THE MYCENAEAN LINEAR B “ROSETTA STONE” TO MINOAN LINEAR Tablet HT 31 (Haghia Triada) Vessels and Potteryhas just been uploaded to my academia.edu account, here:
To DOWNLOAD it, click on the DOWNLOAD button on the top right hand side of the page. ABSTRACT In partnership with The Association of Historical Studies, Koryvantes (Athens), we address past and current prospects for the decipherment of the Minoan language, which has never met with any credible success in the 117 years since the ?rst discovery of Minoan Linear A tablets by Sir Arthur Evans at Knossos in 1900. A considerable number of philologists and historical linguists, some of them amateurs, claim to have deciphered the Minoan language, yet no one has ever formulated a convincing decipherment. We advance a unique and entirely untested approach to unravelling the text of Minoan Linear A tablet HT 31 (Haghia Triada), based on the principle of cross-correlative retrogressive extrapolation (CCRE) from Mycenaean Linear B to Linear A. HT 31 so closely parallels Mycenaean Linear B tablet, Pylos Py TA 641-1952 (Ventris) that the latter effectively serves as a kind of “Rosetta Stone” for the former. There is also credible evidence that a Mycenaean derived superstratum imposed itself on Linear A as the result of the Mycenaean conquest of Knossos and Crete ca. 1500 – 1450 BCE or, failing that, their all but absolute suzerainty over Knossos and its dependencies. Approximately 300 or 26 % of 1166 intact words in Linear A are very likely of Mycenaean origin.
Tag: Archaeology and Science
Arcado-Cypriot Linear C, the Elegant Culmination of Syllabaries from Minoan Linear A through to Mycenaean Linear B
Arcado-Cypriot Linear C, the Elegant Culmination of Syllabaries from Minoan Linear A through to Mycenaean Linear B
The title of my submission to Vol. 13 (2017) Archaeology and Science (Belgrade) ISSN 1452-7448 is to be:
“Arcado-Cypriot Linear C, the Elegant Culmination of Syllabaries from Minon Linear through to Mycenaean Linear B”.
This article will feature an overview of each of the syllabaries in turn and the languages and dialects they represent: Minoan for Linear A, the earliest East Greek dialect Mycenaean for Linear B, and the slightly later dialect Arcado-Cypriot for Linear C. It will be quite some time before I will even be able to make my submission, as Vol. 12 (2016) is still in the pipeline, and authors’ articles have not been returned to them in their master format for proof-reading. Nor will they be returned to us before the end of 2017. But I like to hedge my bets, and anyway, the aforementioned topic for Vol. 13 (2017) is right down my alley, in view of the fact that I am expert in all three syllabaries (Linear A, B & C) and their respective languages.
NOTE it is absolutely de rigueur to read the table of the Arcado-Cypriot Linear C syllabary above, if you are to get any real grasp of its enormous significance, not only for the development of literary ancient Greek, which it pioneered, but retrospectively for a proper understanding of Mycenaean Linear B phonetics.
The article will explore in great depth the legacy of Minoan Linear A for Mycenaean Linear B and that of Mycenaean Linear B for Arcado-Cypriot Linear C in turn. Finally, we shall address the even more striking historical legacy of Arcado-Cypriot Linear C itself, as this last syllabary in the series of 3 syllabaries was to have a real impact on the historical Greek era (ca. 1100 BCE – 400 BCE).
What is most striking about the evolution of these three syllabaries is that, as we pass from one to the next, the syllabaries become more streamlined and more simplified. The Minoan Linear A syllabary is the most complex, with a very large number of syllabograms, many of which are undeciphered. While there are ideograms in Minoan Linear A, there are fewer of them in Linear A than in Mycenaean Linear B, which made extensive use of them for the purposes of accurate, minimalized inventory taking. On the other hand, by the time we get to Arcado-Cypriot Linear C, the picture changes drastically. Almost all of the syllabograms in Linear C look completely unlike their Minoan Linear A and Mycenaean Linear B forbears. They look different. But appearances can be and are, in the case of Arcado-Cypriot Linear C, very deceiving. While the syllabograms in Arcado-Cypriot Linear C look different from those in Mycenaean Linear B (leaving Minoan Linear A aside, because it is too archaic and too complex), almost all of them bear the same phonetic values as their Linear B counterparts. But what is most remarkable about Arcado-Cypriot Linear C is that it utterly abandoned ideograms, once and for all. There are several cogent reasons for this amazing development, which I shall address when I finally come around to writing this article, probably sometime in 2018.
I have already discussed this topic in recent posts on the Linear A, Linear B & Linear C keyboard templates, and so I would ask you to refer back to them for clarification on any issues which may elude you, and which I do not address in this post, for the simple reason that I have not even yet begun my article for Archaeology and Science. But, of one thing you can be certain, it is bound to be a ground-breaker, like all of my previous articles in this prestigious international archaeological journal.
Academia.edu DRAFT PAPER = Preview and brief summary of the article, “The Mycenaean Linear B ‘Rosetta Stone’ to Minoan Linear A Tablet HT 31 (Haghia Triada) Vessels and Pottery”, to be published in Archaeology and Science (Belgrade) ISSN 1452-7448. Vol. 12, 2018.
Academia.edu DRAFT PAPER = Preview and brief summary of the article, “The Mycenaean Linear B ‘Rosetta Stone’ to Minoan Linear A Tablet HT 31 (Haghia Triada) Vessels and Pottery”, to be published in Archaeology and Science (Belgrade) ISSN 1452-7448. Vol. 12, 2018. (approximately 40 pages long), with some excerpts from the article to whet your appetite.This article represents the first major breakthrough in 117 years in the partial, though far from complete, decipherment of Minoan Linear A. Even this preview, with excerpts running to 9 pages from the actual article, will give you a quite clear idea of exactly how I managed to finesse the decipherment of 21 % (107/510 words) of Minoan Linear A lexicon, more or less accurately. Anyone the least bit interested in the ongoing struggle to decipher Minoan Linear A, even partially, is definitely going to want to read this preview and brief summary, with a few excerpts from the article, which is to appear sometime early in 2018. It quite literally represents by far the most significant development in any attempt to decipher even a relatively small subset of the Minoan Linear A lexicon.
You do not want to miss this Fantastic Twitter account, FONT design company of the highest calibre!
You do not want to miss this Fantastic Twitter account, FONT design company of the highest calibre! I have just fortuitously come across what I consider to be the most fantastic font site or Twitter account on newly designed, mostly serif, extremely attractive fonts, some of which they offer for FREE!!! You simply have to check them out. Click here to follow typo graphias:Here is a composite of some of the astonishing font graphics on this amazing site!
Serendipitously happening on this account put a bee in my bonnet. I simply had to send you all on the fast track to downloading and installing the Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C + several beautiful ancient Greek fonts, of which the most heavily used is SPIonic, used for Ionic, Attic, Hellenistic and New Testament writings and documents. Hre are the links where you can download them, and much more besides! Colour coded keyboard layout for the Mycenaean Linear B Syllabary:
includes font download sites for the SpIonic & LinearB TTFs
The first ever keyboard map for the Arcado-Cypriot Linear C TTF font!
which also includes the direct link to the only site where you can download the beautiful Arcado-Cypriot Linear B font, here:
How to download and use the Linear B font by Curtis Clark:
Easy guide to the Linear B font by Curtis Clark, keyboard layout:
Here is the Linear B keyboard. You must download the Linear B font as instructed below:
And here is the actual cursive Linear B font as it actually appears on the most famous of all Linear B tablet, Pylos Py TA 641-1952 (Ventris):
What’s more, you can read my full-length extremely comprehensive article, An Archaeologist’s Translation of Pylos Tablet Py TA 641-1952 (Ventris) by Rita Roberts, in Archaeology and Science (Belgrade) ISSN 1452-7448, Vol. 10 (2014), pp. 133-161, here:
in which I introduce to the world for the first time the phenomenon of the decipherment of what I designate as the supersyllabogram, which no philologist has ever properly identified since the initial decipherment of Mycenaean Linear B by Michael Ventris in 1952. Unless we understand the significance of supersyllabograms in Linear B, parts or sometimes even all of at least 800 Linear B tablets from Knossos alone cannot be properly deciphered. This lacuna stood out like a sore thumb for 64 years, until I finally identified, categorized and deciphered all 36 (!) of them from 2013 to 2014. This is the last and most significant frontier in the complete decipherment of Mycenaean Linear B. Stay posted for my comprehensive, in-depth analysis and synopsis of The Decipherment of Supersyllabograms in Linear B, which is to appear early in 2017 in Vol. 11 of Archaeology and Science. This ground-breaking article, which runs from page 73 to page 108 (35 pages on a 12 inch page size or at least 50 pages on a standard North American page size) constitutes the final and definitive decipherment of 36 supersyllabograms, accounting for fully 59 % of all Linear B syllabograms. Without a full understanding of the application of supersyllabograms on Linear B tablets, it is impossible to fully decipher at least 800 Linear B tablets from Knossos.
Mycenaean Linear B Progressive Grammar: Verbs/Infinitives:
Mycenaean Linear B Progressive Grammar: Verbs/Infinitives: As of this post, we shall be reconstructing natural Mycenaean Linear B grammar from the ground up. When I refer to natural Mycenaean Linear B, I mean not merely the Linear B extant grammatical forms in the standardized, formulaic and fossilized language of inventories which we encounter on extant Linear B tablets, but grammatical forms common to the entire natural, spoken language. While we do not have any direct evidence of the syntactical construction of the spoken language, we can nevertheless largely reconstruct grammatical forms in natural Mycenaean Greek. Such reconstructed forms are referred to as derived. In this post, we introduce attested Mycenaean Linear B infinitives only, i.e. those which are found on extant tablets. In the next post, we shall feature a considerable number of derived infinitives, which are nowhere to be found on the extant tablets, but which nevertheless can be reconstructed with relative ease. Linear B verbs, just as all verbs in every East Greek dialect down from Mycenaean to early and late Ionic and Attic, among other dialects, are classified as follows: Thematic Verbs: These are the so-called standard verbs, which are by far the most common in all ancient Greek dialects. Thematic verbs are sub-classed into three voices, active, middle and passive. The middle voice is unique to ancient Greek, and is self-referential, by which we mean the subject acts upon him- or herself or of his or her own volition. The middle voice also includes reflexive verbs. Athematic Verbs: Athematic verbs are far less common than thematic, but they are the most ancient of ancient Greek verbs. They have already appeared completely intact by the time Mycenaean Greek has entrenched itself. The Mycenaean conjugations of athematic verbs are very similar, and in some cases identical to, their conjugations in much later Ionic and Attic Greek, and must therefore be considered the root and stem of the same class of verbs in later classical Greek. The fact that athematic verbs were already fully developed by the era of Mycenaean Greek is a strong indicator that the Mycenaean dialect is not proto-Greek, but the first fully operative ancient East Greek dialect. We shall demonstrate over and over that Mycenaean Greek was the primordial fully functional East Greek dialect which was to be adopted and adapted by the later East Greek dialects (Ionic and Attic among others). The reconstruction of natural language Mycenaean grammar by means of the methodology of progressive grammar is to be the subject of my fourth article in the prestigious international journal, Archaeology and Science, Vol. 13 (2017). The concept of progressive grammar is actually quite easy to grasp. It merely designates the reconstruction of natural, as opposed to inventorial, Mycenaean Greek grammar from the ground up. By the time I have finished with this project, I shall have reconstructed a huge cross-section of natural Mycenaean grammar, approaching the grammar of later East Greek dialects in its comprehensiveness. Here is the table of attested thematic and athematic infinitives in Mycenaean Greek:![]()
First WORD draft of “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Linear A tablet HT 31 (Haghia Triada)” completed for publication in…
First WORD draft of “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Linear A tablet HT 31 (Haghia Triada)” completed for publication in... I have just completed the first full WORD draft of “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Linear A tablet HT 31 (Haghia Triada) for publication in Vol. 12 (2016) of the prestigious international annual, Archaeology and Science (Belgrade) ISSN 1452-7448. Here is the cover of the current issue of Archaeology and Science:And here you see 4 consecutive non-contiguous brief excerpts from this article, which is to run to at least 35 pages,
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as has the article about to be published in Vol. 11 (2015), “The Decipherment of Supersyllabograms in Linear B”, which runs from page 73-108, for a total of 35 pages. See previous post for details on that article.
MASTER Article, “The Decipherment of Supersyllabograms in Linear B”, Archaeology and Science, Vol. 11 (2015) received: excerpts follow
MASTER Article, “The Decipherment of Supersyllabograms in Linear B”, Archaeology and Science, Vol. 11 (2015) received: excerpts follow I have just received the DRAFT of the entire issue of Vol. 11 (2015) Archaeology and Science (Belgrade) ISSN 1452-7448, in which my ground-breaking article, “The Decipherment of Supersyllabograms in Linear B” appears on pp. 73-108 (35 pages long). I have proof-read it and I found errors only in the transcription of the SPIonic.ttf Greek font, which causes all the Greek text to be printed in Latin characters, such that they appear garbled. But this error will be eliminated in the actual article when it appears this coming winter (2017). Here you see the title page plus three consecutive but non-contiguous excerpts from my article:![]()
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NOTE that the decipherment of the 36 supersyllabograms is the first and last major breakthrough in the final decipherment of Mycenaean Linear B, which was first deciphered by Michael Ventris in June-July 1952 (with the exception of supersyllabograms, which account for at least 20 % of the text on Linear B tablets). Thanks! Richard
More illustrations (Figures) for my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of Archaeology and Science: PART B
More illustrations (Figures) for my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of Archaeology and Science: PART B Here you see more of the Figures, many of them of actual Minoan Linear A tablets as I have deciphered them, which are to appear in my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of the prestigious international annual, Archaeology and Science.![]()
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It usually takes me between one and two hours to design each figure.
UPDATED Table of 27 supersyllabograms in Minoan Linear A
UPDATED Table of 27 supersyllabograms in Minoan Linear A:After scanning all of the Minoan Linear A tablets I have deciphered, more or less accurately, I have been obliged to revise the former Table of 24 supersyllabograms in Minoan Linear A to this revised and updated Table of 27 supersyllabograms in Minoan Linear A. The 3 extra supersyllabograms all appear in the vessels and pottery sector of the Minoan economy. These are PO, SU and U. In addition, the supersyllabogram A is common to both the olive trees, olive oil & olives sub-sector of the agricultural sector and the vessels and pottery sector. 24 of the supersyllabograms in Minoan Linear A are associative, i.e. they accompany, either to the left or to the right, the ideogram with which they are associated. Associative supersyllabograms in Minoan Linear A, as in Mycenaean Linear B refer to some major element or object associated with the ideogram in one way or another, without however defining the ideogram itself in any additional way. On the other hand, the 4 supersyllabograms in the vessels and pottery sector are all attributive, in so far as they portray a particular attribute of the ideogram in which they are incharged. I have managed to decipher with a high degree of accuracy 1 of the 4 supersyllabograms in the vessels sector, SU, which signifies supa3ra (supaira), i.e. a two handled small cup, as we see here:
All in all, the 27 supersyllabograms in Minoan Linear A amount to 75 % of the 36 supersyllabograms in Mycenaean Linear B, without however being in any way related to the latter, either as individual syllabograms or in the semiotic values of these. For instance, the supersyllabogram A incharged in a vessel ideogram in Minoan Linear A does not mean “amphora” as it does mean in Mycenaean Linear B, and by the same token, the SSYL PO in Linear A does not signify “Potiniya”, unless by some sheer co-incidence, Potiniya happens to be a pre-Mycenaean non-Indo-European name of a goddess... which is possible though unlikely. I have managed to decipher, more less accurately, 9 or 33 % of the 27 supersyllabograms in Minoan Linear A. These are: DA = dadumata = grain/wheat measurer (probably) = Linear A sitowoko KA = kapa = foot soldier, attendant to the king = Linear B eqeta KI = kidata = to be accepted for delivery = Linear B dekesato OR kireta2 (kiritai) = delivery = Linear B apudosis kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto AND kireza = unit of measurement for figs, probably 1 basket AND kiro = owed = Linear B oporo = they owed NOTE: the semiotic value of the SSYL KI is sector dependent, hence, polysemiotic. This is also true of many supersyllabograms in Mycenaean Linear B, although the polysemiotic values of the former are never the same as those of the latter, with one exception only, and that exception is the very next supersyllabogram. NI = nipa3 (nipai) or nira2 (nirai) = figs = Linear B suza. But Mycenaean Linear B shares NI with Minoan Linear A, in spite of the fact that the Mycenaean word for figs is suza. PA = pa3ni = silo or amphora for storing grain + pa3nina = grain or wheat stored in an silo or amphora, more likely the former than the latter, as amphorae are not the most practical recepticle for the storage of grain. Recall that the middle Kingdom Egyptians, who were co-temporaneous with the Minoans, stored their grain in dry silos. RA ra*164ti = approx. 5 litres (of wine) SA sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre SU = supa3ra (supaira) = a small cup with handles TE = tereza = standard unit of dry or liquid measurement For the time being, the semiotic values of the remaining 18 or 66 % supersyllabograms in Minoan Linear A are beyond my ken. On a final note, you can see for yourselves that I have displayed the actual appearance of each supersyllabogram in Linear A immediately to the LEFT of the Latin value. In addition, the 9 Latinized supersyllabograms which I have managed to decipher, more or less accurately, are incharged with the alphabetical character D. All of the above text will be part and parcel of my upcoming major article, “Pylos tablet Py TA 641-1952 (Ventris), the Rosetta Stone to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” and a Glossary of 110 words in Linear A”, Vol. 12 (2016) of the prestigious international hard-bound annual, Archaeology and Science (Belgrade) ISSN 1452-7448, to be released sometime late in 2017 or early in 2018. This is to be the most significant article I shall have ever published in my entire lifetime, as it represents the first serious attempt in the 116 years since the first discovery of a smattering of Minoan Linear A tablets by Sir Arthur Evans at Knossos in the spring and summer of 1900 to decipher at least a portion (21.5 % of Minoan Linear A vocabulary, but certainly not the Minoan language itself, in a unique approach never before assayed by any previous philologist or historical linguist who has endeavoured to do the precise opposite to what I have done, i.e. to decipher the entire Minoan language, a goal which is manifestly impossible and plainly unrealistic. All prior philologists have claimed to have deciphered the Minoan language, a claim I would never be so rash or idealistic as to forward. I went to a great deal of trouble to make this Table of 27 Supersyllabograms as professional looking as I could. So I hope that some of you will comment on its graphics and graphical layout, or at least vote for it, LIKE, with the number of stars you deem appropriate (hopefully 5).
MAJOR DEVELOPMENT! 24 Supersyllabograms in Minoan Linear A just discovered, 8 of them deciphered (versus 36 in Mycenaean Linear B)
MAJOR DEVELOPMENT! 24 Supersyllabograms in Minoan Linear A just discovered, 8 of them deciphered (versus 36 in Mycenaean Linear B):In case you were wondering whether or not the Mycenaeans invented supersyllabograms, think again. It was the Minoan Linear A scribes who invented them, and passed them on to their Mycenaean heirs. I never even suspected there were supersyllabograms in Minoan Linear A until I started trying to decipher at least some Minoan terms in May of 2016. Lo and behold, to my astonishment, there are 24 of them in Linear A, a substantial number, amounting to 66 % of the number of supersyllabograms in Mycenaean Linear B = 36. It is now obvious that if I can decipher any more than the 8 supersyllabograms I have already translated in Minoan Linear A, I may very well be able to decipher more Minoan Linear A words. It remains to be seen. However, I am greatly encouraged by the fact that the apparent meanings of the 8 supersyllabograms I have already deciphered in Minoan Linear A seem to match almost perfectly the actual translations of the Minoan Linear A words to which they apparently correspond. See my decipherments of 8 Minoan Linear A SSYLS (supersyllabograms) following the table of SSYLs in Linear A immediately below. If it had not been for the fact that I successfully deciphered the 36 supersyllabograms in Mycenaean Linear B, I would never have stumbled upon the 24 SSYLs in Minoan Linear A, nor would I have been able to cross-correlate these 8 supersyllabograms, DA KA KI NI PA RA SA TE. These 8 supersyllabograms account for 33 % of all the SSYLs in Minoan Linear A. My decipherments of the 8 SSYLs is quite an achievement, considering I, like everyone else in the world, do not know what the Minoan language actually is. I stress again, I have only managed to decipher some of its vocabulary, not the language itself. This is in stark contrast to the 36 supersyllabograms in Mycenaean Linear B which I have been able to decipher with relative ease, in view of the fact that I am intimately familiar with Mycenaean Linear B, having already translated at least 1,000 Linear B tablets. So the fact that I have been able to decipher even 8 of 24 supersyllabograms in Minoan Linear A is almost a miracle in itself. You can be sure that my decipherments of these 8 Linear A supersyllabograms will figure largely in my upcoming article in Archaeology and Science, Vol. 16 (2016) (Belgrade) ISSN 1452-7448, “Linear B tablet Pylos TA 641-1952 (Ventris), the “Rosetta Stone” for Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery”. You can just imagine how exciting a development this has been for me! Moreover, this development has allowed me to add yet another Minoan Linear A term to my Glossary of Minoan Linear A, samuku, which almost certainly refers to the harvest(ing) of grains (barley or wheat). See SPECIAL NOTES at the end of this post. The Table of 24 Minoan Linear A supersyllabograms From Haghia Triada (HT) & Khania (KH): A HT2 olive oil HT39 vase (v) DA HT133 (g) DI * HT12 olive oil (qatidate) HT14 (oo) HT28 HT50 HT90 HT121 HT129 E * HT2 olive oil HT21 HT34 (g) (+ sumuku huge nos.) HT50 HT58 (oo) KA * HT28 man (m) HT88 HT97 HT100 KE HT26 (vase) KI * HT8 olive oil HT18 HT28 HT44 HT50 HT91 HT101 HT125 HT129 HT140 KU HT32 cloth (c) HT61 (g) HT128 X4! MI * HT28 (oo) HT50 HT90 HT91 HT100 HT101 HT116 X2 b HT125 HT137 NE * HT23 (oo) HT32 HT100 NI appears on several Linear A tablets all by itself, and invariably means figs. It is the only supersyllabogram shared with Mycenaean Linear B, which apparently simply inherited it lock, stock and barrel from Minoan Linear A. QE * HT18 grains (g) HT28 HT36 HT99 HT101 HT121 (oo) PA * HT43 (g) HT93 X3! HT102 X2 HT120 X2 HT125 HT128 KT27 RA HT44 (oo) KH91 (v) RI HT23 (oo) HT35 HT60 HT110 (v) KH82 (oo) RU * KH12 (v) KH63 KH84 KH85 KH91 SA HT27
(g) HT131
SI HT27
TA * HT30 (oo) HT35 KH19 KH39 KH55 KH61 KH85 TE HT3 figs HT9 wine HT13
(kaudeta) HT18 HT19 HT21 HT40 HT44 (g) HT51 (f) HT62
HT67 (f) HT70 (f) HT96 HT133 (g) TU * HT23 (oo) HT28 HT50 HT101 U * HT2 olive oil HT21 HT28 HT40 HT44 HT58 HT91 HT96 HT100 HT101 HT125 HT140 X3 WA HT27
WI KH5 (w = vinegar) * All of the following supersyllabograms in Minoan Linear A deal exclusively with olive oil: DI E KI MI NE TA TU U * All of the following supersyllabograms in Minoan Linear A deal exclusively with grain: DA QE (except for HT121) PA * All of the following supersyllabograms in Minoan Linear A deal exclusively with wine: SA SI WA WI * The supersyllabograms KE & RU in Minoan Linear A deal exclusively with vases and pottery. * The supersyllabogram KA in Minoan Linear A deals exclusively with men. Supersyllabograms I have deciphered in Minoan Linear A: I have already more or less successfully deciphered the following 8 supersyllabograms in Minoan Linear A: DA = dadumata = grain/wheat measurer? = Linear B sitokowo KA = kapa = follower or foot soldier, attendant to the king KI = kidata = to be accepted for delivery = Linear B dekesato OR kireta2 (kiritai) = delivery = Linear B apudosis kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto AND kireza = unit of measurement for figs, probably 1 basket AND kiro = owed = Linear B oporo = they owed NI = nipa3 (nipai) or nira2 (nirai) = figs = Linear B suza. But Mycenaean Linear B shares NI with Minoan Linear A, in spite of the fact that the Mycenaean word for figs is suza. PA = pa3ni (amphora for storing grain) + pa3nina = grain or wheat stored in an amphora RA ra*164ti = approx. 5 litres (of wine) SA sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre TE = tereza = standard unit of usually liquid measurement, sometimes of dry measurement All of my decipherments of supersyllabograms in Minoan Linear A further substantiate my decipherments of the Minoan Linear A terms to which they correspond (as seen above). Here is Table 8 of the 36 Supersyllabograms I have deciphered in Mycenaean Linear B:
The meanings of the supersyllabograms in Mycenaean Linear B do NOT correspond in any way with those in Minoan Linear A. This table appears in my soon to be published article, “The Decipherment of Supersyllabograms in Linear B” in Vol. 15 (2015) of the prestigious international annual, Archaeology and Science (Belgrade) ISSN 1452-7448. SPECIAL NOTES: [1] The SSYL KI for olive oil has something to do with sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre OR kireta2 (kiritai) = delivery = Linear B apudosis + kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto OR kireza = unit of measurement for figs, probably 1 basket OR kiro = owed = Linear B oporo = they owed. [2] Although I have been unable to decipher the supersyllabogram E for olives, it has facilitated my translation of yet another Minoan Linear A word, samuku, which appears in such huge numbers (245 + 100) on Minoan Linear A tablet HT 34, dealing specifically with grains (barley or wheat) that is almost certainly means the “harvest” of a total of 345 large units of grains, corresponding to something like our modern bushels.
3 of my articles in Archaeology and Science ISSN 1452-7448 (2014, 2015, & 2016) + Vol. 12 (2016) Figure 1 & 2 Tables
3 of my articles in Archaeology and Science ISSN 1452-7448 (2014, 2015, & 2016) + Vol. 12 (2016) Figure 1 & 2 Tables: Figure 1and 2 Tables (nos. To be assigned)
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as they will appear in the prestigious international hard-bound annual Archaeology and Science ISSN 1452-7448. Vol. 12 (2016). This annual generally runs to 250-300 pp. It is impossible to cross-correlate Minoan Linear A tablets from Mycenaean Linear B tablets by means of retrogressive extrapolation without explicitly taking into account the fact that almost all Minoan Linear A tablets are vertical in their orientation (just as with modern inventories), while the vast majority of Mycenaean Linear B tablets are horizontal in their orientation. For more on this critical factor in the reasonably accurate decipherment of Minoan Linear A tablet, see (Click on the banner):
Articles published and to be published in Archaeology and Science (Belgrade) ISSN 1452-7448: [1] My article, “An Archaeologist’s Translation of Pylos Tablet 641-1952 (Ventris)” has already been published in Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 10 (2014). pp. 133-161 (Click banner to download it):
[2] My article, “The Decipherment of Supersyllabograms in Mycenaean Linear B” is already slated for publication in the prestigious international annual Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 11 (2015), to be released in the spring of 2017. (Click the banner for the announcement):
[3] My article, “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Minoan Linear B tablet HT 31 (Haghia Triada) vessels and pottery” is to be published in the prestigious international annual Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 12 (2016) (Click the banner for the announcement):
This major announcement is shortly to appear on my academia.edu account.
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Archaeology and Science, Glossary of 106 Minoan Linear A words deciphered with (reasonable) accuracy (the largest ever glossary of Linear A) accounting for 20 % of all intact Minoan Linear A terms in Prof. John G. Younger’s Linear A texts in phonetic transcription = 510
Archaeology and Science, Glossary of 106 Minoan Linear A words deciphered with (reasonable) accuracy (the largest ever glossary of Linear A) accounting for 20 % of all intact Minoan Linear A terms in Prof. John G. Younger’s Linear A texts in phonetic transcription = 510: This Glossary contains only Minoan Linear A terms which have been deciphered either with certainty or with a reasonable degree of certainty. It is more or less the version which will be published in my article slated for publication in Vol. 12 (2016), “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” of the prestigious international annual, Archaeology and Science ISSN 1452-7448 (release date spring 2018). To be submitted by Nov. 15, 2016.KEY: Minoan Linear A words deciphered with certainty (90% - 100%) are in BOLD. Minoan Linear A words deciphered with a reasonable degree of certainty (75% - 85%) are in italics. All terms in Minoan Linear A and in Mycenaean Linear B have been Latinized for ease of access to persons not familiar with these syllabaries. adaro = barley = Linear B kirita adu = so much, so many, all (persons, things, esp. grain/wheat), referencing all accounts relevant to them. In the case of grains & wheat, adu would refer to all the “ bushel-like” units of wheat accounted for. In the case of the men measuring the wheat, it would appear that they are surveyors or comptrollers. Cf. Linear B, toso, tosa. adureza = unit of dry measurement (grain, wheat, barley, flour) aka = wineskin (two syllabograms overlaid) 5 akipiete = (in) common, shared, allotted, allotment = Cf. Linear B kekemena ktoina = small plot of land akii = garlic asasumaise = cattle-driver or shepherd = Linear B qoukoro -or- qorokota atare = figs overseer = Linear B opisuko 10 darida = large vase daropa = stirrup jar = Linear B karawere datara= grove of fig trees datu = olives See also qatidate = olive trees = Linear B erawa daweda = medium size amphora with two handles 15 dikise = a type of cloth = Linear B any number of types of cloth ditamana = dittany (medicinal herb) dumitatira2 (dumitatirai) = right or inner spindle wheel on one side of the distaff dureza = unit of measurement (unknown amount) jedi = man/men = Linear B atoroqo. 20 kanaka = saffron = Linear B kanako kapa = follower or (foot) solder = Linear B eqeta karopa3 (karopai) = kylix (with two handles & smaller than a pithos) kaudeta = to be distributed (fut. part. pass.) approx. = Linear B, epididato = having been distributed (aorist part. pass.) keda = cedar 25 kidata = to be accepted (for delivery to) = Linear B dekesato kidema*323na = type of vessel (truncated on HT 31) kidapa = (ash) wood, a type of wood. On Linear B tablet KN 894 N v 01 kireta2 (kiritai) = delivery = Linear B apudosis kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto 30 kireza = unit of measurement for figs, probably 1 basket kiro = owed = Linear B oporo = they owed kukani = (deep) red wine Cf. Linear B wono mitowesa kuro = total kuruku = crocus 35 maru = wool (syllabograms superimposed) = Linear B mari/mare mitu = a type of cloth nasi = a type of cloth nere = larger amphora size nipa3 (nipai) or nira2 (nirai) = figs = Linear B suza 40 orada = rose pajare = in pay, hired = Linear B emito pazeqe = small handle-less cups = Linear B dipa anowe, dipa anowoto pimitatira2 (pimitatirai) = left or outer spindle wheel on one side of the distaff pitakase = harvested or field of = Linear B akoro 45 puko = tripod = Linear B tiripode qapa3 = qapai = large handle-less vase or amphora qatidate = olive trees See also datu = olives = Linear B erawo qareto = Linear B onato = “lease field” quqani = medium size or smaller amphora 50 ra*164ti = approx. 5 litres (of wine) rairi = lily reza = 1 standard unit of measurement sajamana = with handles = Linear B owowe sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre 55 sata = a type of cloth sedina = celery supa3 (supai) = small cup = Linear B dipa mewiyo supu = very large amphora tarawita = terebinth tree 60 tejare = a type of cloth teki = small unit of measurement for wine @ 27 1/2 per tereza tereza = larger unit of liquid measurement (olive oil, wine) tesi = small unit of measurement tisa = description of pot or pottery = Linear B amotewiya/yo 65 udimi = a type of cloth uminase = harbour (cf. French “Le Havre”), famous Atlantic port in France usu = a type of cloth Eponyms: Adunitana Akaru 70 Asasumaise = name of cattle-driver or shepherd Asiyaka Dadumine Danekuti Daqera 75 Ikurina Kanajami Kosaiti Kukudara Kuramu 80 Kureju Makarita Mirutarare Qami*47nara Qetiradu 85 Sidate Sirumarita2 = Sirumaritai Tateikezare Tesudesekei Tidiate 90 Turunuseme Watumare Toponyms: Almost all the toponyms do not require decipherment as they are either identical or almost identical in Mycenaean Linear B: Akanu = Archanes (Crete) Dame Dawa (Haghia Triada) 95 Dikate = Mount Dikte Idaa = Mount Ida Idunesi Kudoni = Kydonia Kura 100 Meza (= Linear B Masa) Paito = Phaistos ( =Linear B) Qeka Radu = Lato (= Linear B Rato) Setoiya = Seteia (= Linear B) 105 Sukirita/Sukiriteija = Sybrita Uminase = Linear B Amnisos 106 Winadu = Linear B Inato COMMENTARY: This Glossary accounts for 20 % of all intact Minoan Linear A terms. The principle of cross-correlative cohesion operates on the assumption that terms in Minoan Linear A vocabulary should reflect as closely and as faithfully as possible parallel terms in Mycenaean Greek vocabulary. In other words, the English translations of Minoan words in a Minoan Linear A Glossary such as this one should look as if they are English translations of Mycenaean Greek terms in a Linear B glossary. I have endeavoured to do my best to achieve this goal, but even the most rational and logical approach, such as I take, does not and cannot guarantee reciprocity between Minoan Linear A and Mycenaean Linear B terms. It is precisely for this reason that I have had to devise a scale of relative accuracy for terms in this Linear A Glossary, as outlined in KEY at the top of it. The best and most reliable Linear B Lexicon is that by Chris Tselentis, Athens, Greece. If you wish to receive a copy of his Lexicon, please leave a comment in Comments, with some way for me to get in touch with you. Are there any words in Mycenaean Greek of putative Minoan origin? It should surely not strike us as so surprising that there are. After all, kidapa = ash? (Linear B tablet KN 894 N v 01) Several Minoan Linear A words very likely survived into Mycenaean Linear B. The problem is, if they did, we do not know which ones did.... except perhaps kidapa, which has a distinctly Minoan feel to it. Cf. kidata = to be accepted (for delivery to) = Linear B dekesato
KEY POST! Slated for publication in Archaeology and Science Vol. 12 (2016),“Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery”
Slated for publication in Archaeology and Science Vol. 12 (2016),“Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery”:“Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery”, is definitively slated for publication in Vol. 12 (2016) in the prestigious international annual, Archaeology and Science ISSN 1452-7448 (release date spring 2018). To be submitted by Nov. 15, 2016. This is the ground-breaking article in which I announce to the world my success at a partial decipherment of some of the vocabulary of Minoan Linear A, not of the language itself, which no one is in a position to decipher, given the extreme paucity of extant tablets and fragments (<500), of which the vast majority are fragments. In the progressive layout of the draft of this revolutionary article, I shall be featuring the following Minoan Linear A tablets and commentaries on Minoan Linear A in my article (in this approximate order), as per previous posts on this blog (Click on each link to visit its post): INTRODUCTION Linear B tablet Pylos TA 641-1952 (Ventris) is the Mycenaean Linear B “Rosetta Stone” for Minoan Linear A tablet HT 31 (Haghia Triada)
5 words of vessel types in Minoan Linear A: Linear A tablet HT 31 (Haghia Triada)
Linear A tablet tagged “19” & the Minoan word for “tripod” = puko (confirmation)
FAILED DECIPHERMENTS
Proto-Slavic interpretation of Minoan Linear A tablet HT 13 (Haghia Triada) — another decipherment gone awry
2 vastly different decipherments of Minoan Linear A tablet HT 13 (Haghia Triada). Does either measure up?
PROSPECTS FOR DECIPHERMENT How far can we go deciphering Minoan Linear A? And now for the bad news
What are the current prospects for deciphering Minoan Linear A? Dismal but…
PRINCIPLES & CROSS-CORRELATION
The 5 principles applicable to the rational partial decipherment of Minoan Linear A The principle of cross-correlative cohesion between Minoan Linear A & Mycenaean Linear B & logical fallacies
ACTUAL MINOAN LINEAR A TABLETS SUSCEPTIBLE TO AT LEAST PARTIAL DECIPHERMENT Minoan Linear A tablet HT 132 qareto = lease field (post lost, to be reposted)
Mycenaean Linear B tablets on terms and activities related to olive oil as templates for cross-correlation to Minoan Linear A tablets
Minoan Linear A tablet HT 12 & qatidate = Mycenaean Linear B erawa = olive tree(s)
UPDATE on the military Minoan Linear A tablet HT 94 (Haghia Triada) = attendants to the king/foot soldiers
Minoan Linear A kirita2 (kiritai) = delivery & kiretana = delivered (nos. 67 & 68 deciphered)
Minoan Linear A tablet HT 13 (Haghia Triada) & wine
Minoan Linear whorls unearthed by Heinrich Schliemann at Troy in 1875 & their striking similarity to the Linear A whorls (recto/verso) illustrated here
Minoan Linear A words: 7 types of cloth on tablet HT 117 (Haghia Triada) compared with 7 types of cloth in Mycenaean Linear B
GLOSSARY OF MINOAN LINEAR A TERMS & CONCLUSIONS Glossary of 134 words & Partial decipherment of Minoan Linear A : a rational approach from Mycenaean Linear B (final version)
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Symbaloo/Google search reveals that almost all references to Pylos tablet Py TA 641-1952 (Ventris) are attributed to Richard Vallance Janke
Symbaloo/Google search reveals that almost all references to Pylos tablet Py TA 641-1952 (Ventris) are attributed to Richard Vallance Janke:Since Richard is now in the process of deciphering at least some of the vocabulary of Minoan Linear A in his Glossary of 134 terms in Linear A, it is quite possible that someday he may be ranked alongside Michael Ventris.
especially in light of the fact that his article, Linear B tablet Pylos Py TA 641-1952 is the “Rosetta Stone” for Minoan Linear A tablet HT 31 (Haghia Triada) Pottery and Vessels, is to be published in the prestigious international annual Archaeology and Science, Vol. 12 (2016) Belgrade ISSN 1452-7448, as per this recent post: CLICK to visit
It is critical to note that Richard does not claim to have deciphered Minoan Linear A. Such a claim would be preposterous. What he does rejoin is that he has been able to successfully decipher around 130 Minoan Linear A terms more or less accurately.
Knossos tablet KN 875a M n 01 as a template guide for the decipherment of vessels (pottery) in Minoan Linear A
Knossos tablet KN 875aM n 01 as a template guide for the decipherment of vessels (pottery) in Minoan Linear A:Knossos tablet KN 875a M n 01 serves as a useful template guide for cross-correlative retrogressive extrapolation of vocabulary for vessels (pottery) in Minoan Linear A. Although have already deciphered, more or less accurately, the words for “a cup with handles” in Minoan Linear A, we have not yet been able to extract the term for “a handle-less cup”. So hopefully this tablet should serve as a guide to the eventual discovery of the Minoan Linear A equivalent of Mycenaean Linear B dipa anowe or dipa anowoto, both meaning “a handle-less cup”. The term dipa anowe also appears on the famous Linear B tablet, Pylos TA 641-1952 (Ventris), the first ever large Mycenaean Linear B tablet ever deciphered by none other than Michael Ventris himself. This tablet has recently be re-deciphered by Rita Roberts, an archaeologist from Crete, in my article, An Archaeologist's Translation of Pylos Tablet 641-1952. pp. 133-161 in Archaeology and Science, Vol. 10 (2014) ISSN 1452-7448 (Belgrade), now available on academia.edu here:
This is the most comprehensive article (28 pages long) ever written on the decipherment of this key Linear B tablet. You can download it from academia.edu at the link above.
The Institute of Archaeology, Belgrade, publishers of Archaeology and Science (Belgrade) ISSN 1452-7448 is our latest link to a partner site
Archaeology and Science (illustrations) No, 10 (2014) Post 2 of 2
Archaeology and Science (illustrations) No, 10 (2014) Post 2 of 2 This is the annual serial, Archaeology and Science No, 10 (2014), in which my article, “An Archaeologist’s Translation of Pylos Tablet TA 641-1952”, with translations by both Michael Ventris (1952) and Rita Roberts (2015) appear. This is the most beautiful periodical I have ever seen in my life. I feel truly privileged to have been published in it. Look out for my second article , Archaeology and Science No, 11 (2015)![]()
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Archaeology and Science (illustrations) No, 10 (2014) Post 1 of 2
Archaeology and Science (illustrations) No, 10 (2014) Post 1 of 2 This is the annual serial, Archaeology and Science No, 10 (2014), in which my article, “An Archaeologist’s Translation of Pylos Tablet TA 641-1952”, with translations by both Michael Ventris (1952) and Rita Roberts (2015) appear. This is the most beautiful periodical I have ever seen in my life. It is 274 pp. Long. It is in hard cover, and is worth about $80. The pages are on glossy paper and illustrated in full colour. As an author, I received a complimentary copy.
PUBLISHED! Archaeology and Science. Vol. 10 (2014). An Archaeologist’s Translation of Pylos Tablet 641-1952 pp. 133-161 (academia.edu)
PUBLISHED! Archaeology and Science. Vol. 10 (2014). An Archaeologist's Translation of Pylos Tablet 641-1952 pp. 133-161 (academia.edu): Click on banner to view the article:pp. 133-161 THIS IS A MAJOR ARTICLE ON MYCENAEAN LINEAR B & ON THE NEWEST AND MOST ACCURATE TRANSLATION EVER OF PYLOS TABLET 641-1952 (VENTRIS), THE VERY FIRST TABLET EVER TRANSLATED, BY MICHAEL VENTRIS HIMSELF, IN MYCENAEAN LINEAR B. ABSTRACT: In partnership with The Association of Historical Studies, Koryvantes (Athens), our organization,Linear B, Knossos & Mycenae (WordPress), conducts ongoing research into Mycenaean archaeology and military aff airs and the Mycenaean Greek dialect. This study centres on a fresh new decipherment of Pylos tablet TA 641-1952 (Ventris) by Mrs. Rita Roberts from Crete, who brings to bear the unique perspectives of an archaeologist on her translation, in all probability the most accurate realized to date. We then introduce the newly minted term in Mycenaean Linear B, the supersyllabogram, being the first syllabogram or first syllable of any word or entire phrase in Linear B. Supersyllabograms have been erroneously referred to as “adjuncts” in previous linguistic research into Mycenaean Linear B. This article demonstrates that their functionality significantly exceeds such limitations, and that the supersyllabogram must be fully accounted for as a unique and discrete phenomenon without which any approach to the interpretation of the Linear B syllabary is at best incomplete, and at worse, severely handicapped. KEYWORDS: MYCENAEAN LINEAR B, SYLLABOGRAMS, LOGOGRAMS, IDEOGRAMS, SUPERSYLLABOGRAMS, ADJUNCTS, LINEAR B TABLETS, PYLOS, PYLOS TA 641-1952 (VENTRIS),DECIPHERMENT, TRANSLATION, POTTERY, VESSELS, TRIPODS, CAULDRONS, AMPHORAE, KYLIXES, CUPS, GOBLETS. Introduction to the article: Why are there so many ideograms in Mycenaean Linear B, 123 all told, with 30 in the pottery and vessels sector alone? This is no idle question. Of the 123 Linear B ideograms listed in Wikimedia Commons,1 fully 30 or 24.5 % are situated in the pottery and vessels sector of the Mycenaean economy, as illustrated in Table 1. But why so many? As I emphatically pointed out in the talk I gave at The Third Interdisciplinary Conference, “Thinking Symbols”, June 30-July 1 2015, at the Pultusk Academy of the Humanities, just outside of Warsaw, Poland, in partnership with The Association of Historical Studies, Koryvantes (Athens), with whom our organization, Linear B, Knossos & Mycenae (WordPress), is in full partnership, “No-one deliberately resorts to any linguistic device when writing in any language, unless it serves a useful purpose beneficial to more eff ective communication, contextual or otherwise.” (italics mine)... SOME ILLUSTRATIONS FROM THE ARTICLE:
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Full PDF text of “The Rôle of Supersyllabograms in Mycenaean Linear B” for the talk I gave at The Third International Disciplinary Conference ‘Thinking Symbols’ at the Pultusk Academy of the Humanities, Poland, July 1 2015
Full PDF text of “The Rôle of Supersyllabograms in Mycenaean Linear B” for the talk I gave at The Third International Disciplinary Conference ‘Thinking Symbols’ at the Pultusk Academy of the Humanities, Poland, July 1 2015This is the full PDF text (Click to READ): The Role of SSYLS in Mycenean Linear B of the ground-breaking talk I gave at The Third International Disciplinary Conference ‘Thinking Symbols’ at the Pultusk Academy of the Humanities, July 1 2015. This presentation constitutes the most significant breakthrough in the further decipherment of Mycenaean Linear B since the genius, Michael Ventris, realized a successful decipherment of the Linear B syllabary in June-July 1952. In this paper, I isolate, identify and classify all 34 supersyllabograms in Mycenaean Linear B, previously and largely erroneously referred to as “adjuncts” in the field of linguistic research into Linear B. The discovery of supersyllabograms is of such critical import to the full decipherment of Linear B that they simply cannot safely be ignored, to the peril of misinterpretation or even total misreadings of some 700-1,000 intact Linear B tablets from Knossos alone. In fact, it staggers the imagination to find that fully 34 of 61 syllabograms in Mycenaean Linear B alternatively function as supersyllabograms on hundreds of tablets. Actually, it is more accurate to say that syllabograms specifically identified as supersyllabograms are no longer simple syllabograms at all, as my talk makes perfectly clear. Read on, my friends, and stand as amazed as I was (and still am) at the discovery, isolation, identification and classification of supersyllabograms in Linear B. Furthermore, my presentation includes an extremely comprehensive bibliography of 147 items on prior research into any and all phenomena related to syllabograms leading (in)directly to my own discovery of supersyllabograms as a phenomenon it is own right. This bibliography even references (item 139) the upcoming publication of a major article by myself, which is to appear in the February 2016 issue of prestigious peer-reviewed European journal, Archaeology and Science = Arheoologija I Prirodne Nauke (Belgrade) ISSN 1452-7448, February 2016. approx. 30 pp. ABSTRACT In partnership with The Association of Historical Studies, Koryvantes (Athens), our organization, Linear B,Knossos & Mycenae (WordPress), conducts ongoing research into Mycenaean archaeology and military affairs and the Mycenaean Greek dialect. This study centres on a fresh new decipherment of Pylos tablet TA 641-1952 (Ventris) by Mrs. Rita Roberts from Crete, who brings to bear the unique perspectives of an archaeologist on her translation, in all probability the most accurate realized to date. We then introduce the newly minted term in Mycenaean Linear B, the supersyllabogram, being the first syllabogram or first syllable of any word or entire phrase in Linear B. Supersyllabograms have been erroneously referred to as “adjuncts” in previous linguistic research into Mycenaean Linear B. This article demonstrates that their functionality significantly exceeds such limitations, and that the supersyllabogram must be fully accounted for as a unique and discrete phenomenon without which any approach to the interpretation of the Linear B syllabary is at best incomplete, and at worse, severely handicapped. Keywords: Mycenaean Linear B, syllabograms, logograms, ideograms, supersyllabograms, adjuncts, Linear B tablets, Pylos, Pylos TA 641-1952 (Ventris), decipherment, translation, pottery, vessels, tripods, cauldrons, amphorae, kylixes, cups, goblets Please note that this post shall shortly be supplemented with several more delving into the general application of supersyllabograms in Linear B, and into the specific application of them to every sector of the Minoan-Mycenaean economy, from agriculture to the military, from textiles to vessels (pottery) to over-arching realm of the religious in their society. Richard
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