Linear B tablet K 04.03 from the Knossos “Armoury” Tablet: The text of this tablet is longer than on most tablets on chariot construction. This makes for more chances for error(s) in the original text, depending on the scribe’s hand (which in this case is sloppy) in the final literal and free translations. The notes on the tablet above make it quite clear where the scribe’s writing leaves something to be desired. So the translator is left to his or her own devices to come up with the best possible interpretation under the circumstances. For instance, the word – opa – apparently is archaic Mycenaean. It had fallen out of use by the time of Homer. It is a bit difficult to determine exactly what it means, but Chris Tselentis has it as – workshop –, which makes sense in the context. Once again, by context, I mean not only textual context but the most likely translation for the real world context of the Mycenaean vocabulary describing chariot construction. I am convinced that in this case Tselentis has ventured the best possible translation, which by exception I accept without question. My normal practice is to call into doubt any word on any tablet which has no equivalent in later ancient Greek, Homeric or Classical. But sometimes we have to throw in the towel when faced with no other reasonable alternative for the translation of archaic Mycenaean Greek or possibly even Minoan words. There is nothing unusual at all in the phenomenon of cross-linguistic transfer of certain words from a former, more archaic, language (in this case Minoan Linear A). Lord knows, English is full of such words, the vast majority inherited from Latin, Greek and medieval and early Renaissance French. What is good for the goose is good for the gander. The scribe, whose hand is admittedly quite sloppy, appears to have inscribed – araromo-pa-mena – for – araromo-te-mena –, by omitting one of the horizontal bars on the syllabogram. Translators of Linear B must always be on the ball and on the lookout for scribal errors in orthography on any tablet whatsoever, regardless of provenance – Knossos, Pylos, Mycenae etc. After all, people make spelling mistakes often enough today, just as they always have throughout history. No surprise there. Finally, there is the sticky question, why would a scribe inventory a fully assembled chariot without wheels on axle, when – fully assembled – implies that the damn thing has to have its wheels on axle. Compare this with the manufacture of cars nowadays. No one in their right mind would call a car fully assembled, unless it had its wheels on axle. However, it is conceivable that Linear B scribes inventorying fully assembled chariots might sometimes be obliged to list the chariot(s) in question – here there are 3 of them – as still not having their wheels on axle, because they are inventorying them at the very end of the current fiscal year. On the other hand, chariots might sometimes have been delivered without the wheels on axle, if the new owner wished to design and construct his own wheels, only attaching them after delivery has been received. There is no reason why this might not have been the case in some instances. But we shall never know, because we were not there when the scribes tallied chariots without wheels on axle. There must have been some method in their madness after all.
Linear B tablet Sd 4401 from the Knossos “Armoury”, a fully assembled chariot
Linear B tablet Sd 4401 from the Knossos “Armoury”, a fully assembled chariot: Apart from the very first tablet on chariots we posted this month, namely, Linear B tablet Kn 894 N v 01, here: This is one of the most detailed of the Linear B tablets from the Knossos “Armoury”, zeroing in on more parts of a Mycenaean chariot than can be found on any of the other tablets we have already translated on the same subject, apart from Linear B tablet Kn 894 N v 01. There are a couple of peculiarities in the Linear B text of this detailed tablet which require clarification. The first is that the ideogram for chariot on the right side of the tablet is right truncated; so we do not know whether or not the chariot is equipped with a set of wheels. But common sense tells us that it is almost certain that this is a chariot equipped with wheels on axle, since the scribe explicitly states that the chariot is fully assembled. Secondly, the word for chariot on the second line = - iqiya – is feminine, which is quite strange, given that all of the modifying attributes following this word are in the masculine. This leads me to confidently conclude that the scribe meant to inscribe – iqiyo - = a double chariot, i.e. a chariot for two drivers, rather than – iqiya -. Otherwise, the grammatical constructs on the second line do not jibe. As we have already noted in our translations of at least a few of the other chariot tablets, the scribes are prone to make errors, usually in case agreement or in orthography. But that is nothing unusual, given that writers past and present are prone to the same liability. After all, we are only human.
Translation of Linear B tablet K 04-28 from the Knossos “Armoury”
Translation of Linear B tablet K 04-28 from the Knossos “Armoury” The translation of this tablet is relatively straightforward. The first line speaks for itself. On the second line we have “opoqo kerayapi opiiyapi”, which could mean either “with horse blinkers of horn with parts of the reins” or “with horse blinkers with horn parts of the reins”, since the Mycenaean Greek does not make it clear which part of the phrase – kerayapi – = “horn” modifies, the first or the second. Nevertheless, the second makes considerably more sense, since the poor horses might suffer injury if their blinkers were made of horn and they happened to shatter. Certainly, the reins could be at least partly made of horn. So there you have it. Finally, we are confronted with the perfect participle passive – metakekumena – . Chis Tselentis takes a wild guess that it means “dismantled?” , though it is quite obvious that he is very unsure of himself, given that his translation is followed by a question mark (?). Besides, when we consider the context of the physical attributes of the chariot in which this word is set, it does not make much sense that anyone would want to dismantle a chariot which has been painted crimson by someone else, as that would simply undo the work of the painter. Not a pretty scene. The scribe would have had one angry painter on his hands. On the other hand, the translation “(fully) refurbished”, which is practically identical with L.R. Palmer’s, makes a lot more sense. In said case, the scribe and the painter would have gotten along fine with one another. I am not saying that Tselentis’ translation is outright wrong. But the problem is that there exists no ancient Greek verb which fits the orthographic conditions of the perfect participle passive – metakekumena – . On the other hand, the ancient Greek verb – komizo – is a pretty close match, even though its own perfect participle passive does not match. But – komizo – is Classical Greek, while – metakekumena – is far more archaic Mycenaean Greek. So there really is no way to tell for sure. But since the translation matches up so well with the context of the actual physical appearance of the chariot, I am much more inclined to favour it over that of Chris Tselentis.
Linear B tablet K 04.5 from the Knossos Armoury: the redoubtable challenges for translation
Linear B tablet K 04.5 from the Knossos Armoury: the redoubtable challenges for translation Linear B tablet K 04.5 from the Knossos Armoury: the redoubtable challenges for translation While some of the military tablets from the Knossos Armoury dealing with the construction and design of chariots pose a few problems in the translation of certain words which yield at least two or possibly even three different possible meanings, others are much more of a challenge to the translator. Some vocabulary in the more challenging tablets proves to be much more fractious. There are several reasons for this phenomenon when we are dealing with Mycenaean Greek vocabulary, let alone that of any truly archaic ancient language, such as Babylonian and Assyrian cuneiform and Egyptian hieroglyphics. These are: 1 Some words in Mycenaean Greek may closely or somewhat resemble their later counterparts in Homeric Greek or Classical Greek, conveying the same or a similar meaning. Such is the case with – wanax – = “king” in Mycenaean Greek. 2 Some of the words in Mycenaean Greek may closely or somewhat resemble their later counterparts in Homeric Greek, and yet not convey precisely the same meaning or might even mean something more remotely associated, such as – qasireu – , which does not mean the same thing as “basileus” = “king” in Homeric Greek. A – qasireu – in Mycenaean Greek is merely a local leader of a town, citadel, redoubt or similar small centre and nothing more. A king in Mycenaean Greek is a – wanax – , for which there is an almost exact match in Homer’s Iliad. 3 Some words in Mycenaean Greek may look like variants of later Homeric or Classic Greek words, although they are spelled in a fashion alien to the latter, never appearing in them. 4 Some of the words in Mycenaean Greek may closely or somewhat resemble their later counterparts in Classical Ionic or Attic Greek, and yet convey an entirely different meaning. 5 Some vocabulary in Mycenaean Greek may be archaic Greek which later fell entirely out of use even prior to Homeric Greek, in which case it may be next to impossible to confirm that such words are even archaic Greek at all. 6 Some vocabulary in Mycenaean Greek may possibly be proto-Greek or even more ancient proto Indo-European, but we can never be certain of this at all. 7 Some vocabulary in Mycenaean Greek may possibly or even likely be Minoan or of Minoan origin. Such is the case with the word – kidapa – on tablet KN 894 N v 01, the very first tablet I translated in this series of tablets on chariots. L.R. Palmer assumes this word refers to a kind of wood, and I agree. This assumption is based on the fact that two other kinds of wood are referenced on the same tablet, i.e. elm and willow. With this evidence in hand, I have gone even further than L. R. Palmer and have taken the calculated risk to identify this word as meaning “ash (wood)”, a wood which Homer uses for weapons. 8 Just as is the case with Classical Greek, in which a few thousand words are not of Indo-European origin, Mycenaean Greek contains a fair proportion of such vocabulary. Words such as – sasama – (sesame) & – serino – (celery) come to mind. This is the scenario which confronts us in the translation of at least two of the words on this tablet, namely, – piriniyo – and – mano –, both of which are certainly open to more than one possible interpretation. The first word - piriniyo – meets the criteria outlined in 1 & 3 above. It probably means “an ivory worker”, but we cannot be sure of this. Since the latter – mano – may not have any relation to later Homeric or Classical Greek at all, it is a crap shoot to try and translate it. This word meets the criteria in 1,2 and 4 above. But I took the chance (as I always do), on the assumption, however fanciful, that – mano – may be related to the Classical Greek word – manos – , meaning “thin”, as defined in Liddell & Scott. And what applies to Mycenaean vocabulary on this and all other tablets dealing with chariots, whether or not they originate from Knossos, equally applies to all of the vocabulary on each and every tablet in the military sector of the Mycenaean economy. By extension, this principle must also apply to all of the vocabulary on Linear B tablets, regardless of provenance (Knossos, Pylos, Mycenae, Thebes etc.) and regardless of the sector of the Mycenaean economy with which they are concerned. What is good for the goose is good for the gander. In short, the 8 criteria outlined above must be applied on an equal footing, through the procedure of cross-comparative extrapolation, to all of the vocabulary of Mycenaean Greek. We shall return to this phenomenon in our article on chariot construction and design, which is to appear on my
account under the auspices of Koryvantes, the Association of Historical Studies (Athens): sometime later this winter.
Rita Robert’s translation of tablet K 04-01-07 / 04-01 N a 01 from the Knossos Armoury
Rita Robert’s translation of tablet K 04-01-07 / 04-01 N a 01 from the Knossos Armoury: To ENLARGE this image or any other image or photo posted on this blog, RIGHT CLICK on it, select VIEW and then SAVE it to your computer: Rita Robert’s commentary on this tablet: Line 1 - araruya aniyapi = equipped with bridles - wirinijo opoqo = with leather blinkers – kerajapi opiiyapi = with horn bits - ideogram Line 2 - iqiyo = chariot – ayameno erepate = decorated with ivory - araromotemeno = fully assembled – ponikijo = painted crimson. Due to the truncation on the right hand side of this Linear B tablet it is impossible to state whether there is only one or more chariots listed. TRANSLATION: one chariot ? fully assembled equipped with bridles with leather blinkers and horn bits decorated with ivory inlays and painted crimson. A dual chariot depicted on this fresco from Pylos. LH lllA/B date around 1340 BCE Richard’s comments: Apart from a single error Rita made in line 2 of this tablet, having misread the second syllabogram as -mu- instead of -qi-, consequently misinterpreting -iqiyo- as -Imuyo- ( a person’s name) instead of – iqiyo - = a chariot, her translation is convincing and elegant, as is to be expected from a Linear B translator of her advanced skills. That error has been corrected in the translation above. It goes without saying that the right-truncated ideogram for -chariot- to the right of the tablet between lines 1 and 2 must mean a chariot with wheels, as a chariot without wheels cannot conceivably be fully assembled, equipped and decorated. While the archaic Greek may appear somewhat difficult or abstruse to linguists who specialize in Classical Greek, it is really not so bizarre after all, since we find many parallels in Homer’s Iliad, especially in The Catalogue of Ships in Book II. Notice that the gender of the word for chariot is fluid, i.e. not yet fixed in Mycenaean Greek. Moreover, this word is archaic in the extreme, having disappeared completely from Homeric and Classical Greek. Nevertheless, its meaning is clear from the context of all tablets on which it appears, since on most of them it is juxtaposed with the ideogram for chariot. In my notes on the archaic Greek, you will notice that the (second) aspirated a in the Greek for – kerayapi – is aspirated in the archaic Greek. This orthography does not correspond to the spelling on this tablet, but in Chris Tselentis’ excellent Linear B Lexicon the alternate spelling – kerahapi – is attested as an alternate standard. Richard
Rita Roberts’ elegant translation of Knossos tablet KN 1548 Ok 02
Rita Roberts’ elegant translation of Knossos tablet KN 1548 Ok 02. Once again, Rita Roberts has finessed a translation of an intact military tablet from Knossos. It is significant that Rita mentions that the hilt is directly riveted, whether to ivory overlaid on terebinth, or to the terebinth itself. Although the tablet does not explicitly mention rivets, it is obvious that this was the method the highly skilled Mycenaean sword craftsmen used to attached the blade to the hilt. The following figures clearly illustrate the marked accuracy of her translation. Notice in particular the blue stones inlaid in the ivory on the second and third swords in figure 2, and especially in the second. If these stones are lapis lazuli, as I strongly suspect they are, then it follows almost as night follows day that the second sword in particular could only have been reserved for the wanax — transliterated from the Greek into Latin letters for those of you who cannot read Greek — (called wanaka in Linear B), the King of Mycenae, since lapis lazuli was worth a fortune in those days. The second sword could also have been his, though it may also have been the property of the second leader in the Mycenaean hierarchy, the lawaketa, or lawagetas (likewise transliterated into Latin letters) or the leader of the host, in other words the commander-in-chief, the general. I would bet my top dollars on this presumption. I wonder whether Rita would too. Bravo, Rita.
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