senryu – lapis lazuli

senryu – lapis lazuli

lapis lazuli
inlaid in a silver ring –
royal talisman 




lapis lazuli
dans une alliance d’argent –
talisman royal

Richard Vallance

illustration, ancient Minoan silver ring inlaid with lapis lazuli, ca. 1,500 BCE
Illustration, alliance minoen d’argent marqueté de lapis lazuli, vers 1.500 AVJC

Advertisement

Researcher Cites Ancient Minoan-era Computer

Researcher Cites Ancient Minoan-era Computer:

This Minoan object preceded the heralded Antikythera Mechanism. If we take the definition of a computer as being a device that can compute, even at the most basic level, then this computer meets the bottom line of the definition.

A stone-made matrix has carved symbols on the surface of this computer related with the Sun and the Moon, serving as a cast to build a mechanism that functioned as an analog computer to calculate solar and lunar eclipses. The mechanism was also used as sundial and as an instrument calculating the geographical latitude. In this sense, it predates the astrolabe, an instrument of some antiquity (i.e. since Minoan times).

Researcher Cites Ancient Minoan-era Computer:

Researcher Minas Tsikritsis who hails from Crete — where the Bronze Age Minoan civilization flourished from approximately 2700 BC to 1500 century BC — maintains that the Minoan Age object discovered in 1898 in Paleokastro site, in the Sitia district of western Crete, preceded the heralded “Antikythera Mechanism” by 1,400 years, and was the first analog and “portable computer” in history.

“While searching in the Archaeological Museum of Iraklion for Minoan Age findings with astronomical images on them we came across a stone-made matrix unearthed in the region of Paleokastro, Sitia. In the past, archaeologists had expressed the view that the carved symbols on its surface are related with the Sun and the Moon,” Tsikritsis said.

The Cretan researcher and university professor told ANA-MPA that after the relief image of a spoked disc on the right side of the matrix was analysed it was established that it served as a cast to build a mechanism that functioned as an analog computer to calculate solar and lunar eclipses. The mechanism was also used as sundial and as an instrument calculating the geographical latitude.

Source: Athens News Agency [April 06, 2011]

For the definition of the astrolabe, see

Persian models dating as far back as the eleventh century have been found, and Chaucer wrote a Treatise on it in the late 1300s. But different models of astrolabes date as far back as somewhere around 400 BCE, when Theodora of Alexandra wrote a detailed treatise on the astrolabe. Historically, many different versions of the astrolabe have arisen since then. For a full account of astrolabes, consult Wikipedia: Astrolabe. But the whole point is that the Minoan computer predates even the earliest of these (vide supra), by at least 1,000 years!

By the Elizabethan era it consisted of a large brass ring fitted with an alidade or sighting rule:

Notice the astonishing resemblance between the Minoan computer and the astrolabe from 1608 above.

***

For the amazing Antikythera Mechanism, see the next post.

The British Museum on Twitter only follows back about 5 % of those who follow them, but they do follow us!

The British Museum on Twitter only follows back about 5 % of those who follow them, but they do follow us! 



While The British Museum has 1.01 million followers, they only follow back 50.9 K Twitter accounts, and KONOSO is one of those with whom they reciprocate. In other words, we are among the 5 % of Twitter accounts they follow back. This goes to demonstrate the enormous impact our Twitter account, KONOSO:



Moreover, in the past 3 months alone, the number of our twitter followers has risen from 1,600 to over 1,900 (1902). This, in combination with the 625 followers of our co-researcher colleague's twitter account (Rita Roberts):



brings the total number of followers of our 2 accounts combined to 2,527, up from less than 2,000 only 3 months ago.
 
Among other prestigious international Twitter accounts following us we find:

Henry George Liddell:



the latest in a long line of generations of great historical Greek linguists who over the centuries have compiled the world’s greatest classical Greek dictionary, the Liddell and Scott Greek-English Lexicon.

Phaistos Project:



Greek History Podcast:



@antiquitas @eterna:



Dr Kalliopi Nikita:



Expert in Greek Archaeology-Ancient Glass Specialist-Dedicated to Greek Culture, Language & Heritage Awareness Art lover-Theatrophile-Painter- Olympiacos-Sphinx 

The Nicholson Museum, antiquities and archaeology museum, Sydney University Museums, Sydney, Australia, also follows us:



Eonomastica:


Bacher Archäology (Institute, Vienna):



Canadian Archaeology:



University of Alberta = UofAHistory&Classics (Alberta, Canada):
 


All of our followers confirm that Minoan Linear A, Linear B, Knossos & Mycenae:



is having a profound impact on the vast field of diachronic historical linguistics, especially the decipherment of ancient languages, most notably Mycenaean Linear B, Arcado-Cypriot Linear C and even Minoan Linear A.  MLALBK&M has in effect become the premier diachronic historical linguistics site of its kind in the world in the space of less than 4 years. 

Orientation of Minoan Linear A inventories is identical to modern inventories & plays a critical role in their decipherment

Orientation of Minoan Linear A inventories is identical to modern inventories & plays a critical role in their decipherment:

The orientation of Minoan Linear A inventories is identical to modern inventories & plays a critical role in their decipherment. This fact has been entirely overlooked by all previous researchers and so-called decipherers of Minoan Linear A tablets. It must not be ignored under any circumstances. It is precisely this vertical (not horizontal) orientation of Minoan Linear A tablets that makes it easier for us to decipher some of them (not all of them by far). The Linear A tablet most susceptible to an almost complete decipherment on account of its vertical orientation is HT 31 (Haghia Triada) on vessels and pottery.  When we compare this Linear A tablet





with the most famous inventory of vessels and pottery in Mycenaean Linear B, Pylos tablet Py TA 641-1952 (Ventris), also on vessels and pottery,





we instantly see how streamlined is the orientation and layout of the former and  how clumsy (at least by our modern standards) is the orientation and layout of the latter. Why the Mycenaean Linear B scribes abandoned the far more streamlined and practical layout of the Minoan Linear A inventories is perhaps a mystery to some... but not to all, and certainly not to me. What the Linear B inventories sacrifice by way of orientation they make up for in droves in space saving economy. Additionally, the Linear B scribes had plenty of other tricks up their sleeves to obviate the clumsy orientation of their inventory tablets. The most significant of these ploys was their deployment of supersyllabograms in droves, a feature largely missing from the Minoan Linear A tablets. Six of one, half a dozen of the other. 

It is impossible to properly cross-correlate the contents of Linear B tablet Pylos Py TA 641-1952 (Ventris) by means of retrogressive extrapolation with those of Minoan Linear A tablet HT 31 (Haghia Triada) without taking their appositive orientations into account.

Finally, we need only compare the orientation of HT 31 (Haghia Triada) with a modern inventory (this one on textiles) to immediately realize the practice is one and the same, past and present:



 Very little escapes my penetrating scrutiny. I shall be discussing the profound implications of the vertical orientation of almost all Minoan Linear A inventories versus the horizontal of most Mycenaean Linear B inventories in my upcoming article, “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery”, definitively slated for publication in Vol. 12 (2016) in the prestigious international annual, Archaeology and Science ISSN 1452-7448 (release date spring 2018). To be submitted by Nov. 15, 2016.

 

LBK&M has just joined several major literary LinkedIn Groups!

LBK&M has just joined several major literary LinkedIn Groups!

LBK&M has just joined several major literary LinkedIn Groups! These are:

And this is my welcoming message:

We expect to see many more visitors to Linear B, Knossos & Mycenae now that we have hooked up with so many great LinkedIn literary groups.

Third Palace, Knossos, Late Minoan III (ca. 1450 BCE), general views from the net

Third Palace, Knossos, Late Minoan III (ca. 1450 BCE), general views from the net:

In this post and the next two, you can see several illustrations and paintings of the ancient palace and city of Knossos in its full glory in the Late Minoan III period (ca. 1450 BCE).

 

Notice in this beautiful painting of ancient Knossos (population ca. 55,000, a huge city for the ancient world) the arches beneath the causeway leading to the city. And we thought arches were a Roman invention!

What is so remarkable about Middle and Late Minoan architecture is that it looks so modern, even to us in the twenty-first century. The architecture is simple and streamlined, no extravagant frills. This sets Knossos in stark contrast to practically every other ancient civilization, except Classical Athenian (the acropolis and Parthenon, ca. 430-400 BCE). Almost all other ancient civilizations went in for the extravagant and the excessive, much like Baroque architecture in the seventeenth century AD, all of which I cannot abide. In order to set the stark contrast between Minoan and Mycenaean architecture and that of Persepolis and ancient China, for instance, I am also including photos from the latter civilizations. The architecture of Persepolis is particularly gaudy and distasteful to me.

Persepolis:

Happy Third Anniversary to Linear B, Knossos & Mycenae!

Happy Third Anniversary to Linear B, Knossos & Mycenae!

Linear B, Knossos & Mycenae was founded in March 2013, and since then it has grown to become the premier Linear B blog on the entire Internet. Our blog covers every conceivable aspect of research into Mycenaean Linear B, including, but not exclusively, decipherment of hundreds of tablets from every single sector of the Minoan/Mycenaean economy (agriculture, military, textiles, spices & condiments, vessels and pottery and the religious sector); the translation of the introduction to Book II of the Iliad, plus the entire Catalogue of Ships in Book II, with particular emphasis on the extensive influence of Mycenaean Linear B and of he Mycenaean world on the Catalogue of Ships; extensive vocabulary, lexicons and glossaries of Linear B; lessons in Linear B; progressive grammar of Linear B; extensive research into the 3,500 Scripta Minoa tablets from Knossos; and above all other considerations, the isolation, classification and decipherment of all 35+ supersyllabograms in every sector of the Minoan/Mycenaen economy (see above). Supersyllabograms were previously and erroneously referred to as “adjuncts” in Mycenaean Linear B. The decipherment of supersyllabograms is the major development of the further decipherment of Linear B since the genius, Michael Ventris, first deciphered it in 1952.

But that is not all. Our blog also zeroes in on Minoan Linear A, with at least one successful attempt at deciphering at least one word on a major Linear A tablet, and that is the Linear A word for “tripod”, a truly serendipitous development, given that the same word was the first word ever translated in Mycenaean Linear B. Our blog also focuses on Arcado-Cypriot Linear C, with a few translations of tablets in that script. In short, no other blog on the Internet deals as extensively with all three of these scripts, Linear A, Linear B and Linear C together.

It is also remarkable that we have had in excess of 80,000 visitors since our blog’s inception in March 2013. While this figure may seem rather smallish to many visitors, may I remind you that Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C are extremely esoteric in the field of ancient linguistics. To put it another way, how many people in the entire world do you imagine can read Mycenaean Linear B, and even fewer who can read Arcado-Cypriot Linear C? Scarcely more than a very few thousand out of a population of 7+ billion. So I believe that we have made great strides in the past three years, and I fully expect that we shall top 100,000 visitors by the end of this year, 2016.

Breakthrough in world’s oldest undeciphered writing, by Sean Cough lan BBC News

Breakthrough in world's oldest undeciphered writing, by Sean Cough lan BBC News (Click Tablet to see the News Release:)



The world's oldest undeciphered writing system, which has so far defied attempts to uncover its 5,000-year-old secrets, could be about to be decoded by Oxford University academics.