Orientation of Minoan Linear A inventories is identical to modern inventories & plays a critical role in their decipherment: The orientation of Minoan Linear A inventories is identical to modern inventories & plays a critical role in their decipherment. This fact has been entirely overlooked by all previous researchers and so-called decipherers of Minoan Linear A tablets. It must not be ignored under any circumstances. It is precisely this vertical (not horizontal) orientation of Minoan Linear A tablets that makes it easier for us to decipher some of them (not all of them by far). The Linear A tablet most susceptible to an almost complete decipherment on account of its vertical orientation is HT 31 (Haghia Triada) on vessels and pottery. When we compare this Linear A tablet with the most famous inventory of vessels and pottery in Mycenaean Linear B, Pylos tablet Py TA 641-1952 (Ventris), also on vessels and pottery, we instantly see how streamlined is the orientation and layout of the former and how clumsy (at least by our modern standards) is the orientation and layout of the latter. Why the Mycenaean Linear B scribes abandoned the far more streamlined and practical layout of the Minoan Linear A inventories is perhaps a mystery to some... but not to all, and certainly not to me. What the Linear B inventories sacrifice by way of orientation they make up for in droves in space saving economy. Additionally, the Linear B scribes had plenty of other tricks up their sleeves to obviate the clumsy orientation of their inventory tablets. The most significant of these ploys was their deployment of supersyllabograms in droves, a feature largely missing from the Minoan Linear A tablets. Six of one, half a dozen of the other. It is impossible to properly cross-correlate the contents of Linear B tablet Pylos Py TA 641-1952 (Ventris) by means of retrogressive extrapolation with those of Minoan Linear A tablet HT 31 (Haghia Triada) without taking their appositive orientations into account. Finally, we need only compare the orientation of HT 31 (Haghia Triada) with a modern inventory (this one on textiles) to immediately realize the practice is one and the same, past and present: Very little escapes my penetrating scrutiny. I shall be discussing the profound implications of the vertical orientation of almost all Minoan Linear A inventories versus the horizontal of most Mycenaean Linear B inventories in my upcoming article, “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery”, definitively slated for publication in Vol. 12 (2016) in the prestigious international annual, Archaeology and Science ISSN 1452-7448 (release date spring 2018). To be submitted by Nov. 15, 2016.
The Linear B “pakana” or – sword – series of tablets, their translations and the implications: PART A
The Linear B “pakana” or – sword – series of tablets, their translations and the implications: PART A It is common knowledge in the Linear B linguistic research community that there are a great many series of Linear B tablets which share marked formulaic textual characteristics. Among these we find the Linear B “pakana” or – sword – series of tablets and fragments, amounting to some 15, from KN 1540 O k 01 to KN 1556 O k 11. I have assigned my research colleague, Rita Roberts, who is at the mid-term mark of her first year of university studies into Mycenaean Linear B, the challenging task of translating all 14 or 15 of these tablets and fragments (most of them fragments), in an effort to extrapolate from her translations findings which can and do confirm and validate the hypothesis that the tablets and fragments in this series are almost all variations on a “standard”, hence formulaic, text. This is the first of several posts in which we shall be analyzing the results of Rita’s findings. Once we have posted all of our co-operative findings, Rita and I shall be co-authoring an article on the formulaic nature of the tablets and fragments in this series in particular on academia.edu, the results of which can be extrapolated to any number of series of tablets and fragments of Linear B tablets from Knossos (and some from Pylos as well), regardless of the sector of the Minoan-Mycenaean economy on which they focus, the most notable being the sheep husbandry sub-sector of the agricultural sector, for which there are almost 700 (!) extant tablets, or some 10 times more than in any other sector of the Minoan-Mycenaean economy, inclusive of this one, the military. In the meanwhile, we are focusing our attention on this series of tablets in particular. Here are the first three translations in series Rita Roberts has submitted, with her explanatory notes following them, these followed in turn by interpretive notes of my own, where applicable. The first tablet, largely intact, offers us an all but complete snapshot, so to speak, of the actual formulaic text underpinning almost all of the tablets in this series. Click to ENLARGE: Mrs. Robert’s translation of this tablet is, as usual, precise, technically sound and elegant. I do, however, have a few additional comments to make on the translation of this tablet among others strikingly similar to it, here: Click to ENLARGE It all comes to one observation and one only. The texts of all of the tablets I have mentioned above, however fragmentary, are merely minor variations of one another, in other words, they are all formulaic. The text of any one of them is close to a mirror image of any of the others, usually with only one or two attributes and the number of tablets inventoried in each at variance. That is the single factor we need to focus on above all else, though not exclusively to the exclusion of others. The next translation Rita Roberts makes is of Knossos fragment KN 1542 OK 18 (XC), which contains only the tail end of a Mycenaean Linear B word terminating in “woa” and the ideogram for sword. Click to ENLARGE: It is painfully obvious that the left-truncated word ending in “woa” is in fact and can only be, “araruwoa”, meaning “bound” (a sword bound with a hilt) and nothing else. This, the only practicable translation for this little fragment, which is only a snippet or tiny subset of the missing text the fragment represents, leads us directly to the highly plausible inference that the actual text of this fragment, were it intact as a tablet entire, would have almost certainly have read very much like this: A skilled horn worker has bound the hilt with horn and fixed it to the sword’s blade with rivets. Sound familiar? You may very well protest, “Aren’t you jumping to conclusions?” and you might have been right, were it not for the fact that, as we soon shall see in subsequent posts detailing the contents of several other tablets and fragments in the same series, snippets of the very same text, more or less intact, keep popping up. And among these, two tablets — the first of which we have already seen as the first figure in this post — spell out the text entire (less one or two words, if any). So it stands to reason that if, in so far as the missing text of this tiny fragment almost certainly is the same as that of the other tablets, with minor variations in wording and in the number of swords tallied, this little scrap of text is a mathematical subset of the text we have already encountered in the first of the tablets posted in this series (KN 1541 OK 09 (xc)), then other, more complete, snippets of the same text appearing on other tablets we are soon to investigate simply confirm and validate our assumption, corroborated by the cumulative evidence brought to bear by the partial or complete text of those other tablets in this series. Finally, turning our attention to the third translation Rita Roberts has effected (Click to ENLARGE): we discover, scarcely to our surprise at this point, that the text of KN 1543 OK 17, though not as complete as that of the first tablet posted here (KN 1541 OK 09 (xc)), is practically a mirror image of the former. The formulaic nature of the text of almost all of the tablets in this series ( KN 1540 O k 01 to KN 1556 O k 11), with few exceptions, is as we say nowadays, “in your face”. This simple fact based on strict observation of the variations on the recurrent text to be found on almost all of these tablets firmly confirms the hypothesis that in fact formulaic phrasing is a prime characteristic of all of the tablets in this series, and for that matter, in any number of series of tablets in Linear B from Knossos, regardless of economic sector. It is the tablets in the sheep husbandry sector, of which there around 700 (far more than in any other sector), which confirm and concretize this conclusion over and over. Rita has also translated Knossos tablet KN 1540 O k 01 (xc) here: which I have just reblogged below for your convenience. It is highly advisable for you to read this post in toto, as it sheds significant light on the present discussion. It is in fact this very tablet upon which we are to draw our ultimate conclusions with reference to the translations of this entire series of tablets. In our final post in this serial discussion, we shall actually cite the text of this previous post in its entirety, with additional glosses reflecting any further conclusions we may have drawn once all of the tablets in this series have been posted. Richard
Rita Robert’s translation of Knossos tablet KN 1540 O k 01 (xc) “so many swords”
Rita Robert's translation of Knossos tablet KN 1540 O k 01 (xc) “so many swords” Click to ENLARGE: As is usual with Mrs. Roberts, she once again finesses another translation of the many military-related tablets in the Knossos armoury. She has chosen military affairs as her primary area of interest in her first year of university studies. She certainly has her hands full, as there are scores of tablets from Knossos focusing on this sector of the Minoan-Mycenaean economy. What intrigues me most is her marked ability to home in on the most significant details of the tablets in this particular series, as in fact she does with any tablets she translates, regardless of sector of the Minoan-Mycenaean economy. She notes for instance that: (a) The scribe is actually tallying the “total” number of swords. That is what the formulaic phrase “so many” boils down to on all Linear B tablets which give totals, regardless of provenance (Knossos, Pylos etc.) (b) Only the totals for the number of swords on each one of the tablets running in a straight series vary. The text does not. It is fossilized, i.e. formulaic to the extreme. (c) As Rita herself pointed out to my during one of our chats on Skype, the phrasing on every single one of these tablets is formulaic, down to the last word (totals only varying). This finding is extremely significant where it comes to the translation of tablets in Mycenaean Greek, regardless of time frame (i.e. ca. 1450 BCE at Knossos or ca. 1300-1200 BCE at Pylos, Mycenae etc.) (d) Extrapolating these findings to practically all tablets in Linear B, we discover, not to our surprise, that formulaic phrasing is the established scribal practice, regardless of the sector of the Minoan-Mycenaean economy with which they are concerned and regardless of provenance (Knossos, Pylos etc.) (e) This finding can hardly be surprising to us or anyone who stops to think about it, given that inventories, ancient and modern, are always standardized and always formulaic. As we document each of Rita's translations of the tablets in this series, we shall soon enough realize that the formulaic standards imposed by the scribal guilds are universal, once again regardless of economic sector or provenance. This is one of the most salient key characteristics of tablets in Linear B, and I strongly suspect of the tablets in Minoan Linear A before them... which leads me to my next observation, namely, that the formulaic practice also likely underlying all such tablets in Minoan Linear A as well may be a crack, however small, in the doorway opening up to at least a partial decipherment of the Minoan language. Richard
KEY POST! Introduction to the Complete Bibliography of 138 Citations for “The Rôle of Supersyllabograms in Mycenaean Linear B”
Introduction to the Complete Bibliography of 138 Citations for “The Rôle of Supersyllabograms in Mycenaean Linear B”, Presentation by Richard Vallance Janke at the 2015 Conference in the Pultusk Academy of the Humanities, Pultusk, Poland, June 30-July 2, 2015. In the next 2 posts, I shall present my exhaustive bibliography of 138 items (79 citations in each of the two parts) for the talk I shall be giving on “The Rôle of Supersyllabograms in Mycenaean Linear B” at the 2015 Conference, “Thinking in Symbols” in the Pultusk Academy of the Humanities, Pultusk, Poland, June 30-July 2, 2015. It is so exhaustive that I doubt I have missed any sources of any significance to the topic at hand. Of course, the paper of the talk itself cannot be released at this time, as it is still under wraps. Certain researchers past and present, above all Marie-Louise Nosch, have made significant contributions towards the realization of the General Theory of Supersyllabograms which I have just finalized this year, after a year of intensive research (spring 2014 – spring 2015). Previous researchers have sometimes come right up to the edge of a general theory correlating the single or multiple syllabograms they usually designate as “adjuncts” or “endograms” to the Linear B ideograms to which they are “surcharged” (i.e. attached), and which they invariably qualify. But all of these definitions are lacking in one sense or another, for the following reasons: 1. Although designated as (mere) “adjuncts” to the ideograms they invariably qualify, these associative single or multiple syllabograms (up to a maximum of 5!) are far more than that. Standing in as first-syllable abbreviations for words and even entire phrases in Mycenaean Greek, they play an absolutely critical rôle in significantly qualifying the ideograms to which they are attached, all the more so when the tablet on which they are found contains no text whatsoever, but only ideograms with these so-called “adjuncts”. But since these “adjuncts” invariably replace either Mycenaean words or (very often) entire phrases, they cannot be relegated to the status of simple adjuncts. In far too many instances, these single syllabograms encompass so much text that their inherent meaning as such turns out to be much more comprehensive and significant than that of the ideograms to which they are presumably attached. In other words, the single syllabogram(s) embodies/embody so much more than what would have otherwise been nothing but wasteful discursive text. So it appears that we should expediently and practically refer to as the ideogram as the adjunct, rather than the other way around. On tablets with no text whatsoever and with 3 or more syllabograms performing this function, it is more than apparent that all of the single syllabograms functioning as the first syllable of a Mycenaean Greek word or an entire phrase replace so much discursive text that they literally cut down the amount of space used on the tablet in question by as much as two-thirds! Since the Linear B scribes at Knossos and Pylos in particular were real sticklers for saving as much space as they possibly could on what were (and are) extremely small extant tablets (rarely more than 15 cm. or 6 inches wide), they resorted to this stratagem so often (on at least 23% of the Linear B tablets at Knossos) that the practice is, if anything, of far greater importance to an accurate decipherment of those tablets on which they appear than was previously thought. It is for this reason that I have come to designate syllabograms playing this rôle as supersyllabograms, and certainly not as mere “adjuncts” or “endograms”, since that is patently what they are – supersyllabograms. 2. The designation of supersyllabograms as “endograms” is extremely misleading and quite inaccurate, since as many of these supersyllabograms precede as follow the ideograms to which they are attached. So “endograms” account for only half of supersyllabograms at best. Besides, what are we to call the supersyllabograms which precede the ideograms to which they are attached? Has anyone thought of that or even mentioned it in previous research? Not that I have ever seen, and I have read every single document (monographs, journal articles and articles in every past conference) I could lay my hands on. The reason for this lacuna is clear enough. Past researchers have focused solely on “adjuncts” or “endograms” related solely to the field of research in Mycenaean Linear B which is of primary and frequently exclusive interest to themselves. Even Marie-Louise Nosch, who has done an astonishing amount of truly remarkable research in this area, has restricted herself to the textiles sector of the Minoan-Mycenaean economy, as that is her primary field of interest. Fair enough. Given this scenario, it appears to me that researchers past and present have been focusing exclusively on the trees or even sometimes, as with Marie-Louise Nosch, on whole clearings in forest. But none have ever concentrated on the entire forest, at least until last year, when I myself decided to ransack every single syllabogram on some 3,000 tablets (not fragments) from Knossos, in order to hypothesize, if at all possible, a general pattern to the use of supersyllabograms with ideograms. I succeeded beyond my wildest dreams. So far, I have discovered that at least 33 of the 61 syllabograms plus one of the homophones (“rai” for saffron) frequently function as supersyllabograms. Under the circumstances, and given that so many scribes so often resorted to this strategy, I soon enough concluded that it was not only a standard convention in the compilation of some 700 tablets at Knossos, but that the supersyllabograms found on these tablets were almost invariably formulaic codes. And in ancient Greek – witness Homer alone - any practice which was both conventional and formulaic was always deliberate. No-one ever resorts to such strategies in any language, unless they have abundant reason to do so. This is all the more true for the practices the Linear B scribes routinely ascribed to, given that they would do absolutely anything, if they possibly could, to save precious space on their tiny clay tablets. This too is another crucial factor past researchers have overlooked. Linear B scribes only recorded information which was absolutely essential to the precise compilation of what were (and are) after all statistical accounts and inventories. We can take the far-reaching consequences and implications of this conclusion even further. Have you ever seen a modern-day inventory which resorts to similar tactics to conserve precious space and to make the inventory as clear, precise and accurate as possible? Of course you have. As illustrated in the following two examples, the most efficient of modern inventories resort to the same tactics, the formulaic use of code abbreviations as substitutes for wasteful discursive text with predictable frequency – which is almost always: Click to ENLARGE each one with its relevant notes In other words, just as abbreviations serve as default codes in modern inventories, supersyllabograms function pretty much the same way on the Linear B tablets. Supersyllabograms are in fact inventory codes for the Mycenaean Linear B words or entire phrases they replace. This revelation surely substantiates the claim I am now going to make: the Linear B scribes were far ahead of their time in the compilation of inventories and statistics. No other ancient language, including classical Greek and even Latin, came remotely close to this extremely advanced practice the Linear scribes so brilliantly and consciously contrived for their astonishing ability to create practical templates they consistently applied to inventorial management. And no-one until the Italian bankers in Renaissance was to revive the practice with equal skill. As for the standard practices of the Linear B scribal inventories, they are so remarkably alike modern 20th. & 20st. Century practices that it is uncanny. 3. But there is more. Why previous researchers have not drawn attention to the fact that many supersyllabograms, especially in the field of textiles, neither precede nor follow the ideograms they qualify, but are almost invariably inside them, is beyond me. Once again, no one in any language resorts to any stratagem without solid practical and even logical reason(s). Such is the case with the textile “intragrams”, as opposed to “exograms” in Linear B, the latter of which invariably qualify pretty much all ideograms in the field of agriculture. Again, this raises the critical, hardly hypothetical, question, why. And again, there are substantive and strictly functional reasons why the Linear B scribes made this critical distinction – because they knew they had to. Supersyllabograms functioning as “exograms” are always associative, while those operating as “intragrams” are invariably attributive. The Linear B scribes made this fundamental distinction between the two sub-classes of supersyllabograms for the simple reason that they, as a guild, knew perfectly well what the operative distinction was which each of these types of supersyllabograms played on the tablets on which they were inscribed. The talk I am giving at the Conference in Pultusk between June 30 and July 2 2015 will make this perfectly clear. 4. I have no objection to the designation “surcharged” for “exograms” as supersyllabograms, because they are not only literally surcharged onto the ideograms with which they are always associated, they also figuratively surcharge the meaning(s) of these ideograms, in a sense somewhat akin to super-charged gasoline or petrol which beefs up engine performance in cars - or by symbolic association, something along those lines. But I am forced to object to the designation of “intragrams” as surcharged in the textiles sector of the Minoan-Mycenaean economies, for the obvious reason that they are both literally and figuratively not surcharged at all. Again, the scribes never resorted to “intragrams”, unless they were absolutely critical to an actual attribute, whenever required in a particular case, such as the frequent designation of colour for textiles. Ask yourselves, why would any scribe in his right mind write out the full name of the default colour white for linen, when he did not have to? He simply would not. On the other hand, the Linear B scribes did make use of an attributive supersyllabogram when they knew perfectly well that it was critical to the economic class status of the cloth so designated. For instance, purple cloth, designated by the supersyllabogram PU for Mycenaean Linear B pupureyo – a royal colour par excellence – was much more refined and far more expensive than the heavier and coarser plain white linen cloth (rino) spun for the hoi polloi (the lower classes). So they had to mention that for the sake of the “wanaka” or King (of Knossos or Mycenae) to whom this distinction was all too important, given that neither he nor his Queen no any of the princes royal would ever be caught dead wearing cheap cloth. There is much more to this than meets the eye, as I shall clearly illustrate in the book, The Decipherment of Supersyllabograms in Linear B, which is to appear sometime in 2016, if all goes well. I would be truly remiss were I not to acknowledge the major contributions the French researcher, Marie-Louise Nosch, whom I have cited 15 times (!) in my bibliography, has made to fundamentally accurate definitions of supersyllabograms in the textile sector of the Minoan-Mycenaean economy. Although I happened upon all of her astonishingly insightful research articles only after I had deciphered 32 of the 34 supersyllabograms (the other two being beyond me, as well as her), the truly accurate and intrinsically logical conclusions she came to on her own back up my conclusions on the meanings of practically all the intragrams for textiles almost to the letter. This amazing co-incidence, if that is merely what it is, serves as solid circumstantial collateral evidence to substantiate my Theory of Supersyllabograms. Co-incidence? I rather doubt that. It is a given that researchers in any scientific field tend to strike their bearings in the same general direction in any age, including our own. Like Odysseus, we are all heading for the same shore. The most convincing conclusions which will eventually be drawn from the research we are all sharing in now are yet in the offing. But in my eyes one thing is certain. Everything we researchers in Mycenaean Linear B, as a community, are aiming for now is bound to make a ground-breaking, perhaps even profound, contribution in the near future to make the further decipherment of Linear B considerably much more accurate than any we have seen to date. The Bibliography to follow in two parts (1-69 & 70-138) in the next two posts. ADDENDUM: I shall be publishing this post & the next two in academia.edu very soon, prior to my presentation at the Conference in Pultusk, Poland, June 30 - July 2, 2015. Richard
Associative Versus Attributive Supersyllabograms in Mycenaean Linear B: Appendix H
Associative Versus Attributive Supersyllabograms in Mycenaean Linear B: Appendix H Appendix H neatly summarizes the rôle of supersyllabograms in Mycenaean Linear B. Click to ENLARGE: I wish to stress one thing in particular. There is a marked difference in associative supersyllabograms, which account for the greatest number of SSYLS in Mycenaean Linear B, and attributive supersyllabograms, which appear primarily in the textiles and vessels (pottery, amphorae, cups etc.) sectors of the Late Minoan III & Mycenaean economies. Associative supersyllabograms inform of us of some element, usually a land tenure factor, which relates to the ideogram itself, or which circumscribes its environment, especially in the livestock raising sub-sector of the agricultural sector. For instance, the supersyllabogram O, which you see in this Appendix, plus the ideogram for sheep + the number of sheep accounted for in the inventory of any particular tablet, informs us that the sheep are being raised on a lease(d) field, more specifically a usufruct lease field (i.e. a lease field which a farmer tenant cultivates for the use of his own family and village neighbours, with a taxation imposed by the overseer). In other words, the supersyllabogram is associated with the raising of x no. of sheep. The scribe could have simply informed us that x no. of sheep were raised, and left it at that. But he did not. By adding just one syllabogram, in this case a simple vowel = O, he has given us a great deal more information on the raising of the sheep (rams & ewes) on this particular tablet. And he has done all of this without having to resort to writing it all out as text. Since it was critical for the scribes to use as little space as possible on what were (and are) extremely small tablets, the use of supersyllabograms as a substitute for wasteful text is illustrative of just how far the scribes were willing to go to save such invaluable space. They did not do this only occasionally. They did it a great deal of the time, and they always followed the exact same formula in so doing. Not only are syllabograms such as O (on a lease field), KI (on a plot of land) & NE (in their sheep pens) in the field of sheep husbandry associative, they are all what I designate as dependent supersyllabograms, since they are meaningless unless they are immediately adjacent to the ideograms they qualify. No ideogram, no supersyllabogram. Period. To illustrate the radical difference between a Linear B tablet on which a supersyllabogram + an ideogram is used, and another on which the text is spelled out, take a good hard look at this comparison: Click to ENLARGE This comparison between the real tablet from Knossos using only supersyllabograms and ideograms (left) and a putative one using text in full (right) is precisely the reason why so many scribes much preferred the former formulaic approach to inscribing tablets to the latter discursive and space wasting technique. A textual version of this tablet would have been twice as long as the actual tablet. Even if no one nowadays has ever managed to decipher dependent supersyllabograms until now, that cannot conceivably mean that the Linear B scribes did not know what they were, since otherwise, they would never have used them so liberally in the first place. In other words, using SSYLS for no reason at all is tantamount to a reductio ad absurdum. There are thousands of supersyllabograms found on 700 tablets from Knossos. They are there because all of the scribes, as a team or, if you like, as a guild, all understood each and every supersyllabogram to mean one thing and one thing only in its proper context. In other words, supersyllabograms are standardized and always formulaic. This should come as no surprise to anyone familiar with Homer, who also heavily relied on formulaic expressions, though for entirely different reasons. My point is that formulaic language is a key characteristic of ancient Greek texts, right on down from Mycenaean times through to Attic and beyond. We should never overlook this extremely important characteristic of ancient Greek, regardless of period (1450 – 400 BCE). Attributive dependent supersyllabograms always appear inside the ideogram which they qualify, never adjacent to it. They always describe an actual attribute (usually known as an adjectival function) of the ideogram. For instance, the syllabogram PO inside the ideogram for “cloth” is the first syllabogram, i.e. the first syllable of the Mycenaean word ponikiya = “purple”, hence the phrase = “purple cloth”. Likewise the syllabogram TE, when it appears inside the ideogram for “cloth” is the supersyllabogram for the Mycenaean word tetukuwoa, which means “well prepared” or if you like, “well spun”. Hence, the syllabogram TE inside the ideogram for cloth must mean one thing and one thing only, “well-prepared cloth”. I have discovered, identified & classified well over a dozen examples of associative supersyllabograms. Neither type of dependent supersyllabogram, associative or attributive, was ever isolated and tabulated in Mycenaean Linear B until I systematically studied, deciphered and classified scores of them on some 700 tablets from Knossos. Richard
Mycenaean Linear B Units of Dry Measure, Knossos Tablet KN 406 L c 02: Click to ENLARGE
Mycenaean Linear B Units of Dry Measure, Knossos Tablet KN 406 L c 02: Click to ENLARGE The translation of this tablet from Knossos into English is relatively straightforward. The problem is that no one really knows what exactly the unit of measure designated by the Linear B symbol that looks like a T means. My best guess is that the 9 shakers of coriander (I say, shakers, because the ideogram looks like a shaker & it is most likely folks used shakers back in the good old days in Knossos, just as we do nowadays). However, the problem remains, how do 9 shakers of coriander add up to only 2 units. My best guess is that the shakers were boxed, 5 units per box. So 9 shakers would have filled one box and most of another... something along those lines. Andras Zeke of the Minoan Language Blog gives a value of approx. 3 kilograms per unit, meaning we would end up with about 5 kg. or so for 9 shakers of coriander. They would have had to be really huge shakers! No one could have held them. So it is quite apparent that the measured value Andras Zeke has assigned to our wee little T is in fact way off the mark, if we are to believe our eyes. On the other hand, that T might very well have been divisible by 10 or even 100, given that the Mycenaean numeric system is based on units of 10, just like our own. So it is conceivable that we are dealing with some kind of metric system here. Given that the Mycenaean numeric is base 10, that would make sense. So we could be dealing with something like 50 grams and not 5 kilograms of coriander... that would make a hell of a lot of sense. But since we were not there to see how the scribes allocated the spice jars into so-called units, we shall never really know. Still, there is no harm in speculating. Now, as for my translation of the ideogram for a spice container (spice shaker), I have translated it specifically as a “a coriander spice shaker”, since on every single every tablet, bar none, from Knossos mentioning spice containers, it is always coriander that is spelled out. The folks at Knossos must have been crazy about coriander! Since there are only 2 or 3 tablets which do not mention coriander outright, that leaves us with around 95 % of all tablets referring to spices which do spell it out. Linear B scribes were very fussy about having to spell out the names of spices, or for that matter, anything on Linear B tablets which could be easily represented, i.e. symbolized by an ideogram. The ideogram appears on this tablet, but the word does not. This is practically beside the point. It appears that the scribe simply did not bother writing it, for some reason or another. The practice of spelling out the name of any item on a Linear B tablet which can easily be illustrated with an ideogram is very unusual. The scribes were sticklers for saving space at all costs on what is admittedly a very small medium, rarely more than 30 cm. wide by 15 cm. deep, and more often than not, even smaller than that! So the fact that the scribes generally did spell out coriander as the spice of choice for Minoan Knossos seems to imply that the king, queen, princes and the palace attendants prized it very highly. Another point: almost all of the tablets mentioning koriyadana = coriander also use the word apudosi = delivery, i.e. they tabulate the actual delivery of so many units of coriander to the palace. So this tablet can be translated any of these ways: Achareus delivers to Phaistos 9 shakers of coriander for a total of 2 units or Achareus delivers for deposit at Phaistos 9 shakers of coriander for a total of 2 units. or even Achareus delivers for deposit at the palace of Phaistos 9 shakers of coriander for a total of 2 units. These are all valid translations, since after all everyone who was anyone, meaning the scribes, the nobility and the wealthy businessmen) knew perfectly well that such precious commodities as coriander could only be consumed by the well-to-do, and that these folks all lived – you guessed it – in the palace! There was absolutely no need in the minds of the scribes, meaning, in practice, for them to write out what was obvious to everyone. This is precisely why nowadays we need to learn to read out of the tablets what the scribes were actually inventorying, rather than trying to read into them. If this sounds like a tough slog, you bet it is. But it is far better to aim at getting the actual gist of the message on the tablet (whether or not spelled out in text, or simply with logograms and ideograms) than to strip down your translation to the point where it becomes unintelligible. This is all the more true in light of the fact that at least 800 of 3,000 tablets I meticulously consulted from the Scripta Minoa from Knossos contain very little if any text at all, and rather a lot of supersyllabograms (single syllabograms), ideograms and logograms. The reason for this is obvious: in order to save as much space as humanly possible, the Linear B accountants (scribes) never wrote out what was obvious to them all as a guild. In other words, Mycenaean Linear B, as an inventory and statistical accounting language – which is what it basically is – combines two notable features: (a) the language is highly formulaic & (b) the greater part of it is shorthand for Mycenaean Greek text inferred but rarely explicitly spelled out. If this sounds peculiar to us nowadays, we need only recall that this is exactly how modern shorthand functions. All too many Linear B translators have completely overlooked this fundamental characteristic of Mycenaean Linear B, which in large part explains its almost total uniformity over a wide geographic area, from Knossos to Phaistos and other Mycenaean sites on the island to Crete itself to Pylos on the opposite coast, all the way to Mycenae and Tiryns on the far side of the Peloponnese and even as far away as Thebes in Boeotia, which was a key Mycenaean centre and which has been continually occupied from then on right through to today. Click on the map to ENLARGE: All of this further implies that, while Linear B, the accounting and inventorying language for Mycenaean Greek, was homogeneous, uniform and formulaic to the teeth, the actual Mycenaean dialect may very well have not been. In fact, I sincerely doubt it was, since it is symptomatic of all ancient Greek dialects, even those which are closely related (such as the Ionic and Attic) to diverge and go their own merry way, regardless of the structure, orthography and grammatical quirks of their closest relatives. Since that was surely the case with every ancient Greek dialect with which we are familiar – and God knows it was! - then it must have also been the case with Mycenaean Greek and with its closest, kissing cousin, Arcado-Cypriot Greek, the latter written in Linear C or in the quirky Arcado-Cypriot alphabet. Even though no other ancient Greek dialects were as closely related as were Mycenaean and its kissing cousin, Arcado-Cypriot, these dialects were somewhat different. What is more, it is almost certain that there were notable variations within each of these dialects, the further afield you went. In other words, the Mycenaean Greek spoken at Knossos and Phaistos, which would have been much more influenced by its forbear, the Minoan language, was a little different from that spoken at Pylos, and doubtless even more from the Mycenaean Greek at Mycenae, Tiryns and especially Thebes. But spoken Mycenaean Greek and the Mycenaean Linear B accounting and inventorying language are not the same beast. The latter is a homogeneous, formulaic and largely shorthand subset of the former. I shall have a great deal more to say about this extremely important distinction between the two in future. Richard
Linear B Ideogram for Wheel + ZE = a set of wheels on axle – Distinctions, Distinctions! Fussy, Fussy
Linear B Ideogram for Wheel + ZE = a set of wheels on axle - Distinctions, Distinctions! Fussy, fussy Since the use of the supersyllabogram ZE, which invariably means “a pair of/a team of” or minor variants thereof in the military sector of Minoan/Mycenaean society, was the first supersyllabogram we ever discovered, when we deciphered the ideogram for horse IQO + ZE as meaning “a team of horses” back in the spring of 2014, we really ought to have followed that post up right away with our discussion of this combination of ideogram + supersyllabogram, the ideogram for “wheel(s)” + the supersyllabogram ZE. But we did not. This situation we now rectify. We should have posted our observations on these two combinations the other way around, i.e. the ideogram for “wheel(s)” + ZE before the ideogram for horse IQO + ZE, since to be perfectly honest, it was not I who discovered the meaning of the former, but Chris Tselentis, in the Appendix of Linear B Tablets he translated at the end of his excellent Linear B Lexicon, as clearly illustrated here with my first three examples of the usage of the ideogram for “wheel(s)” + ZE: Click to ENLARGE There is absolutely no doubt about it. Chris Tselentis hit the nail right on the head. In addition, he also cleverly intuited the meaning of the second supersyllabogram appearing right after the first (ZE) on the same tablet, i.e. MO which he correctly translated as “monos”, meaning “only 1, 1 only or – single- ”. However, he did not take his insight any further. This is undoubtedly due to the fact that he must not have had the occasion or the chance to do as I have had, i.e. to trudge through some 3,000 tablets in the Scripta Minoa from Knossos. Missing that opportunity, he could not have realistically been expected to discover that there were 24 other Linear B tablets from Knossos sporting the precise same formula, the ideogram for “wheel(s)” + ZE. Nor could he have possibly known that there were not just scores, but hundreds of other Scripta Minoa tablets, on which scores of other formulae, constructed on the exact same principles, recurred over and over and over. I need only cite a few examples of these to underscore my hypothesis beyond the point of no return, or more to the point, if you will pardon the pun, to the very point where returns have richly rewarded our exhaustive efforts to dig up the truth about supersyllabograms. And what an amazing phenomenon they have proven to be, in the most practical terms and in their application in the realm of attested Linear B. The most common supersyllabograms by far are found in the agricultural sector of Minoan/Mycenaean society. Of the 3,000 tablets from Knossos I meticulously examined, 800 tablets (27%!) contain supersyllabograms, all of them following the exact same formulaic structure as the military supersyllabograms IQO + ZE & wheel + ZE. Even more astonishingly, some 700 (23%!) of these tablets refer to sheep husbandry (of rams and ewes) alone and to nothing else, attesting to the extreme significance of the sheep raising sector of the Minoan/Mycenaean economy, the one single sector with which the scribes were obsessed far beyond all others, even the military. Here are just a few examples of supersyllabogram + ideogram formulae in the sheep husbandry sector of the economy, which follow precisely the template established by IQO + ZE & wheel + ZE to the letter. In order to clearly illustrate the formulaic function of supersyllabograms for those of you who are not familiar at all with Mycenaean Linear B, we have, for instance: We have for the Military: Ideogram for horse (IQO) + ZE = a team of horses Ideogram for X wheels + ZE = X sets of wheels on axle ready to be mounted Ideogram for X chariots + wheels + ZE = X sets of wheels on axle mounted on chariots We have for Sheep Husbandry: Ideogram for X Rams or Ewes + vowel O = X Rams or Ewes on a lease field (Onaton) Ideogram for X Rams or Ewes + syllabogram KI = X Rams or Ewes on a plot of land (KItimena) Ideogram for X Rams or Ewes + syllabogram PE = X Rams or Ewes in an enclosure or sheep pen (PEriqoro) Ideogram for X Rams or Ewes + syllabogram ZA = X Rams or Ewes of this year (ZAweto), meaning X young Rams or Ewes We have for textiles: Ideogram for textile or cloth + syllabogram KU = gold cloth (KUruso) Ideogram for textile or cloth + syllabogram RI = linen (RIno) Ideogram for textile or cloth + syllabogram TE = well-prepared, well-spun (TEtukowoa) Even if you have no prior knowledge of Mycenaean Linear B, the latinized forms of the ideograms and supersyllabograms you see above make it crystal clear that the template for the formula for ideogram-dependent supersyllabograms is invariable, from one sector to another of Minoan/Mycenaean society. The very inflexibility of the formula = ideogram + syllabogram, in all cases, clearly serves to underscore its authenticity throughout the range of some 800 of 3,000 tablets in Scripta Minoa, where it so frequently re-appears with the absolute consistency you see illustrated above. As I have demonstrated over and over on this blog, the same formulae invariably apply to all sectors of Minoan/Mycenaean society, agricultural, military, textiles, pottery and vessels, and religious, without exception. If the formulae work in one sector, they will work in the next. And since the overall structure of the formulae, i.e. ideogram + supersyllabogram, is always invariable and always in that particular order, we have hit upon a phenomenon in Mycenaean Linear B which has been staring us in the face ever since 1952, when our genius, Michael Ventris, first deciphered the vast majority of the Linear B syllabary, but which no-one, not even Prof. John Chadwick or Chris Tselentis, has ever isolated for extrapolation, at least until now. I must however give both of these brilliant researchers, Prof. John Chadwick & Chris Tselentis, the full credit that is without question due to them, for without their invaluable insights into two specific examples of the appearance of supersyllabograms, one by Prof. Chadwick, and the other by Chris Tselentis (as illustrated by the presence of the supersyllabogram ZE with the ideogram for – wheel – in Knossos Tablet KN SO 4439 above), I would have never been able to extrapolate their discoveries of these two specific occurrences into the general hypothesis of the signal contribution of supersyllabograms, which occur at high enough a frequency (800 times in 3,000 tablets) to warrant their inclusion as actual Linear B words and phrases in the lexicon of extant Mycenaean Linear B vocabulary. What once seemed merely to be stray single syllabograms on so many tablets have turned out not to be simple syllabograms at all, but the first syllabogram i.e. the first syllable of scores of words and even entire phrases in Mycenaean Greek. If this is not a major step forward in the decipherment of Mycenaean Linear B, I don’t know what is. Richard
All About Sypersyllabograms: Their Enormous Impact on the Nature of Linear B – Everything you ever wanted to know, but were afraid to ask!
All About Sypersyllabograms: Their Enormous Impact on the Nature of Linear B – Everything you ever wanted to know, but were afraid to ask!
Given that supersyllabograms invariably display the characteristics highlighted in the previous post, they must also be formulaic by nature. The several restrictions placed on their disposition next to or inside ideograms, the invariability of their meanings within each sector, and other such considerations means they are always formulaic. Although the language of Homer is also very often formulaic in the Iliad, especially in The Catalogue of Ships in Book II, there is probably little or no relationship between the formulaic nature of supersyllabograms in Mycenaean Linear B and his archaic formulae. Nevertheless, it cannot be denied that formulaic language is a particular characteristic of both Mycenaean Linear B and of Homer’s own so-called Epic Greek. However, the nature of the formulaic language of Linear B and that of Homeric Greek are of a different order. In the chart which follows, we see for the first time ever on our blog the disposition of each supersyllabogram in each sector of Minoan/Mycenaean society, with repetitions of certain supersyllabograms, which re-appear in different sectors, usually with different meanings from one sector to the next, with the exception of the supersyllabogram “newo/newa”, which always means “new”, regardless of sector. It alone appears in three sectors: agriculture (livestock, mainly sheep, rams & ewes), textiles & vessels, as seen in the chart here: Click to ENLARGE While the meanings of some supersyllabograms are firmly established, due primarily to their high frequency on Linear B tablets from Knossos, others are less firmly demonstrable. For instance, in the sector, agriculture, sub-sector sheep husbandry, the meanings of the supersyllabograms O = lease field, KI = plot of land , NE = new & PE = enclosure or sheep pen, are firmly established with a very high degree of probability, if not total accuracy. In the case of PE, the definition is 100 % confirmed, since on one of the tablets in that series, the scribe conveniently spelled out the word in full, instead of using the simple superyllabogram PE. It is this very tablet which establishes beyond a doubt the authenticity of supersyllabograms as a phenomenon innate to Linear B alone, and not found in Arcado-Cypriot Linear C. As for Minoan Linear A, no-one knows whether SSYLS exist, because the language remains recalcitrant to decipherment. In the military sector, the supersyllabogram ZE almost certainly means “a pair of..” or “a team of...”, with a 90 % or greater probability. However, once we get past the two primary sectors in which supersyllabograms are used extremely frequently, given that there are so many tablets to be found in these two primary sectors of Minoan/Mycenaean society, the situation devolves by degrees into less certainty. Supersyllabograms found adjacent to any ideogram, as for instance those with the ideograms for sheep, ram, ewe (livestock), or horse or chariot (military) are considered to be associative. Associative Supersyllabograms are those which define characteristics of the environment or specific context in which their associative ideograms appear. For instance, it is natural and logical to associate sheep with lease fields, plots of land & sheep enclosures. The same goes for military ideograms. The ideograms for horse and chariot naturally associate with pairs or teams of... (fill in the blanks). There are still quite a large number of tablets in the textiles sector; so the meanings of most of the supersyllabograms in that sector are more than likely still very reliable, not the least because each of them still makes good sense: KU = gold cloth, PA = dyed cloth, PU = purple or Phoenician cloth (amounting to pretty much the same thing, anyway) & RI = linen. I would assign at least a 70 % to 90 % degree of probability to each of the definitions I have deduced for each of these supersyllabograms in textiles. The supersyllabograms in the sector of vessels (amphorae, drinking cups, water jugs etc.) may be a little less firm, but I am still convinced that I deduced most of them accurately, yielding a probability of 70 % - 80 %. Supersyllabograms in the textile and vessels sector are another kettle of fish. Since they appear inside the ideograms they modify, they are attributive in nature. In other words, they describe attributes of the textiles or vessels which they modify, and are, in almost all instances, adjectival in nature. Their placement inside the ideograms makes it quite clear that this is what the scribes actually indented, since a symbol inside another always describes attributes of the ideogram in which it appears. Should anyone doubt this, we have only to appeal to symbols appearing inside others as they are found in today’s world, since they follow the exact same principle. For instance, we have: click to ENLARGE: Need I say more? On the other hand, I have been quite unable to decipher at least one supersyllabogram, SE, which sadly appears only 3 times on extant tablets from Knossos. For this reason alone, I dare not assign it a meaning, since I am quite sure that if I did, I would probably be (way) off the mark. There remain the supersyllabograms for place names, which are in a category of their own, since none of them appear with ideograms, and all of them are found on only 1 tablet, Heidelburg HE Fl 1994, which Prof. Thomas G. Palaima so expertly deciphered in 1994. Click on this banner to read his translation and my explanatory POST in its entirety: There can be no question whatsoever that these are in fact supersyllabograms, the very first ever to have been isolated, for which we owe Prof. Palaima full credit. Of course, he did not define them as supersyllabograms, as he was unaware of the high frequency of the rest of them as adduced above in this post. Nevertheless, they are what they are, supersyllabograms. We have KO for Konoso (Knossos), MU for Mukene (Mycenae), ZA for Zakros etc. And if a few of you are still in doubt as to the viability of supersyllabograms in Mycenaean Linear B, remember: the very same phenomenon applies to internationally standardized signs nowadays. Once again, nowadays, we have a symbol within a symbol, or if you like, a symbol inside an ideogram. It is truly amazing how such a practice has resurfaced after at least 32 centuries, even if it was only the Minoan/Mycenaean scribes in the ancient world who figured out the system in the first place, leaving it interred for 32 centuries before it re-appeared in the twentieth century. So once again, we find ourselves face to face with a very ancient script, namely the Linear B syllabary, which was so systematic, formulaic and logical that it can only be considered as a brilliant breakthrough in the art of writing. After all, supersyllabograms are not the only phenomenon Linear B sported with such bravado. Ideograms in and of themselves abounded (over 100 of them!). They even used ideograms as the equivalent of subject headings as they resurfaced in nineteenth century libaries, in the Dewey Decimal & Library of Congress systems. Witness just one tablet alone, namely, Pylos 641-1952 (Ventris), the very first tablet ever translated with complete success by none other than the great Michael Ventris himself, and you can see these “subject headings” for yourself, plastered all over that amazing tablet! Why did the scribes use so many ideograms for vessel types on this single tablet? The answer was obvious, at least to them... the ideograms for vessels were the signposts or indexing markers of this tablet which instantly allowed the scribes to identify the precise type of vessel described in the full text immediately preceding each one, even before they bothered reading the descriptive text. That this is a very clever indexing system goes without saying. And it re-appears over and over on so many tablets that it is without question one of the hallmarks of the Linear B syllabary. Finally, their numeric accounting system was the most efficient ever devised in the ancient world. Summarizing all of the streamlined characteristics of Linear B we have just enumerated, it becomes obvious that Linear B was, first and foremost, a carefully devised form of shorthand for Mycenaean Greek. Once again, the Mycenaean scribes anticipated a methodology for writing business transactions which would not re-appear as modern shorthand – you guessed it – until the nineteenth century AD. All of this adds up to one inescapable conclusion: Linear B was the world’s fist ever commercial shorthand, and until the nineteenth and twentieth centuries, there was nothing even remotely as efficient, logical and practical ever to be found throughout history until... the modern era. This is precisely why I am so in awe of Linear B, a script which was millennia ahead of its time. It is also why I refuse to characterize Linear B as being prehistoric. It is nothing of the sort. It is in a word, a proto-historic writing and accounting system, leading me to the inexorable conclusion that Minoan/Mycenaean society was in fact not prehistoric at all, but proto-historic. I am not the first linguist specializing in ancient linguistics to have asserted this claim, but I am the first to speak up as emphatically and unequivocally as this. This then has been a brief summary of the functions and the key rôle supersyllabograms play in the decipherment of Mycenaean Linear B. Richard
Surprise, surprise! What rôle does Formulaic Language play in Linear B Tablets, and does it have anything to do with Homer’s archaic Greek?
Surprise, surprise! What rôle does Formulaic Language play in Linear B Tablets, and does it have anything to do with Homer’s archaic Greek? Does that surprise you, if you are a Linear B translator? It surprised my translator colleague, Rita Roberts, and myself, for quite some time – well over a year. But not any more. There are two inescapable reasons why we have been able to come to the conclusions we have reached. These are: (a) that the Linear B scribes very frequently used what Rita and I call supersyllabograms, a term which describes a peculiar phenomenon common to only a subset of syllabograms which have defied decipherment for the past 63 years since 1952. We shall be deciphering almost all of the 31 supersyllabograms, a substantial subset of the full set of 61 syllabograms (over 50 %). Only a very few supersyllabograms still defy decipherment, at least for us, but someone in the near future may find the keys to even those ones. Enough of that for now. We will be publishing our complete peer-reviewed research paper later on this year. So folks will just have to wait. (b) that the Linear B scribes very often left unsaid (i.e. omitted) from their tablets what was perfectly obvious to them (see my Comments on Knossos tablet M 10 E x 233 below for the full text), since they all assiduously followed the same strict guidelines for transcribing accounts and inventories, and all used the same formulaic language for their transcriptions. To visualize how all this directly influences Rita Roberts’ methodical and accurate translation of Knossos Tablet M 10 E x 233, click on this image of the tablet to ENLARGE it: From the red outline to the right, you can see that I have filled in the rest of the missing section of this Linear B tablet. I am confident that the tablet in its entirely did in fact look almost exactly as you see here, because there is only 1 ideogram (for ram) only partially missing, while the word, SURI on the second line is clearly the Mycenaean place name, SURIMO, or in Greek, Syrimos. Since this tablet is clearly all about an offering TO the god Dikataro (dative!) or Zeus, and no one in their right mind would sacrifice more than one ram or animal to any of the gods, livestock being indispensable to their livelihood, it follows that one ram and one ram only was sacrificed to the god. Ergo, there cannot possibly be much more on the truncated right side of this fragment than the outline in red I have tacked on to its end. Does Formulaic Language in Mycenaean Linear B Tablets Have Anything to do with Formulaic Archaic Greek in Homer’s Iliad and Odyssey? Surprise, surprise. It does. And so does Arcado-Cypriot in its alphabet or in Linear C. My Hypothesis runs as follows. If this premise does not hold water for some translators of Linear B, recall that Homer also heavily relied on formulaic phrases. He appears to have picked up that habit, not only from the Mycenaean Greek scribes who preceded him by 400-600 years, but also from the Arcado-Cypriot scribes, who wrote in the Linear C syllabary and in the Arcado-Cypriot Greek alphabet at the very same time as he was composing the Iliad – a fact that all too many historians and linguists completely overlook. Recall that Linear C had already evolved from the almost exclusively accounting and inventorial syllabary (Linear B ) to a literary one, with many of their tablets simultaneously composed in both Linear C and in alphabetic Arcado-Cypriot Greek. The lengthy legal document, the famous Idalion tablet, ca. 400 BCE, was one such tablet, written in both Linear C and alphabetic Greek. But Linear C had been in constant use from ca. 1100 BCE (long before Homer!) non-stop all the way through to ca. 400 BCE, when the Arcado-Cypriots finally abandoned it in favour of the Greek alphabet alone. My point is simply this: I for one cannot believe that Homer was not even remotely familiar with documents in the Arcado-Cypriot alphabet or possibly even in Linear C, because there were plenty of them around at the time he wrote the Iliad and the Odyssey (if he did). So even if he was not at all familiar with Mycenaean Linear B, he certainly must have known about, and may very well have read documents in Arcado-Cypriot. But that is not all. In spite of the fact that he almost certainly did not know Linear B, being familiar as he most likely was with the vocabulary and grammar of Arcado-Cypriot meant that he automatically had some inkling of Mycenaean Greek. Why so? - simply because of all the ancient Greek dialects (archaic or not), no two were more closely related than Mycenaean and Arcado-Cypriot, not even Ionic and Attic Greek – not by a long shot. This alone implies that even if Homer consciously knew nothing about Mycenaean Greek, its vocabulary and grammar, unconsciously he did, because every time he borrowed formulaic language from Arcado-Cypriot, he was in effect borrowing almost exactly the same vocabulary and phrases from Mycenaean Greek. But there is more – much more – to this than superficially meets the eye. Homer was in fact very familiar with Mycenaean society, and with Mycenaean warfare, because he mentions both so often in the Iliad, especially in The Catalogue of Ships in Book II, and even occasionally in the Odyssey, that is obvious to all but the most recalcitrant translators of ancient Greek that he frequently resorts to Mycenaean vocabulary, phrases and even grammar (especially for the genitive and dative cases), even if he is not conscious of it. It stares us in the face. To illustrate my point, allow me to draw your attention to the numerous instance Mycenaean & Arcado-Cypriot vocabulary and grammar in just one of the serial passages of Book II of the Iliad I have already meticulously translated into twenty-first century English. Click to ENLARGE: Now if you compare my scholia on the word, thalassa, on line 614 with the Linear B tablet below from Knossos, you can instantly see they are one and the same word! Since Linear B had no L+vowel series of syllabograms, the scribes had to substitute the R+vowel syllabograms for Mycenaean words which would have otherwise begun with L. Also, Linear B never repeats consonants, as that is impossible in a syllabary. Similarly, Linear B was unable to distinguish between variants of consonants, such as we find T & TH in the Greek alphabet. So the Mycenaean tarasa is in fact equivalent to the Homeric thalassa, given that on Linear B fragment KN 201 X a 26: t = th, r = l & s = ss, hence tarasa = thalassa, down to the last letter. Anyway, for the time being, I rest my case. But with respect to the relationship between formulaic language in Mycenaean Linear B and Arcado-Cypriot, whether in Linear C or alphabetic on the one hand, and Homer’s use of formulaic language on the other, there is more to come on our blog this year – much more. It is highly advisable for all of you who are experienced translators of either or both Mycenaean Linear B and Homeric Greek to read all of my translations in series of the entire Catalogue of Ships in Book II of the Iliad, wherein he uses the most archaic Greek in all of the Iliad. Otherwise, you may experience some difficulty following my thesis on formulaic language and the hypotheses upon which it is based. As for the rest of you folks, who are not translators, but who frequently read the posts on our blog, just enjoy and assimilate the essentials, and forget the rest, because all of the technical stuff I delve so deeply into doesn’t matter anyway unless you are a translator. Still, you may be asking, why delve into so much detail in the first place? Great question. It is all for the benefit of our fellow translators and decipherers, to whom we absolutely must address so many of the posts on our pointedly technical blog. Nevertheless, our blog is open to all to enjoy and read, as far as each of you wishes to take yourself. As I said just now, keep what you like and leave the rest. You will always learn at least something truly valuable to yourself. Otherwise, why would you be a regular visitor to our blog in the first place? Keep posted. Richard
Linear B “To all the gods… ” There is much more than meets the eye in Rita Roberts’ Astute Translation
Linear B “To all the gods... ” There is much more than meets the eye in Rita Roberts’ Astute Translation: Click to ENLARGE Now that Rita has been translating tablets from Linear B into English for well over a year, she has come to learn quite a few tricks of the trade, and is well aware of the numerous pitfalls that beset translators of Mycenaean Greek, who can and all too often do fail to “read” everything that the scribes meant to convey, leaving unsaid what they all knew perfectly well they actually were saying to one another, regardless of inventorial context. This phenomenon occurs over and over on the majority of Linear B tablets, and always for the same reason: the scribes were forced to save as much valuable space as they possibly could on a very small, cramped medium, the Linear B tablet. They quickly became extremely adept at finding clever little shortcuts around the problem of cramming as much essential – versus inessential - information as they could into the little space afforded them. What Rita has assumed in the specific context of this text, which happens to be uncharacteristically religious for Linear B, is just this: the text does not merely read, “to all the gods oil 1”. That is a patently ridiculous, semantically stripped translation. This would be tantamount to an inventory nowadays stating something silly like, “for the car oil 1”, when we really mean,“1 refill can of type XX oil for our car.” She is fully aware that the Linear B scribe who wrote this text was actually saying much more than that. The scribe was able to telescope or abstract the full content of his message into just 2 Linear B words + 1 ideogram + the numeral 1. So what exactly was he saying? Today, we no longer know, nor can we. But rest assured that all his fellow scribes knew exactly what he was saying, because they all followed the same “script”, consisting of the same formulaic, usually partial, phrases; the same logograms and ideograms; and the same supersyllabograms repeated over and over, from Knossos to Phaistos to Pylos to Mycenae to Thebes, you name it, anywhere where Mycenaean Greek was written down in Linear B. The Mycenaean Greek as composed in Linear B was by far the most uniform ancient Greek script, because it was an inventorial language, and nothing more, in other words, a finely telescoped subset of the Mycenaean dialect. No one has ever seen the Mycenaean dialect per se actually written out in full sentences, paragraphs and documents, because it never was. I repeat, Linear B is a small statistical inventorial subset of Mycenaean Greek. To view it any other way is tantamount to forcing it far beyond its clearly defined, restricted boundaries, and to twist it into something it was never meant to be, i.e. a dialectical script. However, just because we can no longer really be sure nowadays what the formulaic language the Minoan/Mycenaean scribes actually conveyed in each and every specific context (agricultural, textiles, military, religious etc.), this does at all not imply that we cannot hazard various tenable reconstructions of their original intent... because in fact we can. In some cases, the underlying full context lies closely enough to the surface that only a few, possibly as many as four, truly tenable translations are likely to arise. That is the case with this tablet. Rita and I discussed at some length the putative meanings that could possibly be assigned to this text, and we could only come up with four. These are: (a) Rita’s own translation, “To all the (our) gods an offering * of one gift of oil.” (b) “To all the (our) gods one vessel (vial) of oil.” (c) “To all the (our) gods an offering * of one vessel (vial) of olive oil.” (d) “To all the (our) gods a gift of one vessel (vial) of oil.” OMITTED: any of these words: our, offering, gift, vessel, vial, olive oil & anyway, just who are “all the gods”! The scribes all knew. We don’t. Too bad. Tough. The reason for the insertion of the Mycenaean Linear B word, * APUDOSIS * (offering) is transparent enough. It was frequently used on Linear B tablets in contexts just such as this, and so, if omitted, it can still be supplied. Secondly, the oil used by the Greeks was almost always olive oil, which of course had to be contained in some type of vessel. There are well over 20 Linear B ideograms for vessels. But why mention the vessel when (as I am sure any scribe would have told you) it is obvious to any idiot that you put olive oil in a vessel. Omit what it obvious to “everyone” (us scribes) & save lots of space. Great! Ergo... one thing is pretty much certain. At least one of the translations above has to be almost spot on, regardless of word order, which does not amount to much more than a hill of beans in Mycenaean Greek anyway, given that as much is left unsaid as is spelled out. In our next post, we shall discuss in greater detail the profound implications this methodology of interpretation has on the decipherment and translation of practically all Linear B tablets right acrossthe board. Richard
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