Translation of a very tricky Linear B tablet, Knossos KN 913 D k 01 by Rita Roberts


Translation of a very tricky Linear B tablet, Knossos KN 913 D k 01 by Rita Roberts:

Knossos tablet KN 913 D k 01 translation by Rita Roberts

The decipherment of this tablet is far from clear-cut, and all because of 1 word, paro, the first on both lines 1 and 2. This word very likely corresponds to the ancient Greek pa/loj (palos) = a lot (cast), meaning a lot cast by one or more people to decide who is obliged to do something, and in this case, which is apparently a religious context, that something is the sacrifice of a billy goat and a she goat. Etowono got the lot for the ram, probably the long stick, if that is what it was, given that we are dealing with a ram here. Komawete got the short one for the she goat. It kind of makes sense, and in fact there would seem to be no other rational interpretation of this tablet. It is one of the trickiest I have ever assigned to Rita, and this aroused her suspicions in the first place. Because she could not possibly have recognized the (archaic or ancient) Greek for paro, I had to delve into that word. Otherwise, her translation is highly commendable, and deserves a full 100 %.

 

The homophone supersyllabogram AI = goat


The homophone supersyllabogram AI = goat:

Kn 913 D k 01 AI Aiza

The supersyllabogram AI is the only homophone (not a regular syllabogram) which qualifies as a supersyllabogram. But it presents an unusual special case. As you can see from the Linear B text, the scribe uses the supersyllabogram for “goat” actually “billy goat” and then, strangely enough (as it would first appear, the ideogram for the same, “billy” goat, followed by the number 1. Then on the second line he uses the ideogram for “she goat”, again followed by the number 1 and by the syllabogram PA right truncated.

If all this seems a mystery to you, it is not to me. The syllabogram PA right truncated on the second line almost certainly means pasi teoi = to all the gods, which in turn implies sapaketeriya = sacrificial rites. That is precisely the reason why the scribe repeats “billy goat”, first as a supersyllabogram and then as an ideogram on line 1. This is no ordinary billy goat. And she is no ordinary she goat. This is a “sacrificial billy goat to all the gods”. The reason why the scribe does not even bother to repeat the supersyllabogram AI for “goat” on the second line is that the SSYL for “goat” on the first line includes both the billy goat and the she goat, his partner. No Linear B scribe in his right mind would ever repeat the same supersyllabogram, in this case AI, twice on the same tablet, for the simple reason that the scribes routinely omitted text (and in this case the SSYL AI on the second line) to save precious space on the tiny Linear B tablets, which rarely (like this one) exceeded 15 cm. (6 inches) in width.

This is the only possible decipherment. I am so sure of it that I would bet my life on it... well, not literally.