Linear B - KN Dd1171, article by Peter J. Keyse on academia.edu Click on this graphic to view Keyse’s article: Peter J. Keyse provides a thorough analysis of Linear B tablet KN Dd 1171 in this fascinating article, which is well worth reading for anyone who is familiar with the Linear B syllabary, and certainly for anyone who is studying Linear B in depth. His article is not without errors. For instance, he deciphers PoRo as the name of someone in what he calls the PoMe “worker class” = a shepherd, but his interpretation of of PORO is clearly incorrect, as this word has 3 distinct meanings, one of which is the Linear B word for “a foal”, as demonstrated by Chris Tselentis in his Linear B Lexicon, here: (The other 2 meanings of POME offered by Tselentis do not fit the context) while POME is quite obviously Mycenaean Greek for “shepherd”: Keyse also notes that Michael Ventris identified 3 major styles for incisions - those at Knossos, Pylos and Mycenae. In his own words: The vertical lines are quite faint scratches and not easily seen. The cuts in the clay are ‘under-cut’ i.e. pushed in at an angle . This preoccupation with Linear B scribal hands recurs in a great many articles on Linear B. Keyse also covers the what he ascertains to be the phonetic sounds of the numerics on this tablet. He also emphasizes the nature and particulars characteristics of the scribal hand on this tablet. But it his conclusion which is most fascinating. He says, In conclusion: What would Dd1171 sound like if read aloud? Po-Ro. 20 OVISm, 72 OVISf. Pa-I-To. Pa 8 OVISm. While it reasonable to say that Linear B was no more the spoken language of its day than ‘double-entry bookkeeping’ speak is for accounting clerks today it is also true to say that accountants do on occasions talk in journals and double-entry (and not only when at dinner parties and down the pub) and they certainly call over inventories to each other. It is clear that Linear B had a sound but perhaps it is unlikely that we can fairly reproduce it today. Considering the importance of numbers within the Linear B archive I find it surprising that no phonic system has been devised to represent them or if devised is not clearly documented in the literature. COMMENT by Richard Vallance Janke on the sound, i.e. the general pronunciation of Linear B. In actuality, we probably do have some idea of how Mycenaean Greek was pronounced. Its closest cousin was Arcado-Cypriot, represented both by its own syllabary, Linear C, and by its own archaic alphabet. The Mycenaean and Arcado-Cypriot dialects were much closer phonetically than even Ionic and Attic Greek. Phonological details of the archaic Arcado-Cypriot dialect appear in C.D. Buck, The Greek Dialects, © 1955, 1998. ISBN 1-85399-566-8, on pg. 144. He provides even more information on Arcado-Cypriot on pp. 7-8, and classifies it as an East Greek dialect, pg. 9. This is highly significant, because if Arcado-Cypriot is East Greek, ergo Mycenaean Greek also is. This places both of the archaic East-Greek dialects, Mycenaean and Arcado-Cypriot, firmly in the camp of all East Greek dialects, including Arcadian, Aeolic, Lesbian, Cyprian, Pamphylian, Thessalian, Boeotian, and the much later Ionic and Attic dialects. So it is probably fair to say that we may have at least an idea, even if somewhat inaccurate, of how Mycenaean Greek was pronounced. And this has huge implications for the further study of Mycenaean Greek phonology.
Linear B seal BE Zg 1 as erroneously interpreted by Gretchen Leonhardt, corrected here: Gretchen Leonhardt, a self-styled Linear B expert, has erroneously deciphered Linear B seal BE Zg 1. As she so often does, she misinterprets syllabograms, all to often blatantly violating their phonetic values. It is clear from this seal that the last syllabogram must be either ru or ne, and certainly not me, by any stretch of the imagination. Leonhardt is also in the habit of recasting the orthography of Linear B words she interprets to suit her own purposes. In this instance, she translates what she mistakenly takes to be the word on the VERSO to be dokame as dokema in Latinized Greek, flipping the vowels. But the second syllabogram is clearly ka, and cannot be interpreted as anything else. The problem with Ms. Leonhardt’s so-called methodology in her decipherment of any and all Linear B tablets is that she runs off on wild tangents whenever she is confronted with any word that does not meet her preconceptions. In this instance, she is desperate to cook up a meaning which appeals to her, no matter how much she has to twist the Linear B orthography. She indulges in this very practice on practically every last Linear B tablet she “deciphers”, interpreting Linear B words to suit her fancy, except in those instances where she is faced with no alternative but to accept what is staring her in the face. For instance, allow me to cite some of her translations of certain words on Linear B tablet Pylos TA 641-1952. She has no choice but to accept tiripode as signifying “tripod”, eme as “together/with” and qetorowe as “four year”, even though it properly means “four”, in line with the Latin orthography, quattuor. Linear B regularly substitutes q for t. As for her so-called decipherment of apu, she should know better than to translate it as “to become bleached/white”. After all, how could a burnt tripod be bleached white, when scorching turns pottery black? It is astonishing that she would overlook the obvious here. What is even more damning is the indisputable fact that apu is the default aprivative preposition for “from/with” in Mycenaean, Arcadian, Arcado-Cypriot, Lesbian and Thessalian, as attested by George Papanastassiou in The preverb apo in Ancient Greek: Then we have mewijo, which she interprets as “a kind of cumin”. Why on earth the Mycenaeans would have bothered with naming a specific kind of cumin when the standard word suffices, is completely beyond me. In fact, the alternative word she has latched onto is extremely uncommon in any ancient Greek dialect. Finally, she bizarrely interprets dipa, which is clearly the Mycenaean equivalent to the Homeric depa, as “to inspect”, another wild stretch of the imagination. Sadly, Ms. Leonhardt is much too prone to these shenanigans, which mar all too many of her decipherments. She ought to know better. This of course applies to her decipherment of Linear B seal BE Zg 1. Finally, we can also interpret the figure on this seal as representing the Horns of Consecration ubiquitous at Knossos.
Réponse par Richard Vallance Janke à la recherche très récente sur la tablette AN PY 55 = AN 724, menée par Tina et Enriqueta Martinotti, dont leur étude : Tina MARTINOTTI, Enriqueta MARTINOTTI. Poétique Mycénienne dans la Tablette PY 724 An ( PY 55) de Pylos, classfiée comme " liste de rameurs ". Épigraphie mycénienne: traduction de la tablette en linéaire b Py 55=An 724 de Pylos classifiée c.. 2015. <hal-01147208> HAL Id: hal-01147208 https://hal.archives-ouvertes.fr/hal-01147208 Submitted on 29 Apr 2015 Depuis Chadwick, la tablette en linéaire b, classifiée Py 55=An 724 a été interprétée à partir de la lecture des séries de signes ro-o-wa comme le nom du port de Pylos et e-re-ta comme « rameur/s » ; plusieurs auteurs pensent que ce texte est une liste de rameurs. Mais la présence de la série ki-ti-ta, interprétée d’abord comme « agriculteur », a produit des controverses : Que faisait le mot « agriculteur » dans une liste de rameurs ? Finalement ki-ti-ta a été interprétée, de manière un peu téméraire comme «unité fiscale»3. Cette dernière hypothèse imagine le cas de l’infortune des agriculteurs qui, ne pouvant payer leurs taxes foncières, s’engageaient dans la marine. Néanmoins, la tablette n’a aucune similitude avec une liste, elle présente des lignes complètes. Toutes ces approximations théoriques, en étant arbitraires, suggèrent une défaillance dans l’interprétation. Ainsi, cette tablette est l’objet de l’analyse que nous exposons ici, en prenant la méthode épigraphique des systèmes syllabaires dont un signe est homophonique, polysémique et logographique. La traduction, ici proposée, suit la méthodeinterprétative4 des phonèmes, et recherche l’énoncé produit pour l’homophonie. Notre analyse démontre que la tablette PY 55 ne traite pas d’une liste de rameurs, mais qu’il s’agit d’un admirable texte littéraire où le mythe, le culte et la tradition se trouvent étroitement liés aux données philologiques, archéologiques, iconographiques et géographiques. Cette tablette est une oeuvre littéraire mycénienne et une des premières chansons épiques ; un texte narratif qui renvoie aux rituels et offrandes dans la grotte dite aujourd’hui « Grotte de Nestor », ainsi que le sacrifice du taureau « auprès de la mer salée », tel que nous l’a transmis la tradition homérique. On verra que ce texte décrit l’épique d’une figure héroïque divine ; les exploits d’un dieu qui étaient dignes de mémoire pour les pyliens. Ce texte décrit un héros divin mythique, guérisseur, guerrier, fécondant, en étroit rapport avec la déesse Terre, et représentant, à ses yeux, l’idéal de la valeur et des vertus bienfaisantes... à laquelle ma réponse à mon compte sur academia.edu, ici : Bonjour, Tina ! Je tiens à vous répondre cette fois de la manière la plus respectueuse, vu que je viens de lire très attentivement deux de vos articles. J’en lirai les autres dès que j’aurai le temps libre de les assimiler avec le plus grand soin. Je dois vous avouer franchement que je suis très impressioné de votre recherche concernant le déchiffrement du syllabaire Linéaire B. Mais en dépit de mon admiration considérable de vos efforts énergiques à cet égard, je suis toujours constraint de garder plusieurs réservations relatives à votre hypothèse essentielle, là où il s’agit de la nature polysémiotique des syllabogrammes et des mots mycéniens, surtout à la lumière du syllabaire Linéaire C du dialecte arcado-chyprien, qui n’obéit en aucune manière à votre hypothèse essentiel, ce qui me rend plutôt soupçonneux, voire méfiant de quelques-unes des conclusions auxquelles vous souscrivez. De l’autre part, je suis ravi que mes propres hypothèses vous incitent finalement à promulguer les votres, car il est carrément évident que le monde international de la recherche historique et diachronique des syllabaires ne tire pas avantage de votre perspicacité pénétrante depuis je ne sais combien d’années. Néanmoins, il est vraiment à regretter que vous conduisez vos recherches, paraît-il, uniquement en français, étant donné que la plus grande proportion de loin des recherches dans tous les domaines scientifiques et techniques est menée, comme vous le savez très bien, uniquement en anglais. Cela signifie en un mot que la très grande majorité des rechercheurs en linguistique historique et diachonique sont par forfait dépourvus des implications à grande portée, à fort impact et certes à long terme de vos recherches si importantes. Et cela, presqu’inutile de dire, c’est vraiment grand dommage ! Et c’est dans cette optique que presque toute la communauté mondiale de la recherche en linguistique restera malheureusement dépourvue de l’impact considérable, voire, révolutionnaire, de vos recherches sur les syllabaires du monde antique. En plus de tout cela, il me reste à assumer la responsabilité de répondre nettement et de façon strictement logique à plusieurs de vos conclusions, non pas en français, mais en anglais, pour que les rechercheurs allophones en anglais puissent suivre la trame de notre discussion continue en ce qui regarde le déchiffrement des syllabaires Linéaire A et B, nonobstant le Linéaire C, dont je ferai au fur et à mesure plusieurs observations et commentaires d’extrême importance et pertinence à ce même égard. Reste à constater qu’à partir d’aujourd’hui, je me sentirai obligé de discuter en anglais tout aspect des trois syllabaires dont il s’agit (les Linéaires A, B, et C) de telle sorte que nos collègues allophones puissent suivre et comprendre notre dialogue soutenu. Merci bien, ma collègue très estimée Richard Vallance Janke
The British Museum on Twitter only follows back about 5 % of those who follow them, but they do follow us! While The British Museum has 1.01 million followers, they only follow back 50.9 K Twitter accounts, and KONOSO is one of those with whom they reciprocate. In other words, we are among the 5 % of Twitter accounts they follow back. This goes to demonstrate the enormous impact our Twitter account, KONOSO: Moreover, in the past 3 months alone, the number of our twitter followers has risen from 1,600 to over 1,900 (1902). This, in combination with the 625 followers of our co-researcher colleague's twitter account (Rita Roberts): brings the total number of followers of our 2 accounts combined to 2,527, up from less than 2,000 only 3 months ago. Among other prestigious international Twitter accounts following us we find: Henry George Liddell: the latest in a long line of generations of great historical Greek linguists who over the centuries have compiled the world’s greatest classical Greek dictionary, the Liddell and Scott Greek-English Lexicon. Phaistos Project: Greek History Podcast: @antiquitas @eterna: Dr Kalliopi Nikita: Expert in Greek Archaeology-Ancient Glass Specialist-Dedicated to Greek Culture, Language & Heritage Awareness Art lover-Theatrophile-Painter- Olympiacos-Sphinx The Nicholson Museum, antiquities and archaeology museum, Sydney University Museums, Sydney, Australia, also follows us: Eonomastica: Bacher Archäology (Institute, Vienna): Canadian Archaeology: University of Alberta = UofAHistory&Classics (Alberta, Canada): All of our followers confirm that Minoan Linear A, Linear B, Knossos & Mycenae: is having a profound impact on the vast field of diachronic historical linguistics, especially the decipherment of ancient languages, most notably Mycenaean Linear B, Arcado-Cypriot Linear C and even Minoan Linear A. MLALBK&M has in effect become the premier diachronic historical linguistics site of its kind in the world in the space of less than 4 years.
Progressive Mycenaean Linear B derived (D) grammar, Phase 2: the future infinitive
In the table below you will find the future infinitive form of thematic (so-called regular) verbs in ancient Greek along with their counterparts in derived (D) Mycenaean Greek. The Mycenaean Greek is said to be derived (D), since there are no attested (A) forms of future infinitives on any extant Linear B tablets. However, the future infinitive is so easily formed from the present that it is certain that the Mycenaean forms I have provided below are correct:
Here, the future infinitive is provided only for verbs of which the stem of the present infinitive terminates with a vowel. Thus, damauein => damausein, eisoraiein => eisoraisein etc., and the shift from the Mycenaean Linear B present infinitive to the future is identical, thus:
damaue => damause, eisoraie => eisoraise etc.
It is imperative that you read the three notes at the end of the table above; otherwise, you will not understand why ancient Greek resorted to future infinitives when it was strictly called for. Since ancient Greek is the mother of all modern Centum (Occidental) languages, it contains every possible variant in conjugations and declensions to be found in the latter, except that modern Occidental languages never contain all of the elements of ancient Greek grammar. The lack of a future infinitive in modern Centum languages (at least as far as I know) bears testimony to the fact that ancient Greek contains more grammatical elements than any modern language. Each modern language borrows some, but never all, grammatical elements from ancient Greek. The upshot is that ancient Greek grammar is significantly more complex than ancient Latin and all modern Occidental languages. This will become painfully obvious as we progress through each grammatical element, one after another in ancient Greek, including Mycenaean. For instance, the next grammatical form we shall be addressing is the aorist or simple past infinitive, another one which does not appear in any modern Western language.
You do not want to miss this Fantastic Twitter account, FONT design company of the highest calibre! I have just fortuitously come across what I consider to be the most fantastic font site or Twitter account on newly designed, mostly serif, extremely attractive fonts, some of which they offer for FREE!!! You simply have to check them out. Click here to follow typo graphias: Here is a composite of some of the astonishing font graphics on this amazing site! Serendipitously happening on this account put a bee in my bonnet. I simply had to send you all on the fast track to downloading and installing the Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C + several beautiful ancient Greek fonts, of which the most heavily used is SPIonic, used for Ionic, Attic, Hellenistic and New Testament writings and documents. Hre are the links where you can download them, and much more besides! Colour coded keyboard layout for the Mycenaean Linear B Syllabary: includes font download sites for the SpIonic & LinearB TTFs The first ever keyboard map for the Arcado-Cypriot Linear C TTF font! which also includes the direct link to the only site where you can download the beautiful Arcado-Cypriot Linear B font, here: How to download and use the Linear B font by Curtis Clark: Easy guide to the Linear B font by Curtis Clark, keyboard layout: Here is the Linear B keyboard. You must download the Linear B font as instructed below: And here is the actual cursive Linear B font as it actually appears on the most famous of all Linear B tablet, Pylos Py TA 641-1952 (Ventris): What’s more, you can read my full-length extremely comprehensive article, An Archaeologist’s Translation of Pylos Tablet Py TA 641-1952 (Ventris) by Rita Roberts, in Archaeology and Science (Belgrade) ISSN 1452-7448, Vol. 10 (2014), pp. 133-161, here: in which I introduce to the world for the first time the phenomenon of the decipherment of what I designate as the supersyllabogram, which no philologist has ever properly identified since the initial decipherment of Mycenaean Linear B by Michael Ventris in 1952. Unless we understand the significance of supersyllabograms in Linear B, parts or sometimes even all of at least 800 Linear B tablets from Knossos alone cannot be properly deciphered. This lacuna stood out like a sore thumb for 64 years, until I finally identified, categorized and deciphered all 36 (!) of them from 2013 to 2014. This is the last and most significant frontier in the complete decipherment of Mycenaean Linear B. Stay posted for my comprehensive, in-depth analysis and synopsis of The Decipherment of Supersyllabograms in Linear B, which is to appear early in 2017 in Vol. 11 of Archaeology and Science. This ground-breaking article, which runs from page 73 to page 108 (35 pages on a 12 inch page size or at least 50 pages on a standard North American page size) constitutes the final and definitive decipherment of 36 supersyllabograms, accounting for fully 59 % of all Linear B syllabograms. Without a full understanding of the application of supersyllabograms on Linear B tablets, it is impossible to fully decipher at least 800 Linear B tablets from Knossos.
Mycenaean Linear B Progressive Grammar: Derived (D) Verbs/Infinitives in R = Greek = 423: In this post we find derived (D) infinitives in R. Here is the table of derived (D) thematic and athematic infinitives starting with the Greek letter R: It is absolutely de rigueur to read the NOTES on Mycenaean versus ancient archaic Greek orthography in the chart above. Otherwise, the Linear B sentences will not make any sense. It was highly likely that official documents, poetry (if any) and religious texts were written in natural Mycenaean Greek on papyrus. However, the moist climate of Crete and the Greek mainland meant that papyrus, unlike in the arid climate of Egypt, was doomed to rot away. So we shall never really know whether or not there were documents in natural Mycenaean Greek. But my educated hunch is that there were. The total number of natural Mycenaean Greek derived (D) infinitives we have posted so far = 423.
The failures of Gretchen Leonhardt’s translation of Linear B tablet Pylos Py TA 641-1952 (Ventris): (Click to read) Gretchen Leonhardt’s translation of Linear B tablet Pylos Py TA 641-1952 (Ventris) is unfortunately riddled with errors in interpretation and with lexical errors, all of which are frankly inexcusable. This sad state of affairs is attested to by her own Poll, in which she asks her readers: We note that her own translation has garnered only 1 vote versus 5 votes for “Janke’s” translation, which is not his translation at all, but rather that of Rita Roberts, Crete, who is a professional archaeologist, and whose translation is published in Richard Vallance Janke’s in-depth and thoroughly meticulous article recently published in the prestigious international hard-cover annual, ISSN 1452-7448 It is to be stressed that Mrs. Roberts, as a life-long archaeologist, is eminently qualified to decipher the famous Ventris tablet (Pylos Py TA 641-1952). Her translation surpasses even that of Michael Ventris himself: Not only that, it flatly contradicts the translations Mrs. Leonhardt, who is not an archaeologist, brings to bear on practically every single word on this tablet, with the sole exception of those terms which are so transparent that it is impossible to interpret them otherwise than they appear. Such words are tiripode, qetorowe (quattuor in Latin) , dipa (with this word, Ms. Leonhardt’s translation flatly defies logic) and apu, in which case she is so far off the mark that it is amazing she cannot have seen how far astray she has gone in interpreting this preposition, apu, common to Mycenaean Greek, and the Arcadian, Cypriot, Lesbian & Thessalian dialects [NOTE below]. Now what is particularly striking here is the fact that the Arcadian and Cypriot dialects are practically identical, and that their parent, Arcado-Cypriot, is the dialect of the Linear C syllabary, in which once again apu appears. So how Ms. Leonhardt could possibly cook up her translation of apu as “to become bleached or white” simply baffles me beyond credulity. Why on earth would anyone fashioning pottery such as tripods, vases and cups ever want to bleach them? And there is more, much more. Her translation falls prey to several more startling errors, of which I have flagged only a few:  aikeu, which she claims is somehow “related to aikia (here Latinized) | injurious, insulting treatment...” But how on earth would insulting or injurious treatment have anything remotely to do with fashioning pottery? It is quite beyond me.  anowe, which she falsely interprets as “last year’s, one year”, again flying in the face of reason, flatly flying in the face of the definition Chris Tselentis, who is a professional Greek lexicologist, attributes to it in his excellent Linear B Lexicon: which in this case is to be interpreted as “without handles”.  apu. See above. dipa, which she, for some bizarre reason which totally escapes me and which Tselentis would find ludicrous, interprets as “to inspect, inspection”. She should make up her mind. Is this a verb or a noun? At any rate dipa is clearly the Mycenaean Greek equivalent of the Homeric depa, which everyone knows means “a cup”. Period.  See . No further comment.  mewijo, which she imagines is “a kind of cumin”. In the first place, Mycenaean Greek never makes a distinction between kinds of cumin. It just has the one word, kumino, and that’s that. At any rate, why bother parsing the word down to a specific “kind of cumin”? Additionally, it is particularly difficult to imagine why anyone would put cumin in a tripod or cup, since it would simply blow away. OK, I grant that it would probably stay put in a vase, but... mewiyo, again according to the Greek expert Tselentis, simply means “small(er)”.  Mezoe she has as “barley”, but here again she is in flat contradiction with Tselentis, who has it that kirita means “barley”. I for one am not about to question the expertise of a Greek-born lexicologist.  owowe, she would have us believe, “is perhaps related to damage, hurt” (italics mine). But here again, Tselentis defines owowe as “with handles”, which makes perfect sense in light of  above, anowe, which means “without handles”. These two words are clearly opposites. Anowe is after all a-privative. There are plenty of other such errors in her translation, but I simply leave these aside for our readers versed in ancient Greek to interpret as they see fit. NOTE: Buck, C.D. The Greek Dialects. Bristol: Bristol Classical Press. xvi, 373 pp. ISBN 1-85399-556-8... apu pg. 352. Arcadian, Cypriot, Lesbian & Thessalian
INVITATION to Classical Sites (Greek & Roman) including Twitter to join us as * PARTNERS * FROM: Richard Vallance Janke of Linear B, Knossos and Mycenae Invitation to join the new Premier Network of Classical Sites on the Internet NOTE! If you are a regular visitor to Linear B, Knossos & Mycenae, please leave the LINK to your site in Comments, and I will add it to our * PARTNERS * Otherwise: To accept, please send me an e-mail at: firstname.lastname@example.org OR email@example.com We have just invited today (Wed. June 15 2016): Archaeology of the Mediterranean World Federico Aurora, DAMOS, Database of Mycenaean at Oslo Michael Cosmopoulos, Iklaina Archaeological Project MNAMON: Ancient Writing Systems in the Mediterranean Res Gerendae See below no. 4 First, a few significant developments with our organization in the past two years: 1. We are now by far the largest Linear B & Linear C site on the Internet. 2. We have translated at least 500 tablets, mostly from Knossos, some from Pylos and Mycenae. 3. I am now being published on a regular basis in key archaeological and historical linguistic sites. My most significant article to date is “An Archaeologist's Translation of Pylos Tablet TA 641-1952 (Ventris) with an Introduction to Supersyllabograms in the in the Vessels & Pottery Sector of Mycenaean Linear B” in, Archaeology and Science. Vol. 10 (2014) pp. 133-161. Belgrade: Institute of Archaeology, 2016. ISSN 1452-7448 https://www.academia.edu/23643380/Archaeology_and_Science_Vol._10_2014_An_Archaeologists_Translation_of_Pylos_Tablet_641-1952._pp._133-161 NOTE that I am to be published again in next year’s issue of Archaeology and Science. And that article is going to be a ground-breaker in the refinement of the decipherment of Linear B. Another of my recent publications is, “The Role of Supersyllabograms in Mycenaean Linear B”, here: https://linearbknossosmycenae.files.wordpress.com/2015/10/the-role-of-ssyls-in-mycenean-linear-b.pdf 4. ** We are setting up a new Premier Network of Classical Sites on the Internet, which for the time being is subsumed under the Category ** PARTNERS **, the very first Category at the top of the first page of our site: https://linearbknossosmycenae.wordpress.com/ We are in full partnership with (Koryvantes) The Association of Historical Studies (Athens) http://www.koryvantes.org/en/ and with Sententiae Antiquae https://sententiaeantiquae.com/ and with The Institute of Archaeology (Belgrade). + one other site. We have just begun establishing the Network and we hope to expand it to at least 25 sites in the next year. We will be contacting scores of other invitees in the next few weeks. PS could you add our site to your list of sites under Linear B, as Linear B, Knossos & Mycenae is one of the major Linear B sites on the Internet? Thank you Richard Vallance Janke
Just added to academia.edu: A Significant Breakthrough in the Decipherment of Linear B: The Rôle of Supersyllabograms in Mycenaean Linear B, Presentation by Richard Vallance Janke at the Pultusk Academy of the Humanities, Pultusk, Poland, July 1, 2015. To read the full text of my talk, with its comprehensive bibliography of 147 items related to this ground-breaking discovery in Mycenaean Linear B, click on this LINK: Of particular interest is item 139 in the bibliography: 139. Vallance Janke, Richard. “An Archaeologist’s translation of Pylos Tablet TA 641-1952 (Ventris), with an introduction to supersyllabograms in the vessels & pottery Sector in Mycenaean Linear B”, TBP in Archaeology and Science = Arheoologija I Prirodne Nauke (Belgrade) ISSN 1452-7448, February 2016. approx. 30 pp. ABSTRACT In partnership with The Association of Historical Studies, Koryvantes (Athens), our organization, Linear B, Knossos & Mycenae (WordPress), conducts ongoing research into Mycenaean archaeology and military affairs and the Mycenaean Greek dialect. This study centres on a fresh new decipherment of Pylos tablet TA 641-1952 (Ventris) by Mrs. Rita Roberts from Crete, who brings to bear the unique perspectives of an archaeologist on her translation, in all probability the most accurate realized to date. We then introduce the newly minted term in Mycenaean Linear B, the supersyllabogram, being the first syllabogram or first syllable of any word or entire phrase in Linear B. Supersyllabograms have been erroneously referred to as “adjuncts” in previous linguistic research into Mycenaean Linear B. This article demonstrates that their functionality significantly exceeds such limitations, and that the supersyllabogram must be fully accounted for as a unique and discrete phenomenon without which any approach to the interpretation of the Linear B syllabary is at best incomplete, and at worse, severely handicapped. Keywords: Mycenaean Linear B, syllabograms, logograms, ideograms, supersyllabograms, adjuncts, Linear B tablets, Pylos, Pylos TA 641-1952 (Ventris), decipherment, translation, pottery, vessels, tripods, cauldrons, amphorae, kylixes, cups, goblets which is as you can see the abstract of my own article about to appear in the February 2016 issue of the prestigious international peer-reviewed journal, Archaeology and Science = Arheoologija I Prirodne Nauke (Belgrade) ISSN 1452-7448 Richard
Just added to my academia.edu: Did you know you speak Mycenaean Greek? You do! An amusing read too! Click on the banner to read, bookmark or download the article: To my utter astonishment, in the first two weeks alone I have been present on academia.edu, my little research corner has already been visited 552 times, and I now have 75 followers. I would be delighted if you were to follow me on academia.edu, and if you yourself are already a member, please be sure to send me a message on site, and I shall follow you back. Richard
Just added to my academia.edu page, Translation of the Introduction to Book II of the Iliad, and its Profound Implications in the Regressive-Progressive Reconstruction of Unattested, Derived (D) Mycenaean Greek Vocabulary and Grammar, here: This is the first of a series of several papers I shall be publishing this year and next (2016) on my hypothesis underpinning the theoretical and proposed actual links between the archaic Greek of Book II of the Iliad by Homer, and in particular of the Catalogue of Ships (lines 459-815). These papers are of extreme significance to the methodology, process and procedure of regressive extrapolation of Mycenaean Greek vocabulary or grammatical constructs derived from the most archaic Greek in the Iliad, considered by many researchers to be an in)direct offshoot of Mycenaean Greek itself. Vocabulary or grammatical constructs thus derived are then progressively applied to reconstruct parallel elements missing from any attested Linear B sources regardless. I cannot stress too much the extreme significance of this particular line of research I am pursuing in the reconstruction of numerous elements (possibly even into the hundreds) of Mycenaean Greek derived from these sections alone of the Iliad. Richard
Mycenaean Linear B Units of Dry Measure, Knossos Tablet KN 406 L c 02: Click to ENLARGE The translation of this tablet from Knossos into English is relatively straightforward. The problem is that no one really knows what exactly the unit of measure designated by the Linear B symbol that looks like a T means. My best guess is that the 9 shakers of coriander (I say, shakers, because the ideogram looks like a shaker & it is most likely folks used shakers back in the good old days in Knossos, just as we do nowadays). However, the problem remains, how do 9 shakers of coriander add up to only 2 units. My best guess is that the shakers were boxed, 5 units per box. So 9 shakers would have filled one box and most of another... something along those lines. Andras Zeke of the Minoan Language Blog gives a value of approx. 3 kilograms per unit, meaning we would end up with about 5 kg. or so for 9 shakers of coriander. They would have had to be really huge shakers! No one could have held them. So it is quite apparent that the measured value Andras Zeke has assigned to our wee little T is in fact way off the mark, if we are to believe our eyes. On the other hand, that T might very well have been divisible by 10 or even 100, given that the Mycenaean numeric system is based on units of 10, just like our own. So it is conceivable that we are dealing with some kind of metric system here. Given that the Mycenaean numeric is base 10, that would make sense. So we could be dealing with something like 50 grams and not 5 kilograms of coriander... that would make a hell of a lot of sense. But since we were not there to see how the scribes allocated the spice jars into so-called units, we shall never really know. Still, there is no harm in speculating. Now, as for my translation of the ideogram for a spice container (spice shaker), I have translated it specifically as a “a coriander spice shaker”, since on every single every tablet, bar none, from Knossos mentioning spice containers, it is always coriander that is spelled out. The folks at Knossos must have been crazy about coriander! Since there are only 2 or 3 tablets which do not mention coriander outright, that leaves us with around 95 % of all tablets referring to spices which do spell it out. Linear B scribes were very fussy about having to spell out the names of spices, or for that matter, anything on Linear B tablets which could be easily represented, i.e. symbolized by an ideogram. The ideogram appears on this tablet, but the word does not. This is practically beside the point. It appears that the scribe simply did not bother writing it, for some reason or another. The practice of spelling out the name of any item on a Linear B tablet which can easily be illustrated with an ideogram is very unusual. The scribes were sticklers for saving space at all costs on what is admittedly a very small medium, rarely more than 30 cm. wide by 15 cm. deep, and more often than not, even smaller than that! So the fact that the scribes generally did spell out coriander as the spice of choice for Minoan Knossos seems to imply that the king, queen, princes and the palace attendants prized it very highly. Another point: almost all of the tablets mentioning koriyadana = coriander also use the word apudosi = delivery, i.e. they tabulate the actual delivery of so many units of coriander to the palace. So this tablet can be translated any of these ways: Achareus delivers to Phaistos 9 shakers of coriander for a total of 2 units or Achareus delivers for deposit at Phaistos 9 shakers of coriander for a total of 2 units. or even Achareus delivers for deposit at the palace of Phaistos 9 shakers of coriander for a total of 2 units. These are all valid translations, since after all everyone who was anyone, meaning the scribes, the nobility and the wealthy businessmen) knew perfectly well that such precious commodities as coriander could only be consumed by the well-to-do, and that these folks all lived – you guessed it – in the palace! There was absolutely no need in the minds of the scribes, meaning, in practice, for them to write out what was obvious to everyone. This is precisely why nowadays we need to learn to read out of the tablets what the scribes were actually inventorying, rather than trying to read into them. If this sounds like a tough slog, you bet it is. But it is far better to aim at getting the actual gist of the message on the tablet (whether or not spelled out in text, or simply with logograms and ideograms) than to strip down your translation to the point where it becomes unintelligible. This is all the more true in light of the fact that at least 800 of 3,000 tablets I meticulously consulted from the Scripta Minoa from Knossos contain very little if any text at all, and rather a lot of supersyllabograms (single syllabograms), ideograms and logograms. The reason for this is obvious: in order to save as much space as humanly possible, the Linear B accountants (scribes) never wrote out what was obvious to them all as a guild. In other words, Mycenaean Linear B, as an inventory and statistical accounting language – which is what it basically is – combines two notable features: (a) the language is highly formulaic & (b) the greater part of it is shorthand for Mycenaean Greek text inferred but rarely explicitly spelled out. If this sounds peculiar to us nowadays, we need only recall that this is exactly how modern shorthand functions. All too many Linear B translators have completely overlooked this fundamental characteristic of Mycenaean Linear B, which in large part explains its almost total uniformity over a wide geographic area, from Knossos to Phaistos and other Mycenaean sites on the island to Crete itself to Pylos on the opposite coast, all the way to Mycenae and Tiryns on the far side of the Peloponnese and even as far away as Thebes in Boeotia, which was a key Mycenaean centre and which has been continually occupied from then on right through to today. Click on the map to ENLARGE: All of this further implies that, while Linear B, the accounting and inventorying language for Mycenaean Greek, was homogeneous, uniform and formulaic to the teeth, the actual Mycenaean dialect may very well have not been. In fact, I sincerely doubt it was, since it is symptomatic of all ancient Greek dialects, even those which are closely related (such as the Ionic and Attic) to diverge and go their own merry way, regardless of the structure, orthography and grammatical quirks of their closest relatives. Since that was surely the case with every ancient Greek dialect with which we are familiar – and God knows it was! - then it must have also been the case with Mycenaean Greek and with its closest, kissing cousin, Arcado-Cypriot Greek, the latter written in Linear C or in the quirky Arcado-Cypriot alphabet. Even though no other ancient Greek dialects were as closely related as were Mycenaean and its kissing cousin, Arcado-Cypriot, these dialects were somewhat different. What is more, it is almost certain that there were notable variations within each of these dialects, the further afield you went. In other words, the Mycenaean Greek spoken at Knossos and Phaistos, which would have been much more influenced by its forbear, the Minoan language, was a little different from that spoken at Pylos, and doubtless even more from the Mycenaean Greek at Mycenae, Tiryns and especially Thebes. But spoken Mycenaean Greek and the Mycenaean Linear B accounting and inventorying language are not the same beast. The latter is a homogeneous, formulaic and largely shorthand subset of the former. I shall have a great deal more to say about this extremely important distinction between the two in future. Richard
UD: The Real Problems with Gretchen E. Leonhardt’s Commentary on the Rôle of the Syllabogram WE in Linear B as Representative of the final “s” or sigma stem in Mycenaean Greek. With reference to our previous post, I now fully acknowledge her unique contributions to the use of the syllabogram WE in Mycenaean Greek as follows: Many Mycenaean Linear B [words] ending with “WE” indicate that “WE” as the last syllable of such Mycenaean words is actually the consonant “S”. Unfortunately, at the time of that post, I entirely neglected to credit Ms. Leonhardt for her professed “discovery” that the syllabogram WE in the ultimate position in Mycenaean Linear B words can and often does exactly correspond with a final sigma or “s” stem. I hereby correct my oversight. Click this banner to read it in its entirety: However, on her own Linear A, Linear B & Linear C blog, Ms. Leonhardt makes this telling observation on the rôle of the syllabogram WE in Linear B as being the exact equivalent of final “s” or sigma stem in Mycenaean Greek when it is in the ultimate position in a Mycenaean Greek word stem (relevant parts underlined):
Now this I believe to be a significant contribution to our ongoing understanding of the phonetic values of syllabograms in Mycenaean Linear B, in this particular instance of the possible of the final sigma stem to the syllabogram WE in the ultimate. But I am obliged to set the record straight, reserving full copyright to Ms. Leonhardt on this account, with the strict provisos I underline below. I am in fact, not at all in accord with with Ms. Leonhardt’s theory in this regard. Quite to the contrary. I understand that if Ms. Leonhardt wishes to take this stance, she is perfectly entitled to do so. But I respectfully disagree. In her observations on the syllabogram WE in the ultimate as acting as the sigma stem, I find myself greatly at odds with her conclusion on several key counts. Moreover, she flatly contradicts herself when she asserts that, “These suggest that the inclusion of the final consonant * without a vowel nucleus was either a later development or was a contemporaneous dialectical development.” (where “final consonant * ” refers specifically to the sigma stem). Apart from that fact that she unnecessarily repeats the word “development” the statement is clearly misleading on several counts: (a) Why has Ms. Leonhardt omitted a specific reference to the consonant “sigma” in this summary statement? It is always preferable to repeat the actual consonant under consideration than not to, just to be certain readers clearly understand what that consonant is. I fully realize that Ms. Leonhardt will flatly disagree with me on this count, but I would much rather repeat the direct reference to sigma as the consonant stem in question than needlessly repeat the word “development”. In other words, I would have phrased the statement as follows: These Linear B pairs suggest that the inclusion of the final consonant sigma without a vowel nucleus was either a later or a contemporaneous dialectical development. ... except that even with these changes, the statement is still unclear and quite misleading. (b) If Ms. Leonhardt means to say that this phenomenon was a later development (in Mycenaean Greek), this presupposes that in early Mycenaean Greek the inclusion of the final consonant sigma without a vowel nucleus did not in fact exist, and that the only phonetic attribution that could have been assigned to the syllabogram WE in early Mycenaean was, quite simply, WE. (c) I am quite at a loss with reference to her claim that, on the other hand, it (meaning the assignment of ultimate sigma as consonant stem) was – as she calls it - “a contemporaneous dialectical development”. Contemporaneous with what? - with the early Mycenaean Greek value of WE, in which case WE would have simultaneously meant WE (i.e. itself ) and ultimate sigma as consonant stem in early Mycenaean Greek – OR - that the evolution of the early Mycenaean phonetic value of WE as itself and nothing more than that into WE + ultimate sigma as consonant stem was in fact contemporaneous with the appearance of the latter in later Mycenaean Greek. But this constitutes a flat-out contradiction in terms. Either WE always stood for WE + ultimate sigma as consonant stem from the very beginning of Mycenaean Greek in Linear B, or it never did. You cannot have it both ways. Languages do not fundamentally and arbitrarily change the principle(s) upon which word stems are formed in mid-stream. Languages simply do not arbitrarily change any of their grammatical underpinnings in mid-stream, without becoming another, entirely new language. This is the case with ancient Greek versus modern Greek. Modern Greek is a different and entirely new linguistic phenomenon, in other words, a new language, simply because it has fundamentally re-written wholesale so many of the grammatical principles underlying it, abandoning lock-stock-and-barrel huge chunks of the linguistic structural foundation(s) of ancient Greek. For instance, there are no infinitives as such in modern Greek. That is one huge departure from ancient Greek. I am certain that Ms. Leonhardt certainly surely did not mean to imply anything like this, but her statement is so unclear that it begs the issue. This is precisely why I always spell out any observation whatsoever I make on Linear B down to the very last detail – even it entails repetition – because I must be certain that I have clearly and unequivocally made myself clear to my readers, most of whom are not familiar with Linear B at all, let alone with the notion of a syllabary. (d)... and that is precisely where Ms. Leonhardt’s all too brief and all too terse statement falls flat on its face. She unfailingly assumes that her readers are familiar – even intimately so – with the concept of a syllabary. But if the majority of her readers do not know what a syllabary is (and we can be quite sure they do not), then how on earth she expects them to be familiar with the very arcane Minoan Linear A, the complex syllabary, Mycenaean Linear B, or with the slightly less arcane Arcade-Cypriot Linear C simply stumps me. Such an assumption leaves her wide open to misunderstanding, misinterpretation, if not complete bafflement, on the part of her readers, the majority whom are not even necessarily versed in linguistics. In fact, even among linguistics who are profoundly versed in Minoan Linear & Mycenaean Linear B, there are are almost none who have any understanding of Cypro-Minoan Linear C, by far the easiest of the three syllabaries to master. Apart from the Egyptologist, Samuel Birch, who, with the assistant of other researchers, deciphered Arcado-Cypriot Linear C in the first place in the 1870s, very few linguists these days can even read Linear C, apart from Ms. Leonhardt and myself. Summa in veritate, who says they should? Certainly not I. Yes, even we linguists have plenty to learn from one another. I for one am still struggling to unravel the the subtle niceties of both Mycenaean Linear B and Arcado-Cypriot Linear C. I have a long long road ahead of me just trying to cope with these two syllabaries, let alone any other! e) She then rounds up her observations on the syllabogram WE by noting (correctly) that “As for /we/ in the initial and medial positions, the tentative conclusion is that /we/ shifts to /e/” (My apologies for being unable to reproduce epsilon in the body of my post). The problem here is that /we/ does not shift at all, because it never did in the first place. WE is WE is WE. A rose is a rose is a rose. (f) All of my observations above are absolutely critical to a clear-cut understanding the actual rôle the syllabogram WE plays in the ultimate in Mycenaean Linear B as merely an indicator of the unseen presence of a final “s” or sigma stem. I say, “unseen” or invisible, because – and I repeat - WE in Mycenaean Greek is just that WE, i.e. digamma followed by the vowel epsilon or eita ... and nothing else. Since Linear B, being an open-ended vowel-based syllabary, forbids the presence of a consonant in the ultimate of any syllabogram, and more to the point, since no-one in any language ever pronounces the ultima word stem alone without the addition of a proper inflection (verb conjugation or nominal/adjectival declension), the whole argument implodes on itself. So while Ms. Leonhardt most assuredly holds the copyright on her own professed theory that the syllabogram WE in the ultimate is the exact equivalent of final “s” or sigma indicating the stem of the word in question, for all of the reasons I have cited above, I simply cannot agree with her hypothesis. My counter-hypothesis, which I shall presently post in great detail, is firmly and roundly based on my regressive-progressive extrapolation of the declension of all nouns in adjectives in the Athematic Third Declension of Mycenaean Linear B I have just posted on our blog. My extrapolated declension of such adjectives and nouns makes it perfectly clear that, even if the syllabograms WE, as well as – I must also add - WA in the ultimate, might both be indicators of the presence of a final “s” or sigma stem pronounced in spoken Mycenaean Greek, this does not mean that WA & WE actually contain within themselves this putatively pronounced final “s” or sigma, simply because they cannot. In fact, the syllabogram WE in the ultimate position in the dative/locative/instrumental singular presupposes the total absence of any final “s” or sigma stem, clearly marking instead the actual presence of an ultimate “i”, the tell-tale indicator of that (those) case(s). The ultimate “i” in the dative/locative/instrumental was always present in archaic Greek dialects, and subscripted into the iota subscript much later in ancient Greek, as in the Attic dialect. In other words, my own hypothesis of the actual rôle of ultimate WA & WE in Mycenaean Linear B is at marked variance with that of Ms. Leonhardt on the same issue. Keep posted. Richard
Two New Book Titles on the Arcado-Cypriot Dialect, Rare Birds Indeed! Click to ENLARGE: This first title is most unusual, I dare say, unique, since I have never, ever seen, let alone heard of a book on ancient Greek philosophy written in Linear C, which is to say, if it is written in Linear C rather than in alphabetical Arcado-Cypriot. Either way, it is of inestimable value. Of course, I just have to lay my hands on it. What’s more, this title confirms beyond a shadow of a doubt that Arcado-Cypriot, quite unlike Mycenaean Linear B, was a literary script, as well as legal + constitutional, given that the Idalion Tablet (which is in Linear C) runs along those lines. This characteristic in particular may lead to some complications in our attempt to correlate a significant cross-section of Arcado-Cypriot Linear C vocabulary, of which more words are bound to be connotative & abstract rather than merely denotative or concrete with presumably equivalent vocabulary in Mycenaean Linear B, of which of which more words are bound to be denotative rather than connotative, i.e. the reverse scenario. However, this situation is not all that likely to actually cripple the process of cross-correlation between Linear B and Linear C vocabulary, since after all, there are bound to be plenty of denotative, concrete nouns, along with connotative, abstract, in both dialects, given our personal interest in the latter for the purposes of establishing a corpus of derived (D) Mycenaean words, however minimal it may prove to be. Only time will tell. In this endeavour, I expect to be able to work well with another Linear B colleague and translator, Ms. Gretchen Leonhardt, who I suspect is rather more interested than am I in collating a derivative (D) vocabulary of Mycenaean connotative words in Linear B. But that I am sure is fine with both of us, as we are surely going to share our resources. You may visit Ms. Leonhardt’s blog here. Her approach to the decipherment of Linear B is both highly unusual, and to my mind, radical, running rationally, practically and instinctively against the grain to me at least, but fascinating nevertheless: The second book to which I wish to draw your attention is — Click to ENLARGE: Actually, I was astonished to find any books at all on Arcado-Cypriot Linear C, since practically no-one seems even remotely interested in it, not counting myself, of course, or another Linear B colleague of mine, Gretchen Leonhardt, who also wants to learn Linear C. All the more power to us! At least she and I will probably end up being the only two researchers in practically the entire world who can not only read Linear C but translate it as well. And trust me, if we do (more like, when we do, as it is only a matter of time), that is bound to raise a few eyebrows in the Mycenaean Linear B research community, given the extremely close relationship between these two dialects. One can easily call them kissing cousins, as they are even closer to one another than Ionic and Attic Greek are! Richard
Which Greek Dialects are the Descendents of Mycenaean Greek? (Click to ENLARGE): Allow me to cite at some length four authoritative sources for the close-knit relationship between Mycenaean Greek (ca. 1500-1200 BCE) and the East Greek dialects which sprang up later, spreading out, first to Arcadia itself, as the Arcado-Cypriot dialect, which then in turn spread westward to Cyprus in the period of the great Greek migrations through colonization (ca. 750-550 BCE), also northwards towards Ionia and Attica, and eastwards to the island of Lesbos and its environs (Aeolic). Arcado-Cypriot, as C.D. Buck states in his ground-breaking study, The Greek Dialects (University of Chicago Press, 1955; republished in 1998 by Bristol Classical Press, © 1998 – ISBN 1-85399-556-8. xvi, 373 pp.), belongs to “The East Greek... Old Hellenic dialects, that is, those employed by the peoples who held the stage almost exclusively in the period represented by the Homeric poems, when the West Greek peoples remained in obscurity in in the northwest. To the East Greek division belong the Ionic and Aeolic groups.. [and].. also the Arcado-Cyprian.” Then he makes a point of stressing that “no two dialects, not even Attic and Ionic, belong together more obviously than do those of Arcadia and the distant Cyprus.” (pg. 7), and goes on to say, “There are, in fact, notable points of agreement between Arcado-Cypriot and Aeolic... which cannot be accidental.” (pg. 8, all italics mine). I have taken pains to quote all of these observations to make it abundantly clear that following dialects, Mycenaean, Arcado-Cypriot, Attic-Ionic, Aeolic and Lesbian, are all East Greek dialects, as illustrated by his table on page 9, as opposed to the West & North-West Greek dialects, which include all of the Doric dialects, such as Argolic, Megarian, Cretan etc. while Egbert J. Bakker. in his A Companion to the Ancient Greek (Wiley-Blackwell, © 2010. 704 pp. ISBN 978-1-4051-5326-3), asserts that “Mycenaean is clearly, therefore, an East Greek dialect, along with Attic-Ionic and Arcado-Cypriot... passim ... Some features align Mycenaean more closely with Arcado-Cypriot... passim... Mycenaean is therefore a dialect directly related to Arcado-Cypriot – not unexpected, given the geography...” (pp. 198-199), and again, Roger D. Woodward, in The Ancient Languages of Europe (Cambridge University Press, © 2008 ISBN 9780521684958), states that “Of the first-millennium dialects, it is Arcado-Cypriot to which Mycenaean Greek is most closely related.” (pg. 52) I wish to stress emphatically that there is no direct relationship between the East Greek dialects (Mycenaean, Arcado-Cypriot, Attic-Ionic or Aeolic) and the West Greek dialects, most notably, the Doric dialect, since the earliest of the East-Greek dialects, Mycenaean Greek, was widely spoken in the Peloponnese and around the Saronic Gulf well before the Doric invasion, and that consequently since all of the other East Greek dialects, Arcado-Cypriot, Attic-Ionic & Aeolic, spread out from the Mycenaean epicentre, they too are not and cannot be directly related to the West Greek dialects. To add further fuel to the fire, allow me to conclude with these highly pertinent observations Denys Page makes in, History and the Homeric Iliad (University of California Press, © 1966. 350 pp.) He says: The new theory maintains, in briefest summary, the following position. “The dialect which we call Ionic is fundamentally akin to Arcadian; the peculiar features which differentiate it from other dialects as Ionic are all (or most) of relatively late development. In the Mycenaean period one dialect was predominant in southern Greece: when the Dorians occupied the Peloponnese, part of the Mycenaean population stayed at home, part emigrated; the stay-at-homes, to be called “Arcadians”, retained their dialect with comparatively little change through the Dark Ages, ...” Now, from all we have just seen here, I feel I can safely draw the following conclusions: 1 there is no direct relationship between the East Greek dialects (Mycenaean, Arcado-Cypriot, Attic-Ionic or Aeolic) and the West Greek dialects, most notably, the Doric dialect; 2 All of the East Greek dialects migrated from their original home base during the great age of Greek colonization (ca. 750-550 BCE), as witnessed by the spread of the Arcadian dialect to Cyprus in the historical period, and of Attic-Ionic eastwards as Aeolic towards Lesbos and its environs. 3 these patterns of migration of the East Greek dialects were paralleled by the migration of the West Greek dialects to colonies as prosperous and large as the great city of Syracuse (Doric) and other Greek cities along the west coast of Italy. 4 Confirmation of Denys Page’s “new theory” (1966) has been re-affirmed and validated over and over again all the way through to the present day (Cf. Woodward, 2008 & Bakker, 2010), so that there remains little doubt, if any, that his “new theory”, which is no longer new at all, having persisted a half century, is here to stay. Richard
Tabular Comparison of the Mycenaean Linear B & Arcado-Cypriot Linear C Syllabaries (Click to ENLARGE):
Mycenaean Greek, which was written in the Linear B syllabary, and Arcado-Cypriot, which used the Linear C syllabary, both belong to the family of East Greek dialects, which were to spread from these two into Ionic-Attic and Aeolic during the period of Greek colonization (ca. 750-550 BCE). For more on this, see the next post, “Which Greek dialects of Mycenaean Greek”?
What is the Relationship between Mycenaean Greek & Arcado-Cypriot? ... there is a lot more to this than meets the eye! NOTE! Researchers in the field of Mycenaean Linear B, who are also fascinated with Arcado-Cypriot Linear C, would do well to read the illustrative dialectical map and text below, for on it hinges the foundation of the entire theory of Progressive Linear B as I intend to expound it in greater and greater depth throughout 2014 and 2015. And here you can clearly see where I am carrying this ball (Click to ENLARGE this huge illustrative text): My basic premise is this, that since Arcado-Cypriot (written in the syllabary Linear C) subsisted all the way through from ca 1100 BCE to ca 400 BCE (700 years!), before the Arcado-Cypriots, i.e. Arcadians, finally caved in to alphabetic Hellenistic Greek, otherwise known as “koine” (the common language), in the face of its otherwise universal use, is without a shadow of a doubt the ancient Greek dialect most closely related to Mycenaean Greek (written in the syllabary Linear B), being for all intents and purposes its younger cousin, it must logically follow that Mycenaean Greek must be Greek and nothing but Greek. The really peculiar notion held by a tiny minority of self-appointed high-minded “researchers” that Mycenaean is not Greek, and that Michael Ventris, as brilliant and methodologically logical as he was to a fault, was merely “making clever guesses as to what the language was, truly boggles the mind. It intend to establish once-and-for-all that such silly notions are not only specious in the extreme, but entirely tautological. The mere fact that the two dialects share a virtually common grammar and vocabulary is enough to lay the myth that Mycenaean Greek is not Greek to rest forever. For if it is not Greek, then what on earth is it? And if such researchers are so clever (and apparently brighter than a genius of Ventris' stature), then they ought to have long since been able to decipher whatever the blazes they imagine it is. But they have not, and I wager my life they never will. To this end, I will also master Linear C this year, and subsequently translate the entire Idalion Tablet (the longest text by far composed in Linear C) into English, with the view to cross-correlating Arcado-Cypriot and Mycenaean down to the most fundamental level, by reconstructing the grammar and vocabulary of both dialects to the greatest possible extent that I can. And I shall. The next post displays Idalion Tablet. Progressive Linear B Grammar & Vocabulary © Richard Vallance Janke 2014