Linear A tablet HT 88 (Haghia Triada) dealing with figs with Mycenaean superstrate vocabulary:
The partial decipherment of this Linear A tablet HT 88 (Haghia Triada) has until now eluded me. However, upon close examination of several words on the tablet, namely, ADU, KIKINA, KIRO, KATI, DATARE and KURO, I discovered that all of them are susceptible to interpretation as Mycenaean superstrate words. Their translations are given on the tablet as illustrated above. As for the words KUPA3NU, PAJARE and SAMARO, these all appear to be Old Minoan (OM), i.e. belonging to the Minoan substrate language, i.e. the original Minoan language. Unfortunately, since no one has yet successfully deciphered the Minoan language (= Old Minoan/OM) per se, I cannot decipher these words. But they obviously are crop-related words having something specific to do with sweet liquor, wine, figs and dates.
Early Minoan hieroglyphic roundels and seals may lend some insight into the later development of the Linear A syllabary:
As illustrated above, early Minoan hieroglyphic roundels and seals may lend some insight into the later development of the Linear A syllabary. Notice that the the hieroglyphic for an axe or labrys looks remarkably like the Linear A and Linear B syllabogram for A, while the Y shaped hieroglyphic, whatever it is supposed to represent (and no one knows what), is similar to the Linear A syllabogram for SA. So it is conceivable, however remotely, that this hieroglyphic seal may actually read asa or saa, whichever way you read it (not that we have any idea what that is supposed to mean).Then we have the hieroglyphic marked with an asterisk (*). This looks very much like a vase, amphora or flask to hold wine, water or possibly even olive oil. There is another one which looks like a fish. That should not be too surprising, given that the ideogram for fish does appear on at least one extant Linear A fragment from Phaistos, as we have witnessed in a recent previous post. Finally, on the bottom line, the seal marked (f) bears a hieroglyphic which looks like a bat, and this in turn may very well be the antecedent to the Linear A syllabogram MA. But this hieroglyphic is not that of a bat, but rather of a cat, which we can see from the beautiful seal on the top left of the illustration. This is substantiated by the some of the variations in the scribal hands for Linear A MA, which indeed look like the visage of a cat, as we see here:
So I guess it is a cat.
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