452-7448, “Linear B tablet Pylos TA 641-1952 (Ventris), the “Rosetta Stone” for Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery”. You can just imagine how exciting a development this has been for me! Moreover, this development has allowed me to add yet another Minoan Linear A term to my Glossary of Minoan Linear A, samuku, which almost certainly refers to the harvest(ing) of grains (barley or wheat). See SPECIAL NOTES at the end of this post. The Table of 24 Minoan Linear A supersyllabograms From Haghia Triada (HT) & Khania (KH): A HT2 olive oil HT39 vase (v) DA HT133 (g) DI * HT12 olive oil (qatidate) HT14 (oo) HT28 HT50 HT90 HT121 HT129 E * HT2 olive oil HT21 HT34 (g) (+ sumuku huge nos.) HT50 HT58 (oo) KA * HT28 man (m) HT88 HT97 HT100 KE HT26 (vase) KI * HT8 olive oil HT18 HT28 HT44 HT50 HT91 HT101 HT125 HT129 HT140 KU HT32 cloth (c) HT61 (g) HT128 X4! MI * HT28 (oo) HT50 HT90 HT91 HT100 HT101 HT116 X2 b HT125 HT137 NE * HT23 (oo) HT32 HT100 NI appears on several Linear A tablets all by itself, and invariably means figs. It is the only supersyllabogram shared with Mycenaean Linear B, which apparently simply inherited it lock, stock and barrel from Minoan Linear A. QE * HT18 grains (g) HT28 HT36 HT99 HT101 HT121 (oo) PA * HT43 (g) HT93 X3! HT102 X2 HT120 X2 HT125 HT128 KT27 RA HT44 (oo) KH91 (v) RI HT23 (oo) HT35 HT60 HT110 (v) KH82 (oo) RU * KH12 (v) KH63 KH84 KH85 KH91 SA HT27 (g) HT131 SI HT27 TA * HT30 (oo) HT35 KH19 KH39 KH55 KH61 KH85 TE HT3 figs HT9 wine HT13 (kaudeta) HT18 HT19 HT21 HT40 HT44 (g) HT51 (f) HT62 HT67 (f) HT70 (f) HT96 HT133 (g) TU * HT23 (oo) HT28 HT50 HT101 U * HT2 olive oil HT21 HT28 HT40 HT44 HT58 HT91 HT96 HT100 HT101 HT125 HT140 X3 WA HT27 WI KH5 (w = vinegar) * All of the following supersyllabograms in Minoan Linear A deal exclusively with olive oil: DI E KI MI NE TA TU U * All of the following supersyllabograms in Minoan Linear A deal exclusively with grain: DA QE (except for HT121) PA * All of the following supersyllabograms in Minoan Linear A deal exclusively with wine: SA SI WA WI * The supersyllabograms KE & RU in Minoan Linear A deal exclusively with vases and pottery. * The supersyllabogram KA in Minoan Linear A deals exclusively with men. Supersyllabograms I have deciphered in Minoan Linear A: I have already more or less successfully deciphered the following 8 supersyllabograms in Minoan Linear A: DA = dadumata = grain/wheat measurer? = Linear B sitokowo KA = kapa = follower or foot soldier, attendant to the king KI = kidata = to be accepted for delivery = Linear B dekesato OR kireta2 (kiritai) = delivery = Linear B apudosis kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto AND kireza = unit of measurement for figs, probably 1 basket AND kiro = owed = Linear B oporo = they owed NI = nipa3 (nipai) or nira2 (nirai) = figs = Linear B suza. But Mycenaean Linear B shares NI with Minoan Linear A, in spite of the fact that the Mycenaean word for figs is suza. PA = pa3ni (amphora for storing grain) + pa3nina = grain or wheat stored in an amphora RA ra*164ti = approx. 5 litres (of wine) SA sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre TE = tereza = standard unit of usually liquid measurement, sometimes of dry measurement All of my decipherments of supersyllabograms in Minoan Linear A further substantiate my decipherments of the Minoan Linear A terms to which they correspond (as seen above). Here is Table 8 of the 36 Supersyllabograms I have deciphered in Mycenaean Linear B: The meanings of the supersyllabograms in Mycenaean Linear B do NOT correspond in any way with those in Minoan Linear A. This table appears in my soon to be published article, “The Decipherment of Supersyllabograms in Linear B” in Vol. 15 (2015) of the prestigious international annual, Archaeology and Science (Belgrade) ISSN 1452-7448. SPECIAL NOTES:  The SSYL KI for olive oil has something to do with sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre OR kireta2 (kiritai) = delivery = Linear B apudosis + kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto OR kireza = unit of measurement for figs, probably 1 basket OR kiro = owed = Linear B oporo = they owed.  Although I have been unable to decipher the supersyllabogram E for olives, it has facilitated my translation of yet another Minoan Linear A word, samuku, which appears in such huge numbers (245 + 100) on Minoan Linear A tablet HT 34, dealing specifically with grains (barley or wheat) that is almost certainly means the “harvest” of a total of 345 large units of grains, corresponding to something like our modern bushels.
3 of my articles in Archaeology and Science ISSN 1452-7448 (2014, 2015, & 2016) + Vol. 12 (2016) Figure 1 & 2 Tables: Figure 1 and 2 Tables (nos. To be assigned) as they will appear in the prestigious international hard-bound annual Archaeology and Science ISSN 1452-7448. Vol. 12 (2016). This annual generally runs to 250-300 pp. It is impossible to cross-correlate Minoan Linear A tablets from Mycenaean Linear B tablets by means of retrogressive extrapolation without explicitly taking into account the fact that almost all Minoan Linear A tablets are vertical in their orientation (just as with modern inventories), while the vast majority of Mycenaean Linear B tablets are horizontal in their orientation. For more on this critical factor in the reasonably accurate decipherment of Minoan Linear A tablet, see (Click on the banner): Articles published and to be published in Archaeology and Science (Belgrade) ISSN 1452-7448:  My article, “An Archaeologist’s Translation of Pylos Tablet 641-1952 (Ventris)” has already been published in Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 10 (2014). pp. 133-161 (Click banner to download it):  My article, “The Decipherment of Supersyllabograms in Mycenaean Linear B” is already slated for publication in the prestigious international annual Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 11 (2015), to be released in the spring of 2017. (Click the banner for the announcement):  My article, “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Minoan Linear B tablet HT 31 (Haghia Triada) vessels and pottery” is to be published in the prestigious international annual Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 12 (2016) (Click the banner for the announcement): This major announcement is shortly to appear on my academia.edu account.
Archaeology and Science, Glossary of 106 Minoan Linear A words deciphered with (reasonable) accuracy (the largest ever glossary of Linear A) accounting for 20 % of all intact Minoan Linear A terms in Prof. John G. Younger’s Linear A texts in phonetic transcription = 510: This Glossary contains only Minoan Linear A terms which have been deciphered either with certainty or with a reasonable degree of certainty. It is more or less the version which will be published in my article slated for publication in Vol. 12 (2016), “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” of the prestigious international annual, Archaeology and Science ISSN 1452-7448 (release date spring 2018). To be submitted by Nov. 15, 2016. KEY: Minoan Linear A words deciphered with certainty (90% - 100%) are in BOLD. Minoan Linear A words deciphered with a reasonable degree of certainty (75% - 85%) are in italics. All terms in Minoan Linear A and in Mycenaean Linear B have been Latinized for ease of access to persons not familiar with these syllabaries. adaro = barley = Linear B kirita adu = so much, so many, all (persons, things, esp. grain/wheat), referencing all accounts relevant to them. In the case of grains & wheat, adu would refer to all the “ bushel-like” units of wheat accounted for. In the case of the men measuring the wheat, it would appear that they are surveyors or comptrollers. Cf. Linear B, toso, tosa. adureza = unit of dry measurement (grain, wheat, barley, flour) aka = wineskin (two syllabograms overlaid) 5 akipiete = (in) common, shared, allotted, allotment = Cf. Linear B kekemena ktoina = small plot of land akii = garlic asasumaise = cattle-driver or shepherd = Linear B qoukoro -or- qorokota atare = figs overseer = Linear B opisuko 10 darida = large vase daropa = stirrup jar = Linear B karawere datara= grove of fig trees datu = olives See also qatidate = olive trees = Linear B erawa daweda = medium size amphora with two handles 15 dikise = a type of cloth = Linear B any number of types of cloth ditamana = dittany (medicinal herb) dumitatira2 (dumitatirai) = right or inner spindle wheel on one side of the distaff dureza = unit of measurement (unknown amount) jedi = man/men = Linear B atoroqo. 20 kanaka = saffron = Linear B kanako kapa = follower or (foot) solder = Linear B eqeta karopa3 (karopai) = kylix (with two handles & smaller than a pithos) kaudeta = to be distributed (fut. part. pass.) approx. = Linear B, epididato = having been distributed (aorist part. pass.) keda = cedar 25 kidata = to be accepted (for delivery to) = Linear B dekesato kidema*323na = type of vessel (truncated on HT 31) kidapa = (ash) wood, a type of wood. On Linear B tablet KN 894 N v 01 kireta2 (kiritai) = delivery = Linear B apudosis kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto 30 kireza = unit of measurement for figs, probably 1 basket kiro = owed = Linear B oporo = they owed kukani = (deep) red wine Cf. Linear B wono mitowesa kuro = total kuruku = crocus 35 maru = wool (syllabograms superimposed) = Linear B mari/mare mitu = a type of cloth nasi = a type of cloth nere = larger amphora size nipa3 (nipai) or nira2 (nirai) = figs = Linear B suza 40 orada = rose pajare = in pay, hired = Linear B emito pazeqe = small handle-less cups = Linear B dipa anowe, dipa anowoto pimitatira2 (pimitatirai) = left or outer spindle wheel on one side of the distaff pitakase = harvested or field of = Linear B akoro 45 puko = tripod = Linear B tiripode qapa3 = qapai = large handle-less vase or amphora qatidate = olive trees See also datu = olives = Linear B erawo qareto = Linear B onato = “lease field” quqani = medium size or smaller amphora 50 ra*164ti = approx. 5 litres (of wine) rairi = lily reza = 1 standard unit of measurement sajamana = with handles = Linear B owowe sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre 55 sata = a type of cloth sedina = celery supa3 (supai) = small cup = Linear B dipa mewiyo supu = very large amphora tarawita = terebinth tree 60 tejare = a type of cloth teki = small unit of measurement for wine @ 27 1/2 per tereza tereza = larger unit of liquid measurement (olive oil, wine) tesi = small unit of measurement tisa = description of pot or pottery = Linear B amotewiya/yo 65 udimi = a type of cloth uminase = harbour (cf. French “Le Havre”), famous Atlantic port in France usu = a type of cloth Eponyms: Adunitana Akaru 70 Asasumaise = name of cattle-driver or shepherd Asiyaka Dadumine Danekuti Daqera 75 Ikurina Kanajami Kosaiti Kukudara Kuramu 80 Kureju Makarita Mirutarare Qami*47nara Qetiradu 85 Sidate Sirumarita2 = Sirumaritai Tateikezare Tesudesekei Tidiate 90 Turunuseme Watumare Toponyms: Almost all the toponyms do not require decipherment as they are either identical or almost identical in Mycenaean Linear B: Akanu = Archanes (Crete) Dame Dawa (Haghia Triada) 95 Dikate = Mount Dikte Idaa = Mount Ida Idunesi Kudoni = Kydonia Kura 100 Meza (= Linear B Masa) Paito = Phaistos ( =Linear B) Qeka Radu = Lato (= Linear B Rato) Setoiya = Seteia (= Linear B) 105 Sukirita/Sukiriteija = Sybrita Uminase = Linear B Amnisos 106 Winadu = Linear B Inato COMMENTARY: This Glossary accounts for 20 % of all intact Minoan Linear A terms. The principle of cross-correlative cohesion operates on the assumption that terms in Minoan Linear A vocabulary should reflect as closely and as faithfully as possible parallel terms in Mycenaean Greek vocabulary. In other words, the English translations of Minoan words in a Minoan Linear A Glossary such as this one should look as if they are English translations of Mycenaean Greek terms in a Linear B glossary. I have endeavoured to do my best to achieve this goal, but even the most rational and logical approach, such as I take, does not and cannot guarantee reciprocity between Minoan Linear A and Mycenaean Linear B terms. It is precisely for this reason that I have had to devise a scale of relative accuracy for terms in this Linear A Glossary, as outlined in KEY at the top of it. The best and most reliable Linear B Lexicon is that by Chris Tselentis, Athens, Greece. If you wish to receive a copy of his Lexicon, please leave a comment in Comments, with some way for me to get in touch with you. Are there any words in Mycenaean Greek of putative Minoan origin? It should surely not strike us as so surprising that there are. After all, kidapa = ash? (Linear B tablet KN 894 N v 01) Several Minoan Linear A words very likely survived into Mycenaean Linear B. The problem is, if they did, we do not know which ones did.... except perhaps kidapa, which has a distinctly Minoan feel to it. Cf. kidata = to be accepted (for delivery to) = Linear B dekesato
Knossos tablet KN 875aM n 01 as a template guide for the decipherment of vessels (pottery) in Minoan Linear A: Knossos tablet KN 875a M n 01 serves as a useful template guide for cross-correlative retrogressive extrapolation of vocabulary for vessels (pottery) in Minoan Linear A. Although have already deciphered, more or less accurately, the words for “a cup with handles” in Minoan Linear A, we have not yet been able to extract the term for “a handle-less cup”. So hopefully this tablet should serve as a guide to the eventual discovery of the Minoan Linear A equivalent of Mycenaean Linear B dipa anowe or dipa anowoto, both meaning “a handle-less cup”. The term dipa anowe also appears on the famous Linear B tablet, Pylos TA 641-1952 (Ventris), the first ever large Mycenaean Linear B tablet ever deciphered by none other than Michael Ventris himself. This tablet has recently be re-deciphered by Rita Roberts, an archaeologist from Crete, in my article, An Archaeologist's Translation of Pylos Tablet 641-1952. pp. 133-161 in Archaeology and Science, Vol. 10 (2014) ISSN 1452-7448 (Belgrade), now available on academia.edu here: This is the most comprehensive article (28 pages long) ever written on the decipherment of this key Linear B tablet. You can download it from academia.edu at the link above.
Archaeology and Science (illustrations) No, 10 (2014) Post 2 of 2 This is the annual serial, Archaeology and Science No, 10 (2014), in which my article, “An Archaeologist’s Translation of Pylos Tablet TA 641-1952”, with translations by both Michael Ventris (1952) and Rita Roberts (2015) appear. This is the most beautiful periodical I have ever seen in my life. I feel truly privileged to have been published in it. Look out for my second article , Archaeology and Science No, 11 (2015)
PUBLISHED! Archaeology and Science. Vol. 10 (2014). An Archaeologist's Translation of Pylos Tablet 641-1952 pp. 133-161 (academia.edu): Click on banner to view the article: pp. 133-161 THIS IS A MAJOR ARTICLE ON MYCENAEAN LINEAR B & ON THE NEWEST AND MOST ACCURATE TRANSLATION EVER OF PYLOS TABLET 641-1952 (VENTRIS), THE VERY FIRST TABLET EVER TRANSLATED, BY MICHAEL VENTRIS HIMSELF, IN MYCENAEAN LINEAR B. ABSTRACT: In partnership with The Association of Historical Studies, Koryvantes (Athens), our organization,Linear B, Knossos & Mycenae (WordPress), conducts ongoing research into Mycenaean archaeology and military aff airs and the Mycenaean Greek dialect. This study centres on a fresh new decipherment of Pylos tablet TA 641-1952 (Ventris) by Mrs. Rita Roberts from Crete, who brings to bear the unique perspectives of an archaeologist on her translation, in all probability the most accurate realized to date. We then introduce the newly minted term in Mycenaean Linear B, the supersyllabogram, being the first syllabogram or first syllable of any word or entire phrase in Linear B. Supersyllabograms have been erroneously referred to as “adjuncts” in previous linguistic research into Mycenaean Linear B. This article demonstrates that their functionality significantly exceeds such limitations, and that the supersyllabogram must be fully accounted for as a unique and discrete phenomenon without which any approach to the interpretation of the Linear B syllabary is at best incomplete, and at worse, severely handicapped. KEYWORDS: MYCENAEAN LINEAR B, SYLLABOGRAMS, LOGOGRAMS, IDEOGRAMS, SUPERSYLLABOGRAMS, ADJUNCTS, LINEAR B TABLETS, PYLOS, PYLOS TA 641-1952 (VENTRIS),DECIPHERMENT, TRANSLATION, POTTERY, VESSELS, TRIPODS, CAULDRONS, AMPHORAE, KYLIXES, CUPS, GOBLETS. Introduction to the article: Why are there so many ideograms in Mycenaean Linear B, 123 all told, with 30 in the pottery and vessels sector alone? This is no idle question. Of the 123 Linear B ideograms listed in Wikimedia Commons,1 fully 30 or 24.5 % are situated in the pottery and vessels sector of the Mycenaean economy, as illustrated in Table 1. But why so many? As I emphatically pointed out in the talk I gave at The Third Interdisciplinary Conference, “Thinking Symbols”, June 30-July 1 2015, at the Pultusk Academy of the Humanities, just outside of Warsaw, Poland, in partnership with The Association of Historical Studies, Koryvantes (Athens), with whom our organization, Linear B, Knossos & Mycenae (WordPress), is in full partnership, “No-one deliberately resorts to any linguistic device when writing in any language, unless it serves a useful purpose beneficial to more eff ective communication, contextual or otherwise.” (italics mine)... SOME ILLUSTRATIONS FROM THE ARTICLE: