severely damaged Linear A fragment from Gournia


severely damaged Linear A fragment from Gournia:





To the best of my ability, I have attempted to read the syllabograms and ideograms on the severely damaged Linear A fragment from Gournia, but it is so badly damaged that it is hard to tell if I have interpreted all the signs well enough. At any rate, the interpretations I have attempted hang together.





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Origin of the saffron crocus traced back to Greece


Origin of the saffron crocus traced back to Greece: 

origin of saffron Greece

Since ancient times, saffron has been giving dishes a golden-yellow hue and an aromatic flavour. The use of the stigmas of the saffron crocus (Crocus sativus) is depicted in frescos from Crete and Santorini, which are as old as 3600 years. Nowadays, the valuable plant is mainly cultivated in Iran accounting for more than 90% of the saffron production.

For the remainder of this informative article, click on the logo image above.

Saffron:

saffron-01

Map of Ancient Greece illustrating the distribution of saffron:

saffron-02


WIKIMEDIA COMMONS: 5 major articles by Richard Vallance Janke, Spyros Bakas and Rita Roberts


WIKIMEDIA COMMONS: 5 major articles by Richard Vallance Janke,  Spyros Bakas and Rita Roberts

In a major new development in the international dissemination of 5 papers by Spyros Bakas, Rita Roberts and Richard Vallance Janke, the following 5 articles are now universally available on WIKIMEDIA COMMONS, with 47,480,622 files:

Wikimedia Commons

 
These articles are:
CLICK on each logo to download each article:

1. Vallance Janke, Richard. “An Archaeologist’s Translation of Pylos Tablet TA  641-1952 (Ventris) with an Introduction to Supersyllabograms in the Vessels & Pottery Sector in Mycenaean Linear B”, Archaeology and Science (Belgrade). Vol. 11 (2015) ISSN 1452-7448. pp. 73-108


Wikimedia commons Pylos tablet PY641-1952620
2. Vallance Janke, Richard. “The Decipherment of Supersyllabograms in Linear B”, Archaeology and Science (Belgrade). Vol. 11 (2015) ISSN 1452-7448. pp. 73-108 

Wikimedia commons decipherment of supersyllabograms620
3. Vallance Janke, Richard. “The Mycenaean Linear B  “Rosetta Stone” for Linear A Tablet HT 31 (Haghia Triada) Vessels and Pottery”, Archaeology and Science (Belgrade). Vol. 12 (2016) ISSN 1452-7448. pp. 75-98  

Wikimedia commons Mycenaean Rosetta Stone for Linear A620
4. Vallance Janke, Richard and Bakas, Spyros. “Linear B Lexicon for the Construction of Mycenaean Chariots”, Epohi/Epochs. Vol. XXIV (2017), Issue 2. pp. 299-315 

Wikimedia commons Linear B Lexicon for the construction of Mycenaean chariots
5. Roberts, Rita & Janke, Richard Vallance, consulting editor.
The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire

Wikimedia commons Minoan and Mycenaean620


The appearance of these articles on WIKIMEDIA COMMONS greatly enhances their international profile. 

Richard Vallance Janke
June 19 2018

Academia.edu THESIS The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire by Rita Roberts


Academia.edu THESIS The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire by Rita Roberts:

Click on this logo to download her thesis:

minoan and mycenaean main

We are proud to announce that Rita Roberts has fulfilled the requirements of her second year of university, and has passed with a mark of 85 %. We have awarded her 90 % for thesis, The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire, which is a finely researched document I highly recommend to any and all. It deals in great detail with every conceivable aspect of Minoan and Mycenaean agricultural trade via their trade routes in the Mycenaean Empire, ca. 1600-1450 BCE. We congratulate Rita on her splendid achievement, and we look forward to her fuflling the exacting requirements of her third and final year of university which commences on July 1 2018, Canada Day. Once she has completed her third year, she will have earned her Bachelor of Arts degree in Minoan and Mycenaean studies.

Rita Roberts’ translation of Knossos tablet KN J 1 f 01, her last tablet for her second year of university


Rita Roberts’ translation of Knossos tablet KN J 1 f 01, her last tablet for her second year of university:

Linear B tablet KN 1 J f 01 priestess of the winds

Line 1: Deukijojo = month name + temeno = shrine. The damaged first syllabogram looks like TO. The actual word temeno =temple” does not appear on the first line of this tablet, since it appears that the the scribe has made a scribal error, which actually happens quite often on Linear B tablets. The writing is messy, and appears to read teno, which would explain the scribal error, i.e. he missed on one syllabogram. Deukijojo could either be a month name, in which case it means “the tenth month” or more properly in this content, “of the tenth month” or it could simply be a persons name. If it refers to the tenth month, then it follows that the entire tablet refers to this month.

Line 2:

Wakatanujo – or- Dukatanayo = name + newejo = “of something new” + 3 units (probably bales) of barley. Hence the line refers to 3 new units (probably bales) of barley from Wakatanujo – or- Dukatanayo

Line 3:

Padarejode = a place hame, which is a sanctuary = hence, olive oil from Dardare and 2 units (probably bales) of barley.

Line 4:

Pade = name plus olive oil and 1 unit (probably a bale) of barley

Line 5:

Pasiteoi = “to all gods” barley and 1 unit of olive oil

Line 6:

olive oil and barley for Qerasiya = goddess Artemis, with numerals absent because of right truncation.

Line 7:

1 unit of barley to all the gods at Aminiso = Amnisos

Line 8:

2 units (probably pithoi) of olive oil for the goddess Erinu. Note that Erinu references one of the Furies (Erynies) in Greek. So it would appear that the scribe tells us that there was a sacrifice to at least one of or probably all of the Furies to appease them so that crops would thrive.

Line 9:

Gold and olive oil and 1 cyperus plant, probably dedicated to the priestess of the winds in Line 10.

Line 10:

4 cyperus plans dedicated to Anemo Ijereja = to the priestess of the winds

Line 11:

Blank and truncated.

Line 12:

3 units (probably pithoi) of olive oil and 2 units of barely plus 2 cyperus trees (also probably dedicated to the priestess of the winds)

Line 13:

Blank and truncated.

COMMENT:

This is the very last tablet Rita Roberts is to translate for her second year of university, and it is by far the most challenging she has ever been confronted with to date. Congratulations to Rita! She is now about to take her final examination for her second year, which is to consist of 25 questions in increasing level of difficulty, the last 5 of which are to be translations of tablets, plus her second year thesis paper, What did the Minoan agricultural sector contribute to the Mycenaean Empire? This paper must be at least 25 pages long, inclusive of the bibliography but excluding illustrations, which will add to the page length of her thesis. Since this thesis paper is much more difficult than her first year thesis, I am allotting her three months to complete it, i.e. Feb. 15 – May 15. However, she must complete the rest of the examination in just 2 weeks (Feb. 15 – March 1 2018).

In the next post, I shall re-inscribe the entire tablet in archaic Greek from the Mycenaean.

 

Rita Roberts’ translation of Knossos Linear B tablet, KN 897 D a 11


Rita Roberts’ translation of Knossos Linear B tablet, KN 897 D a 11:

Linear B tablet KN 897 D a 11

Rita Roberts’ translation of Knossos Linear B tablet, KN 897 D a 11 reveals a brilliant insight on her part. She surmises that the single syllabogram PO may actually be the first syllable of Linear B pome poimh/n, which means “shepherd” or “herdsman”, and taht is one brilliant insight! If she is correct — and I believe she is — PO is a brand new supersyllabogram which I have not as yet accounted for.

Linear A tablet HT 1 (Haghia Triada) – millet or spelt


Linear A tablet PY Ub 1318a (Pylos) – millet or spelt:

Linear A tablet HT 1 Haghia Triada

This is Linear A tablet PY Ub 1318a (Pylos), which deals with millet or spelt, and mentions switches or something bent, which I take to be scythes.

The supersyllabogram PA pa3ni/pa3nina/pa3niwi OM = millet -or- spelt -or- pa3qe, paiqe (+ ideogram for wheat) LIG = a kind of grain similar to wheat


The supersyllabogram PA pa3ni/pa3nina/pa3niwi OM = millet -or- spelt -or- pa3qe, paiqe (+ ideogram for wheat) LIG = a kind of grain similar to wheat:

millet or spelt

The supersyllabogram PA pa3ni/pa3nina/pa3niwi OM = millet -or- spelt -or- pa3qe, paiqe (+ ideogram for wheat) LIG = a kind of grain similar to wheat appears on all of these tablets from Haghia Triada (HT), Petras (PE), Tylissos (TY) and Zakros (ZA)

HT 43 gr HT 93 gr (x2) HT 120 gr (x3) HT 125 oo HT 128 gr KH 27 gr PE 1 (x2) TY 3 oo ZA 6 gr (x3) ZA 11 (x5) ZA 18 gr ZA 28 gr

all of which which deal with grains, with the exception of HT 125, dealing with olive oil. The decipherment of millet or spelt (one or the other) is confirmed. It is impossible to decipher PA in the instance of olive oil.

The supersyllabogram KI kitina in Linear A probably means a border of a plot of land/territory Cf. Linear B kotona kotoina ktoi/na = plot of land?


The supersyllabogram KI kitina in Linear A probably means a border of a plot of land/territory Cf. Linear B kotona kotoina ktoi/na = plot of land?

Plot-of-land-in-Crete

The supersyllabogram KI kitina NM1 ktoi/na/ktoina/siaj probably means a border of a plot of land/territory Cf. Linear B kotona kotoina ktoi/na = plot of land. There is no way of substantiating this claim. However, it does make sense, given that it appears on all of rhe following Linear A tablets from Haghia Triada (HT), on one from Tylissos (TY) and one from Zakros (ZA):

HT 8 oo HT 9 wi HT 16 oo HT 28 oo HT 44 gr HT 50 oo (x2) HT 91 oo HT 101 oo (x2) HT 116 (x2) HT 125 oo HT 129 oo HT 140 oo (x2) TY 3 (x3) ZA 18 oo

All of these tablets except one apparently deal with olive trees, rather than olive oil. The one exception is HT 44, which deals with grain, another crop which is grown on plots of land.

Introduction to supersyllabograms on Linear A tablets: PART A


Introduction to supersyllabograms on Linear A tablets: PART A

Supersyllabograms in Mycenaean Linear B:

The phenomenon of the supersyllabogram in Mycenaean Linear B was first introduced to the world at at the Third Interdisciplinary Conference, Thinking Symbols, on July 1, 2015, at the Pultusk Academy of Humanities, here:

role of supersyllabograms in Linear B Thinking Symbols

Prior to 2015, no researcher had ever identified supersyllabograms in Linear B. But what is a supersyllabogram? A supersyllabogram is the first syllabogram, i.e. the first syllable of a particular major Mycenaean Linear B word paired with a particular ideogram in any of the major sectors of the Mycenaean economy, agricultural, military, textiles, vessels and pottery. Initially, in 2015, 34 supersyllabograms were identified in this talk, which is brief enough for you to glean a clear conception of what supersyllabograms entail.

By 2016, this number had risen to 36, 35 syllabograms and 1 homophone or logogram (AI), published in Archaeology and Science, Vol. 11 (2015), ISSN 1452-7448, pp. 73-108, published in 2016, here:

Archaeology and Science decipherment of supersyllabograms in Linear B

 

Here is the abstract of that article:

A supersyllabogram is the first syllabogram, i.e. the first syllable of a major (never minor) economic indicator combined with a closely related ideogram in the four economic sectors of the Mycenaean economy, agricultural, military, textiles and vessels or pottery. With very few exceptions, change the economic sector and you change the meaning of any particular supersyllabogram. Of some 3,500 tablets and fragments from Knossos, about 800 or 23% contain at least one supersyllabogram and sometimes as many as four or five. The whole point of supersyllabograms is that they are meant to eliminate text on tablets to the greatest possible extent. In a syllabary of 61 syllabograms + one homophone (AI), 36 syllabograms or 59% are supersyllabograms. Supersyllabograms serve to greatly economize on the precious space available on the tiny inventory tablets in Linear B. Any complete decipherment of Linear B must fully account for the supersyllabogram as a unique phenomenon without which any approach to the interpretation of the Linear B syllabary is squarely compromised.

Supersyllabograms in Linear A:

As it turns out, supersyllabograms were not invented by the Mycenaeans, but by the Minoans. They first emerged in Linear A, not Linear B. In a syllabary of 54 syllabograms, 27 or 50 % are supersyllabograms. This compares favourably with the incidence of supersyllabograms in Linear B, in which 36 or 59 % of 61 syllabograms are supersyllabograms.

Linear A base syllabary

620 Table 5 Table of 27 supersyllabograms in Minoan Linear A

KEY to supersyllabograms in Linear A:

fi = figs

gr = grains (wheat)

ma = man, person

oo = olives, olive oil

pi = pigs

ra = rams

sh = sheep

te = textiles

ve = vessels

wi = wine & vinegar

Locales where Linear A tablets have been found:

HT = Haghia Triada

KH = Khania

MA = Malia

PE = Petras
PH = Phaistos

TH = Thera

TY = Tylissos

ZA = Zakros

The numeric value of each supersyllabograms is rated as follows:

BOLD: n. e.g. 21. TE = a supersyllabogram for which the definition is either certain or highly probable.

Italics: n. e.g. 1. A = a supersyllabogram for which the definition is possible.

Standard font: n. e.g. 2 = a supersyllabogram for which the definition is unlikely or questionable.

1. A aka = aska = a0ska = wine skin -or- apero PGS a1mpeloj = a vine Cf. Linear B apero -or- aresana NM1 a1leisana <- a1leison = an embossed cup (arch. acc.) = de/paj (Homeric) Cf. Linear B dipa/arisu NM1 a1leisu <- a1leison = embossed cup

HT 2 oo HT 39 ve KH 83 ve MA 10 ve

2. DA dadumata OM = harvesting? -or- grain(s) measured? -or- dadumina/dadumine OM= related to harvesting?

HT 133 gr

3. DI dipa3a (dipaia) PGS di/paia <- di/paj de/paj = from a cup -or- dipaja PGS di/paia <- di/paj de/paj = from a cup (alternate?)

HT 12 oo HT 14 oo (x2) HT 28 oo (x5) HT 50 oo HT 90 oo HT 116 oo HT 121 oo HT 129 oo

4. E etori NM1 e1tori <- e1toj = for a year?

HT 2 oo HT 21 oo HT 34 gr HT 50 oo HT 58 oo MA 10 (x3)

5. KA kadi MOSE NM1 kadi/ (instr. sing.) <- ka/doj = with a jar or vessel for water or wine

HT 28 wi HT 88 ma HT 100 ma

6. KE ?

HT 26 ve (x2)

7. KI kitina NM1 ktoi/na/ktoina/siaj = border of a plot of land/territory Cf. Linear B kotona kotoina ktoi/na = plot of land?

HT 8 oo HT 9 wi HT 16 oo HT 28 oo HT 44 gr HT 50 oo (x2) HT 91 oo HT 101 oo (x2) HT 116 (x2) HT 125 oo HT 129 oo HT 140 oo? (x2) TY 3 (x3) ZA 18 oo

8. KU?

HT 38 te (x2) HT 61 gr HT 128 gr (x6) PH 31 sh (x7)

9. ME meza NM1 me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj?

TY 3 oo ZA 15 wi

10. MI ? HT 28 oo HT 50 oo HT 58 oo HT 90 oo HT 91 oo (x2) HT 100 oo HT 101 oo HT 116 oo (x2) HT 125 oo HT 137 oo TY 3 oo (x5)

11. NE nea NM1 ne/a = new Cf. Linear B ne/#a = new -or- nere OM = larger amphora size (fem. plural)

HT 23 oo HT 32 oo (x2) HT 100 oo

12. PA pa3ni/pa3nina/pa3niwi OM = millet -or- spelt -or- pa3qe -or- qepa3 i.e. paiqe -or- qepai (+ ideogram for wheat”) LIG = a kind of grain similar to wheat

HT 43 gr HT 93 gr (x2) HT 120 gr (x3) HT 125 oo HT 128 gr KH 27 gr PE 1 (x2) TY 3 oo ZA 6 gr (x3) ZA 11 (x5) ZA 18 gr ZA 28 gr

13. QE qera2u/qera2wa OM = a type of grain, probably millet or spelt (inflected) -or-

qeria OM = probably millet or spelt

HT 16 gr HT 28 gr HT 36 gr HT 99 gr HT 101 gr HT 121 oo ZA 11 gr

14. RA ranatusu (agglutinative?) -or- NM1 r9anatusu < – r9anti/zw = to cleanse, purify

rani NM1 r9a=ni/j = anything sprinkled (as in a libation); rain drop See also ratise -or- ratise (ritise?) NM1 = la/tise <- la/taj = with drops of wine (instr. pl.)

HT 44 oo KH 31 ve KH 91 ve ZA 6 wi (x2) ZA 15

15. RI rima NM1 lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts (dative/instrumental plural)

HT 23 oo HT 35 oo HT 60 oo KH 82 oo

16. RU ruma/rumu/rumata/rumatase lu=matase <- lu=ma = offscourings from grain, i.e chaff?

KH 12 ve (x2) KH 63 ve KH 83 ve KH 84 ve KH 85 ve KH 91 ve

17. SA sato PGS Hebrew sa/ton = Hebrew unit of measurement?

HT 27 gr (x2) wi HT 144 wi HT 131 wi ZA 15 wi

18. SI sika NM1 shka/ (arch. acc.) <- shko/j = fold, enclosure; (sheep) pen; sacred precinct, shrine = <- zhka/zw = to pen in Cf. Linear B periqoro peri/boloj = sheep pen?

HT 27 wi PH 31 pi PH 31 sh ZA 9 sh (x3)

19. SU supa3 (supai)/supa3ra (supaira) OM =small cup with handles Cf. Linear B dipa mewiyo

-or- supi/supu/supu2 OM = largest size pithos -or- MOSE NM1 supu/h sipu/h sipu/a i0pu/a = meal

20. MA? 10 ve ZA 5 wi

TA taikama OM tai + NM1 ka/ma = a unit of land, something like an acre? -or- ta2re/ta2reki NM1 sta=rei<- stai=j wheaten flour mixed into dough + tasise sta/sisei -or- tai2si (taisi) NM1 stai=sei <- stai=j = with wheaten flour mixed into a dough (instr. pl.)

HT 28 oo (x2) HT 35 oo KH 19 oo KH 39 KH 55 oo KH 61 oo KH 85 oo

21. TE = teresa OM = liquid unit of measurement

HT 6 fi HT 13 wi HT 17 wi HT 19 wi HT 21 gr HT 40 gr HT 44 gr HT 51 fi HT 62 wi HT 67 fi HT 70 fi HT 96 fi HT 133 gr TH 6 te TH Zb 11 wi

22. TI tisa OM = pottery worker/working on pottery/pottery wheel (tourney)?

KH 10 ve

23. TU ?

HT 23 oo HT 28 oo HT 50 oo HT 101 oo TY 3 oo

24. U uro NM1 ou0=loj = entire, total. Cf. kuro ku=rwn = reaching, attaining i.e. = total ?

HT 2 oo HT 21 oo HT 28 oo HT 40 00 (x3) HT 43 oo HT 58 oo HT 91 oo HT 96 oo HT 100 oo HT 101 oo (x2) HT 125 oo HT 140 oo (x8) TY 3 oo

25. WA HT 27 wi (x2)

26. WI winadu #i1nadu = vineyard Cf. Linear B winado -or- winu NM1 #i/nu = wine Cf. Linear B wono #oi/noj -or- winumatari NM1 #i/numa/tari = wine dedicated to Mother Earth (agglutinative)

27. KH 5 wi

Rita Roberts’ translation of Linear B tablet KN 911 D e 01 (Knossos)


Rita Roberts translation of Linear B tablet KN 911 D e 01 (Knossos):

Linear B KN 911 D e 01

This is one of the most complex Linear B tablets Rita Roberts has ever had to translate. She also provided a running free translation of this tablet, but I have had to omit it for lack of space in the graphics file. In other words, if I had included her free translation, the graphics file would have been much too long to display properly. As it stands, it is already very long. One of the prime characteristics of a small subset of Linear B tablets, mostly from Pylos, but in this case from Knossos, is that they are long lists of names, in this case, shepherds taking care of their sheep. Rita Roberts makes the following observations on this tablet.

Notes:

This Linear B tablet 911 De 0l (LXX) is a lengthy inventory of hundreds of ewes, billy goats, she goats and rams, I would imagine it is of special interest for Knossos palace. It is difficult to say whether all these animals were brought together at the same time for any specific purpose. If so there are a few reasons to suggest why this could be. The first would be, having to check the stock for health reasons for the possible move to a new pasture. Secondly, it could be that the animals needed to be organized for shearing, also some for slaughter. My final suggestion is, maybe some animals were for possible export. However, these are a few possible reasons for such a large inventory, but on the whole it is a comprehensive inventory for the palace.

I may as well admit that I passed this tablet onto Rita as I am constitutionally lazy when it comes to deciphering long tablets. However, this is not the only reason. It is vital that Rita master (subjunctive) complex tablets that pose a huge challenge. This one certainly does.

 

 

Cretan pictograms – 24-29: livestock (possibly/probably/definitely) known


Cretan pictograms – 24-29: livestock (possibly/probably/definitely) known:

Cretan pictograms livestock agricultural

The Cretan pictograms in the livestock sector pretty much speak for themselves. The only definite one is that for rams. The rest are probable, and open to dispute.

Cretan pictograms – 15-23: crops (possibly/probably/definitely) known


Cretan pictograms – 15-23: crops (possibly/probably/definitely) known:

Cretan pictographs crops

All of the Cretan pictograms from 15 to 23 definitely deal with crops, though in some cases we cannot tell for certain which ones. In other cases, the crops represented by their respective pictograms are either probably or definitely identified. 17a. & 17b. are spice containers. 19a. – 19c. are 3 variants for olives/olive oil. 22. is absolutely the ideogram for wheat. 20. (multiple variants) is saffron.

The first two examples of so-called Cretan hieroglyphs appear to be 4 separate palm-leaf tablets, but are in fact one 4 sided-bar:


The first two examples of so-called Cretan hieroglyphs appear to be 4 separate palm-leaf tablets, but are in fact one 4 sided-bar:

Knossos 4 sided bar in Cretan hieroglyphics or not

The first two examples of so-called Cretan hieroglyphs appear to be 4 separate palm-leaf tablets, but are in fact one 4 sided-bar from Knossos. This is of great significance, because if I am right and the text is sequential, from start to finish, and runs dextrograde on each side (which it almost certainly does) then a clear pattern emerges. 5 distinct links are found on the four sides. These are clearly marked on the facsimile of this 4 sided bar (Knossos Hh (04) 03). Consequently, we can assume that this bar tallies contents, for which 5 key ideograms recur, signifying that there is a distinct coherence to the contents they tag. The four-sided bar appears to inventory not only agricultural items, namely, the produce of olive trees (olive oil) and some kind of grain crop, symbolized by the logogram which looks like the Linear A & B syllabogram ZU, but military ones as well. The ideogram for adze or labrys, which is the origin of the syllabogram A in Linear A and B, appears on face 1. Then we have what looks like a helmet on face 2 and a boars tusk helmet (L5) on face 4. (the latter the precursor, it would seem, of the Linear A & B syllabograms for E). Finally, we find an ideogram (L4) which looks like some kind of animal, and my bet is that it is a horse. All of these ideograms and logograms lend credence to a military interpretation.

So-called Cretan hieroglyphs are not hieroglyphs at all. Example 1


So-called Cretan hieroglyphs are not hieroglyphs at all. Example 1

Cretan symbolic writing ideograms a

These 2 palm-leaf tablets incised with Cretan symbols are the first example of why so-called Cretan hieroglyphs are not hieroglyphs at all. We note right off the top that there are only 6 symbols, all of which are in fact ideograms or logograms. The numeric symbols, 40 and 100 on the fist tablet and 50, 10 & 80 on the second, do not conform to Linear A and B standards. In Linear A & B, decimals to the tens (10…90) are represented by horizontal bars, 1 for 10, 2 for 20, 8 for 80 etc. It appears instead that the dots on these tablets represent decimals to the tens. This is partly because the figure for 100 on the first tablet accords with Linear A & B practice, making it more likely that the dots are indeed in the tens.

Some other symbols are clearly identifiable. No. 1. is definitely the ideogram for an adze or labrys, which in Linear A and B is metamorphosed into the syllabogram for the vowel A. 2. is more likely to represent olive tree(s) rather than olive(s), for reasons which will become apparent in upcoming examples. 5. is very likely the ideogram for helmet, because it is very similar to same ideogram in Linear B.

So what are these palm-leaf tablets about? The first appears to be primarily military, te second primarily agricultural, with the sole exception of the ideogram for helmet, which appears out of place. But perhaps it is not. Perhaps the olive tree crops are being defended by the military. We shall never know.

Just uploaded to academia.edu: Decipherment of Linear A tablet HT 86 Haghia Triada, a mirror image of HT 95


Just uploaded to academia.edu: Decipherment of Linear A tablet HT 86 Haghia Triada, a mirror image of HT 95:

decipherment of Linear A tablet HT 86 academia.edu

Linear A Tablet HT 86 (Haghia Triada) Linear A tablet HT 86 (Haghia Triada) appears to be inscribed partially in Mycenaean-derived New Minoan and partially in Old Minoan, just as is HT 95 (Haghia Triada). This is one of the most significant of all Linear A tablets, because it so closely parallels HT 95. The fact that the text of HT 86 so closely mirrors that of HT 95 lends further credence to our decipherment of both of these tablets taken together. We find approximately equal parts of Mycenaean-derived New Minoan and Old Minoan vocabulary on HT 86. Here we have the New Minoan vocabulary on HT 86: akaru, dideru (equivalent to Linear B didero), dame & minute Old Minoan vocabulary on HT 86: kunisu, saru, qara2wa (qaraiwa) & adu. We must pay special heed to the terms akaru and dideru in New Minoan, as these in turn signify " field " (archaic acc.), where all of these crops are obviously grown and didero, which is Linear A for " einkorn wheat ". As for the Old Minoan terminology, we have kunisu, which is " emmer wheat " and adu, which is a very large unit of dry measurement, probably " bales ". Astonishingly, the text as a whole admirably hangs together, all the more so when compared with that of HT 95. 

The first ever complete and entirely unique decipherment of Linear A tablet HT 123 RECTO (Haghia Triada)


The first ever complete and entirely unique decipherment of Linear A tablet HT 123 RECTO (Haghia Triada):

Linear A tablet HT 123 Haghia Triada RECTO olives saffron flax wine

This decipherment of Linear A tablet HT 123 RECTO (Haghia Triada) is entirely unique and is the first ever of its kind. It incorporates several key features never before seen in any of the failed attempts at deciphering this tablet. These are:

1. It accurately identifies the crops as (a) olives (b) wine and (c) saffron/flax;

2. It accurately identifies what all previous decipherers” have erroneously assumed to be fractions as crop shares;

3. It accurately identifies the supersyllabogram PU, which no one has ever before been able to decipher as the Old Minoan word, punikaso = Phoenician or in the case of wine = purple, equivalent to Linear B ponikiyo.

4. It clearly and accurately identifies the shares of crops, usually 8 shares per;

5. The Old Minoan Linear A word kiro appears to mean they owed, which suits the context to a T;

6. the combination of the number 8 with harvesting fits the season exactly, the month for harvesting being lunar August (at least if the Minoans counted counted their lunar months from the first month in the year, which certainly appears to be the case).

7. Since the total 20 + is right-truncated on the last line, I have to assume that it refers to 20 or more months, given that 9 months are mentioned above, with the ninth month implying that 8 preceded it, for a total 17. The number 4 with the unknown character probably also references months, bringing the potential total to 21. Thus a grand total of 20+ months is not out of the question.

This is the first ever successful decipherment of Linear A tablet HT 123 (RECTO) in toto.

 

 

Now on academia.edu. Are Minoan and Mycenaean fractions fractions?


Now on academia.edu. Are Minoan and Mycenaean fractions fractions?

Click to download:

MinoanandMycenaeanfractionsornotcrops

 

This very brief, but informative tract is a real eye opener.

 

Are Minoan and Mycenaean fractions fractions? I am not at all convinced


Are Minoan and Mycenaean fractions fractions? I am not at all convinced

Are Minoan Linear A fractions fractions or something else

Are Mycenaean Linear B fractions fractions or something else

Since Minoan and Mycenaean fractions, as estimated by Andras Zeke of the Minoan Language Blog and Prof. John G. Younger, fall as low as 1/10 and 1/32, I am not at all convinced that these are fractions at all. They are, as far as I can tell, crop shares. This makes a lot more sense, since we are dealing with farming, where crop shares have always been of paramount importance. As for units of measurement, we have no real idea what they were, since Minoan Crete and the Mycenaean Empire are so remote in history. No one can possibly determine fractions that far back in history. In fact, Prof. Younger and Andras Zeke cannot even agree on the values of the fractions... not that that argument invalidates the notion they are not fractions. That is a specious argument. However, it makes more sense to consider these as crop shares, especially in view of the fact that some of the Mycenaean symbols are so remarkably similar to their Minoan counterparts. The appearance of symbols has nothing to do with what we take them to mean. This again is an arbitrary decision, which may be right or wrong.  

Linear B tablet HT 118 (Haghia Triada), livestock on plots of land


Linear B tablet HT 118 (Haghia Triada), livestock on plots of land:

Minoan Linear A tablet HT 118 Haghia Triada

While this tablet does present some problems in the decipherment of the kinds of livestock on it, that does not mean we do not have a relatively reasonable picture of which ones they are. Beside madi, which appears to mean “pig” from the context, the other 3 are qaqaru, arisa and riruma. Now these 3 probably mean “cow”, “bull” and “ox” in turn. But if they must be permuted. In other words, if the first word, qaqaru, means “cow”, then the other two mean “bull” and “ox”, but in which order we cannot tell. Thus, it is necessary to permute all 3 words for all 3 kinds of livestock at each occurrence. The supersyllabogram KI almost certainly refers to “a plot of land”, because it is repeated twice, and after all, we do find livestock on plots of land.

I have now deciphered, in whole or in part, 17 tablets from Haghia Triada alone, and somewhere in the order of 35 altogether, regardless of provenance.